My Fall Preparation

I've been away from my blog for several weeks now, mainly because of my Granddaughter Micah's visit earlier this month and then our trip to Washington, D.C. last week.  The title of my post is a little tongue-in-cheek since it doesn't have anything to do with decorating for the Fall season even though I've included a photo of one of my favorite wallhanging from a Jan Patek pattern done raw appliquéd in the style of Sarah Sporer finished in the last Century.  Rather, it has to do with my being laid up for the next five to six weeks because of a fractured knee cap which I suffered in the first hour of being in Washington D.C.  No, I was not on my iPhone but tripped over an uneven sidewalk walking to the Smithsonian Natural History Museum.  The pumpkin in my wallhanging really reflects how I feel right now.  The reason why this post is titled My Fall Preparation is because after the accident and having a brief pity party, I realized that my past decisions and activities have prepared me for this temporary hiatus from the downstairs sewing studio due to my unfortunate fall.

Before the interruptions of the granddaughter visit and the vacation, I finished my October blocks for the Classic Meets Modern QAL and the Fireburst Mystery top hosted by Tish in Wonderland.  The remainder of the CMM top consists of only the filler blocks and very unlike me, I've already precut them and can now be sewn on my upstairs sewing machine in my almost formal sewing room, aka, the dining room.

I also started two 2x4 projects, one made with Moda's London Calling fabrics and one made from a  RJR Pie Making Day jelly roll and I can also continue sewing the blocks upstairs.

What was intended as a road trip project, the Happy Flowers EPP inspired by Rene' Creates is now a great project to do and will keep me busy for awhile laying either on my recliner or on my adjustable mattress bed which we thankfully purchased last year.  It really has been put to great use this past week and boy is Tiffany Haddish funny.

And other past activities which contributed to my Fall Preparation is I recently finished my son's quilt so he's been very helpful and even photographed the pumpkin wallhanging for this post.  Best past activity of all for my Fall Preparation is marrying my hubby almost forty-five years ago and he's has been more than helpful and absolutely wonderful.  I'm pretty sure he, the Master Quiltholder, is going to be able to navigate my downstairs sewing studio, if I draw him a good map to find the sewing projects I need upstairs.  Thankfully, I keep all of my projects on a cart so it's going to be easy for him, I hope.  Maybe, a future plan would be to teach him how to sew but that would be asking too much, right?

Like my dear friend, Dee, who said "God must have wanted to slow you down for a reason", I have to admit I'm really catching up on some major zzzz's now and there won't be any late night quilting till the A.M. for awhile.  I made a very abbreviated stop at Dee's house near Cleveland, OH on the way home from D.C. to gift her the Gee Whiz Quilt.  We became fast friends in 2016 right before the World Series between the Chicago Cubs and the Cleveland Indians and I still feel a little guilty about winning the great quilting bet of a layer cake of Pat Sloan fabric.  Most important, we stayed friends. (can you see my Walker next to me--I named her Sandra for you know who--pun intended).

I don't think I will be posting for awhile now since I only do when I have some sort of finish which usually happens in my studio downstairs. I definitely will be reading other bloggers' posts which will make the healing time go by nicer.  I will say that I'm moving up and down the stairs to the second floor is pretty good using my derriere and legs, (who would have thought I's be reusing those toddler skills now) so maybe in a couple of weeks I might be tempted to venture downstairs to the studio.  The first step might be the trickiest and definitely Hubby will need to be around.  

I hope everyone has a Happy Halloween today.  Usually I don't want or say this at this time of year, but I'm really looking forward to the holidays and December coming quickly when hopefully my knee will be healed.  Wish me well!

Linking up with: My Quilt Infatuation, NTT

Throwback Thursday: Forever 30's

Clarification: I'm talking reproduction fabrics now and not about age which I don't think this would be the age I would want to be forever since this is when my boys were born and wee littles, so no Thank You, I'm still recovering. 

30's Reproduction Prints have always been one of my favorite fabrics since I started my quilting journey in the mid-1990's.  My three fave fabrics then were Fassett, Feedsack and 30's and I'm still making quilts with all of them since I still love them and also have quite a bit of each in my stash.  I've already posted this year about Fassett and Feedsack love so I thought it was time to do a 30's post and what better way to do it is with a Throwback Thursday post. (This linky party is usually hosted by Sandra of mmm quilts but for the remainder of the year, Andree of Quilting & Learning - What A Combo blog will graciously be hosting).  This is a great way to do some Show and Tell and reminisce about about the 30's quilts I've made during the past twenty years--definitely before my Blog days. Doesn't the yo-yo quilt look sweet on Susannah The Tin Goat's back?

I fell in love with 30's Reproduction Prints (which are so called, if case you didn't know, because they were inspired by 30's Feedsack prints) when I first started haunting my local quilt shop and saw this poppy print on one of their display quilts.  I was so surprised and sad to learn that this reproduction print was no longer available then, which being a novice didn't understand the concept of fabric lines being available only for a season, just like fashion. Thankfully I've been quilting long enough now to know that some prints or lines get reissued and this print was reissued but only on a much smaller scale years later.  I ended up buying the original print on the secondary market which was way more than the $1.36/fq price which was such a bargain price back then.  It should be no surprise that I've accumulated quite a stash, since after I started working at this quilt shop, I bought them with my 40% employee discount which made the cost under $1.  Aunt Grace prints were designed by Judie Rothermel for Marcus Brothers and were the ones to buy, others came later, had almost the same feel as authentic feedsack fabrics, somewhat coarse.  The prints were so fun and cheerful, came in so many colors and as you can tell by my quilts, you have to use a lot of prints, `ala scrappy when you do 30's.  You also have to make the quilts big too.

Another reason for loving 30's prints were the antique/vintage quilts I saw in books and publications. Since I am the first quilter in my family and didn't inherit any of these quilts, I knew I had to make my own "antique" quilts and my first 30"s quilt was going to be a Grandmother's Flower Garden, which I posted about last year.  This was probably one of the first quilts I came up with an alternative finish (which I tend to do rather than abandoning the project) after I realized these quilts were so named because you probably became one after finishing one.

Forever 30's has a double meaning for me -- loving the fabrics and also any 30's quilt I've made were not quick; they took forever, like years, to finish. I only made no more than ten quilts in the last twenty years and, as I mentioned before, most of my quilts are big, either queen, double or twin size.  I've made only two table toppers and this one, a lap quilt. Most of these quilts started as hand piecing projects while on road trips and I don't think I ever totally used up any of the fabrics, some of them are used with other quilts and some fabrics will live quietly forever in my scrap or tidbit pile. Also being the big patch, make them easy and quick Quilter that I am, you can see by these quilts, they are all made with small patches, the largest patch being maybe 4" and the smallest patch is 1" finished which does not make a quick quilt.  I had to show the quilt made with Kaye England's 30's fabrics--sometimes you wonder why you go through the hassle of piecing when there's a wonderful cheater print also in the fabric line.  The two sides are separated by the red binding in the middle and a portion of the pieced top is on the right.  I guess you can call this a reversible quilt.

Before I purchased my die-cutters, the go-to tools for making 30's quilts were (no affiliated links here) my June Tailor Shape-Cut ruler for cutting squares and strips, Triangle Paper for the HST which was so appreciated for the Pinwheel/Broken Dish Quilt made up with 1" finished half triangles, Clover Yo-Yo maker and paper pieces.

You can see which tools were used for the making of some of these quilts and I don't think they would be in their finally finish state if it weren't for them.  I apologize for not showing full size photos or recent photos of some of these quilts, but some of them are huge and there was no way Master Quilt Holder could hold them up by himself yesterday. The Apprentice Quilt Holder had just got off duty and is sleeping on the couch. Quilts just don't look pretty when a grouch is holding them up.  (Today, of course, it was too windy to take photos outside.)

I always have a 30's quilt on my project plate.  The Clamshell quilt top, on the left, which was a road trip project but then became too large, has been waiting several years now for me to decide on a border color--should it be the traditional green or maybe salmon pink or lavender.  I need to check out the 30's solids once and for all.  And speaking of greens, when I first started, Niles Green, which was the color used for the Irish Chain Quilt, was the shade of green to use in order to be authentic.  Looking at it now, it's a rather dull green and I'm glad to see there are other brighter greens which goes so well with the 30's fabrics now.  Working on the one patch quilt, on the right, should resume again, because the Fall TV shows have started and there's a lot of good shows for me to sew by.  I probably should start thinking of its border color now.

Thanks to Shannon of The Flemings Nine I started another 30's quilt project. When I saw and purchased her Sweetart pattern, I knew I wanted to make it with my bundle of Aunt Grace Around The World prints which came out in 2005.  It's about time, thirteen years, that I make something with these wonderful, fun prints, don't you think?  

I wanted to make a modern 30's quilt with this pattern and after playing around with the fabrics, I did make a slight change with the block layout since I wanted to showcase the prints more than the happy, bright green I found in my stash.  I love it when the purchase of three yards of green fabric many moons ago finally gets to be used, I think a Minecraft quilt was the reason. As with my other 30's quilts, my Thirties Tart may take me forever to make, because I may do a QAYG with each block since there is no way I can duplicate the wonderful quilting Shannon did on her Sweet Tart quilt. Oh, I have to mention that all of the patches for my Thirties Tart quilt were all die-cut, the first 30's quilt to have this distinction.

I'm still loving my 30's stash and projects even after more than twenty years. It still doesn't look like my stash has dwindled, I sort of think that these fabrics reproduce themselves--is that why they're call reproduction fabrics, ha, ha, getting goofy now from writing this post.  I have a lot more chunks than fat quarters which is still enough to make more scrappy 30's quilts -- the more is merrier. Too bad I can't buy them anymore at 1.36/FQ or under $1/FQ.  Also sad is that I can't lay any of my 30's quilt on a bed being that Sophie, the World's Worst Dog just loves to mess up a made bed and scratch on my quilts.  It's nice that these lovelies could come out of the closet to enjoy a day in the Sun.

Linking up with: Andree of Quilting & Learning - What A Combo

Slinky To The Finally Finish Line

Last month when I finished the Slinky top, I had mentioned that I needed to quilt it as soon as possible because Fall was in the air despite being in a heat wave at that time.  And wouldn't you know it, after finally having some cool temps for a few hours this week, a voice living outside my head said: "Are you ever going to finish my quilt?".  Yes, the screaming squirrel has morphed into my 6'4" son and the quilt was now needed at the fire station. It's not that I wasn't working on it, just thinking about it for the past month.  I still had to purchase the Star War fabric for the backing and I was tempted to not quilt it myself since this was going to be the largest quilt I ever machine quilted so I needed to ruminate for the challenges.  Slinky was finally finished yesterday and wouldn't you know it, we're going to be having cloudy weather for the next few days so my photos are going to be on the dismal side.  Master Quilt Holder is happy that this quilt needed to be hung off the screen room room since it was too long for him to hold up.

The fabrics I chose were Amy Ellis' Chic Neutral, which I had in my stash, a charm pack and yardage were left over after using it as a test quilt for the Jelly Roll Charm Chase Quilt last year and also yardage of Marcus Brothers Aged Muslin in gray.  Since I had to design Slinky around the charm pack, the quilt is made up of 4.5" squares and strips in varying widths as you can see in my sketch.

I wanted a modern look rather than a traditional one patch layout and was inspired by some of the quilts I've seen made by Kelly Young of My Quilt Infatuation and others on Pinterest.  I opted for the gray strips to be equal on both sides rather than offset since I thought it would have looked crooked laying on the bed. The sizes of the gray strips depended on what I could have cut from my June Tailor Shape Cut ruler since I wanted them to be exactly the same size and my cuts are never accurate when it involves cutting them either with a ruler or the measurements on the cutting mat.  I've learned from making my Regatta quilt  that it's easier for me to precut my strips to size before sewing and not to cut them to size after the top is sewn. After the top was sewn, the end of my rows were exact and, if I can remember, there was no trimming at all.

For such an easy pattern, there was a challenge with Slinky when I was sewing the top. Once the squares and strips were laid out on my design board, the squares were numbered and the rows separated by a fabric scrap in between, this should have been an easy sew but it was not since I wasn't paying close enough attention to the numbers and sometimes inadvertently flipped some of the squares the wrong way up while sewing them together.  Sir Seam Ripper was called to action way too often to take apart some rows which I knew were wrong when two squares of the same fabrics happened to be in the same spot and didn't noticed it until after it was sewn together.  Lesson learned--take a photo of your layout before sewing for reference, which I did several times before the seam ripping began.

Once the top was sewn I was ready to take a break from Slinky because I had other projects like my Echinacea Quilt which I mistakenly thought needed to be finished for the 2018 Quilt Bloggers Festival and there were other new DrEAMi projects which distracted me from the inevitable piecing of the Star Wars backing.  Normally, I'm not particular about matching seam lines which is why I choose busy prints for the backing, but the Star Wars print needed to match.  I thought I did a pretty good job by getting Princess Leia's shoulders to match but after the backing was sewn, I realized the match point should have been Darth Vader and Luke Skywalker with their lightsabers.  Oh well, not too noticeable, right?  And this should prevent Demando from using the backing for the top which someone (specifically his sister-in-law) does.  Sometimes piecing is not appreciated when the backing is really cute or cool.  My only disappointment with the Star Wars fabric is that Yoda does not appear on it and would have been sweet since Demando used to call my late mother, his grandmother, Yoda.  BTW, when my sweet granddaughter is going to call me Moda when she's able, which is way more nicer sounding than "Da" which sounds like dog.

Slinky measures 68"x 90" after quilting which is not as long as I would have liked; I am still amazed that the quilting could shrink a quilt as much as 2". The machine quilting went very nicely, despite the size and the wrestling involved--just straight lines along the seams and slinky, wavey lines in between using a gray thread on top and silver on the bottom.  Surprisingly and very welcomed was the lack of distortion on the sides--I think the tight weave of the Aged Muslin prevented that which is also why I used a Chrome Microtex needle. I'm glad I decided at the last moment to machine bind Slinky with the gray aged muslin rather than with one of the prints used in the quilt. I had planned to use wool batting since Demando wanted the quilt to be warm so I purchased Pellon's wool batting, in Queen size, since I've already used their cotton batting for many of my quilts and never had any problems with it.  Once the wool batting was placed over the backing, I happened to look at the care instructions and much to my surprise and disappointment I saw that this it could NOT be put in the dryer which I did not notice when looking for wool batting online.  Why would or could anyone hang dry a bed quilt after washing especially in the Winter.  I can't even get a clothes line in my backyard let alone inside my house.  So the wool batting was replaced with the Pellon cotton batting in white, thankfully I just purchased a bolt of it recently and mentioned to my hubby that Demando probably wouldn't notice the difference.  I was wrong.  The first thing he said after touching the quilt was why didn't I use wool batting. I asked him how he knew and his response was Slinky felt like all of the other quilts in the house. Really, I now have Quilt Detective Demando living in our house. When I explained to him that the quilt would have to have been hang dry which is hard when the weather is cold, Demando's response was didn't I know that quilts were supposed to be washed in the Springtime so they could be hung outside. Demando knows way too much about quilting for someone who's never made a quilt.  

All in all, I'm happy that Slinky is a Finally Finish and I really like this pattern which I think will be using it again--it's great for squares which I have with the many charm packs I have and can easily be die cut from my stash. Demando is happy, he better be, despite not having a long, super warm quilt to sleep under while he's at the fire station.  My thought, he shouldn't get too comfortable, after all he's on duty.  Maybe, I'll make him a new quilt with the wool batting for his bedroom at home so he can wash it and hang dry it outside himself if and when I ever get my clothesline.  A Mother's love only goes so far now that my granddaughter is around.

Linking up with: DrEAMi September Linky Party, Cooking Up Quilts, Main Crush Monday, Quilting is More Fun Than Housework, Oh Scrap!, My Quilt Infatuation, Needle and Thread Thursday,  and Crazy Mom's Finish It Up Friday.