Graphix Galaxy

Graphix Galaxy is my third Finally Finish quilt for 2025 and has unexpectedly bumped the posting of my second quilt finish which  is the birthday quilt for the Darling Granddaughter. Our plans to be at the GP House now was interrupted by the Master Quilt Holder (Hubby) continuing back problems and his needing to see the Orthopedic Surgeon for a possible Kyphoplasty procedure on his spine. The soonest he could be seen was on the Darling Granddaughter’s birthday which meant we needed to stay home for that and because he was in no condition to make the trip.  There is no way I could post her birthday quilt without a photo of her with it so hopefully there will be a joyful Post next month.

Graphix Galaxy was inspired by the Braque Quilt Pattern by Melinda Lin and I was made aware of this pattern by Kate from England. If you read my previous Posts, you will know that I have been inspired by Kate of The Last Homely House and I’m being a little cheeky here by saying not this Kate, but Smiles from Kate who inspired me to be a participant in the 2017 New Quilt Bloggers. When I saw Kate’s quilt on IG, I had to ask her if this was a pattern and she said this was the second quilt she made from the Braque pattern. My favorite quilt to make after strips and squares are ones with HSTs especially since they  can be neatly die cut. I really used my Art History Degree to good use by misreading the pattern name as Baroque which made be wonder why there were no curves in the quilt but then realized it was named after Georges Braque, a contemporary of Pablo Picasso, both of whom were pioneers in the Cubist Art Movement. A little embarrassment for me since my area of concentration was Modern Art and Architecture but in my defense my degree was earned over fifty years ago.

I knew my stash of Marcia Derse fabrics would be perfect for the Braque pattern and I’ve been wanting to use them especially since I’ve been buying her somewhat latest collections—Marble Run, Spotted  Graffiti, Random Thoughts, etc for the past years. I also added a Lonni Rossi black tone on tone print which I later decided to remove all the blocks using this print. There are four different HST blocks and I have to mention I really love making the large block on the upper left. 

My plan for making the blocks was to use the blacks, grays and lights for the large HST blocks and the bright colors for the small HSTs. I did not use the layout in the pattern because I thought my layout of just rows of HST blocks would be easier than sections of HST blocks but after multiple layouts I ended up with HST sections which made my angle-challenged mind spin or explode. My working title for this quilt was Kaboom since it seems some blasting is involved but I knew there had to be a better name which kept me up thinking what could it be. The flimsy was finished on March 15th and the plan was to maybe machine quilt it later after other flimsies and taxes were done.

It was decided the day before we were to leave for the GP House that the trip would not be made so I wanted to quilt my disappointment away by machine quilting Graphix Galaxy, even though there were other flimsies waiting, but this fit my mood. I did quadrant machine quilting which is what I call it by drawing an X across the top and then straight line machine quilt 1” apart using #2605 Steel Gray Aurifil thread. I think the diagonal quilting lines accentuate the prints and blocks. The backing was a distressed tone on tone gray print from the backing vault and the binding was a V&Co black and gray ombré stripe which I used the same print but in a different color for another Marcia Derse quilt.  Graphix Galaxy measures 64” square and the plan is to hang it in the second floor sewing studio.

Here’s some closeup pics of the wonderful prints in Graphix Galaxy. I knew I wanted this quilt to have a name referring to graphics and thought of names with comics but then remembered Demando calls them graphic novels and then thought of graphic artists having a paint ball fight. Before I chose the name Graphix Galaxy today,  I was going with Supernova which was what I wanted to call my Magical Stars quilt made last year for mmm quilts Luminous Layers QAL. Once I found out that a Supernova is not a super duper pretty star but an exploding star so I changed it to Magical Stars. I thought it was funny that I remembered the name Supernova and maybe came up with it because Sandra must have been ESPNing me since she later sent me an email alerting me of this year’s QAL and asked would I like to “preview”the pattern. Of course, so I sewed two test blocks before machine quilting Graphix Galaxy because I had some leftover quilt guilt from last year’s QAL. (I didn’t realize that I was supposed to test her pattern, just “preview” it until she announced it in an IG Post I’d made the blocks and I almost fainted in front of the Master Quilt Holder.) I understood the assignment this year and I tested the blocks with another fabric stash I’ve been collecting. I can tell you it’s another fun graphic print line and also a fun mmmake. Sandra will be announcing her new QAL on April 3rd which also happens to be her birthday.

Here’s hoping that someday I will finally make a Supernova quilt. I’m still sad that I will miss celebrating the darling Granddaughter’s birthday but it’s important that the Master Quilt Holder gets better. You will see that I only had indoor pics because I couldn’t ask MQH. Besides, it’s also very windy and cold today so maybe outdoor pics would have not been possible. And yes, I will be working on the taxes now.

Joining Kathleen McMusing/TGIFF

The Tell Tale Blues Quilt

I thought that my Tell Tale Blues quilt, which was one of the eight flimsies made since July, would be the one I would finally finish. This quilt was made with a Jelly Roll, last Saturday was Sew A Jelly Roll Day and I seem to be sew-lebrating with making quilts with 2.5” strips this month since The Kitty Corn Mix quilt was a finally finish earlier this month and another flimsy made which you will see later in this post. I mentioned this quilt in a July post when it was a flimsy and called it a dream/scream project: I’m thinking a better name for a project of this type would be a daydream since I worked on it for one day and then set it aside.

Like some of my quilts, I wasn’t planning to make my Tell Tale Blues quilt. Every day, I receive a memory photo feed from either Apple or Amazon, and I just so happened to receive the above photo of The Opposites 2.5” strip roll taken in October, 2020 which was when I purchased it. Of course, it prompted me to make another Staggered Strips and Bricks quilt like my Celestial Moonrise Quilt.

After pulling additional fabrics from The Opposite collection from my stash of Marcia Derse fabrics since the roll was not going to be enough, I decided to use the yardage of The Blue One which was a nice accent against the black, gray, white and natural tones of The Opposite fabrics.

Here’s a photo of my yardage of The Blue One before it was cut up into 4.5”x16.5” bricks, both horizontally and vertically.

Lessons learnt from the making of The Celestial Moonrise quilt on the right was applied to The Tell Tale Blues quilt. I wish I had more of the blue fabric since I think it almost gets lost against the black, grays, white and natural and not liking it too much after the flimsy was finished. It sort of looks “spooky” doesn’t it, which how I came up with the name because thumping sounds and Edgar Allen Poe came into mind as I was sewing this late into the night.

I had the perfect backing for The Tell Tale Blues quilt which was my last piece of IKEA’s 2010 Beckmans of Design print which fits the spooky feel. Even though the backing was 60” wide, I still had to sew additional strips on the side to accommodate the width of this quilt.

I was happy with my choice of using #4060 Aurifil thread for the top since it blended nicely with all of the colors and silver was used for the bottom.

Here’s some close-ups of the fabrics and the machine quilting of straight and wavey lines. For the binding, I used leftovers from The Blue One along with additional blue prints from the Marcia Derse stash. The Tell Tale Blues quilt measures 60”x80”(approx.). 

It was just a little bit windy this morning when an outside photo was taken and the Master Quilt Holder had no problems holding it up. It looks so pretty in the morning light.

Before The Tell Tale Blues quilt was a finally finished, I worked on another daydream project for several days with my 2.5” strips leftover from previous Staggered Strips and Squares quilts. Once this is quilted, I’ll have more details but wanted to show you a pic of the Master Quilt Holder and the Apprentice Quilt Holder who both were needed to hold up this 80”x92” flimsy. The Apprentice Quilt Holder is leaving the Nest which means he may not be around much to help hold up the quilts. I don’t think this was an incentive for him to finally move but it sure is nice for me to have his old bedroom for another creative space. BTW, this quilt will be for the bed which will still remain.

We’ll be heading to the GP house tomorrow where the darling Granddaughter will be babysitting us for a week. Trips to the Zoo and Pumpkin Patch are planned and maybe a little chance of some sewing and knitting.  Upon our return, some home reorganization and makeover will definitely keep Hubby and I busy.

Linking up with: My Quilt Infatuation/NTT

Postcard from Sweden sQALrrel

I started the New Year off with having no set plans or projects; just to continue participating in the 2021/22 Country Threads Dirty Dozen UFO Challenge and the yearly mmm Quilts Celebrating a Famous Canadian Birthday QAL which usuallly starts in April. Apparently now, I’m participating in two of Sandra’s QAL this year having just finished my Postcard from Sweden quilt. This one was really done under the auspices of a sQALrrel lead by madammmenabler my latest name for you know who.

I had just finished my flimsy for January’s CT UFO Challenge and had a few days to make another Brown Bear quilt for the darling Granddaughter before we left for the GP House, but what did my wondering eyes happened to see on IG on January 10th that Sandra was hosting another Postcard from Sweden QAL starting on January 16th. For a brief minute, I sort of shrugged it off having participated in the first QAL and thinking I didn’t need another one since I’m not a big fan of making quilts with solid color fabric. (You can see and read the details from the first PFS quilt Here.) But then my mind got to thinking of other possibilities this quilt could be made with like, Grunge or other tone on tone fabrics which I’ve amassed during the last months of 2021 but then realized that the latest Postcard from Sweden (PFS) quilt would be so interesting in Marcia Derse fabrics which I’ve been collecting for over ten years. I still had the pattern, fabric cards I made of the Kaffe Fassett Shot Cottons and Peppered Cottons used for the first PFS quilt and the extra HSTs leftover which came in handy so rather than waiting to start on the official start date, I wanted to start right away to see if my idea of using prints would work. 

The color cards helped in in choosing which Marcia Derse fabrics were similar to the Shot Cotton/Peppered Cotton used before and I did not limit my selection to just solids but also included prints which I thought would add an interesting look to my second PFS quilt. (I might add thatI did this when I should have been working on the Brown Bear II Quilt of which I’m saying I took a brief “Paws”.) The original PFS quilt used 36 different fabrics but for PFS II I used 46 different fabrics since there were some Marcia Derse fabrics which I didn’t have enough of and used Shot and Peppered cotton HST leftovers of the same color number and mixed it with that. I did have to resort using one Lonni Rossi print for the one color I still didn’t have enough so there is one color number which uses three different prints which makes PFS II so interesting.

Even though the QAL did not officially start until January 16th, my blocks were finished by the 13th, right before leaving for the GP House with the Brown Bear II quilt in tow. I made my blocks one at a time to make sure the correct fabric was in the right place and the seams were pressed in the right direction. I normally walk over to the ironing board which is a few feet away to press but decided to purchase a TV tray to make an ironing station next to  my sewing machine in order to keep my blocks straight and to save time—what a difference.

Sandra “egg-couraged” me by saying that my PFS quilt would probably be finished by the 18th but only the flimsy was. It could have been done if we didn’t go to the GP House and although it would have been tempting to stay home it wasn’t enough for me to give up seeing my darling Granddaughter even though she had a cold/cough. Fortunately, we returned home with our health in check and the PFS II quilt was a finally finished on the 20th.

Like the first PFS Quilt, machine quilting was done with wavey lines, 1” apart and a CT Essential Thread in Magenta was used. While sewing this quilt, I was worried about the binding since I knew I did not have any yardage of a Marcia Derse fabric I could used but fortunately last year I inadvertently ordered a yard of V&Company ombré woven fabric in Magenta which worked well with this quilt.