A Week Down Under

A little fun with the Post title since it doesn’t refer to traveling to Australia but to the time I spent in my sewing space which I named Studio UP (Underground Palace) which is the finished basement where most of my quilt joy happens. One of the disadvantages of sewing done under are the spiders who are not spinning me fabric but instead are annoying me with their nasty webs and sometime appearances. One of the ways I deal with these unwanted studio mates are with “Spider” Balls. After spending this past week down under,  I decided I needed to replenish my supply after I made two flimsies which you will see below. They’re quick and easy to make with the leftover skinny fabric strips made when die-cutting, which I hate to discard, and the never ending batting scraps. I fold a 2” batting square in quarters and then wrap at least a 20” x 1/4 wide strip around the batting square. I do add a spot of glue before and after wrapping to hold the strip in place and trim any fabric frays. They are not round as balls and remind me more of oyster crackers but naming them spider crackers just didn’t appeal to me. Like moth balls, my Spider Balls are repellants once I add a few drops of peppermint essential oil. I could use white cotton balls but these are way more prettier. I put the Spider Balls in glass jars, group them in lids or push one in a water bottle cap which would also make a compact pin cushion. I do have to refresh them with the peppermint essential oils every few days but I see it as exercise since they are placed all around my 20’x30’ studio and it does make my studio smell good. As you can see, my latest batch of Spider Balls  filled an empty oatmeal container and were made while watching TV upstairs. I will admit that the Spider Balls don’t deter the spiders entirely and in which case I have to use my voice activated Spider Man system which is my screaming and Hubby running down the stairs. Unfortunately, this doesn’t work when he’s not home.

The Spider Balls were made mostly from trimmings from Jen Kingwell (JK) fabrics, another reason for the reference to Down Under, used for the two flimsies finished this past week. The top quilt is the Wensleydale pattern designed by Jen Kingwell, the Down Under Quit Extraordinaire, a foundation pieced project, which I started last October and finished sewing all 60 sixty blocks in early June. The bottom quilt was made with a JK’s Fine and Sunny Jelly Roll plus some of her other fabric lines in order to make the Running Doe Quilts Mazed pattern larger which I’m definitely going to make again. Once these quilts are a finally finished I’ll do another Post. And to add to the Down Under vibe is while I was sewing these two flimsies, I was listening to one of my favorite authors, Kate Morton’s latest book Homecoming which is set in Australia.

We’re heading to the GP house where Hubby is finishing the basement and planning a studio space for me. I know when that happens I’ll definitely will make more Spider Balls which I already have the makings needed and way more courage since I still have not gone down under there still after four years. (For those who don’t know, the GP House is the Grandparent House which we purchased this 100 year old fixer-upper and is next door to the darling Granddaughter. It is our second home where we visit every other week. I have avoided the basement after Hubby found some meat hooks hanging around and I don’t like horror movies). I would rather fly to down under and I don’t like to fly despite claims from my menfolk that I fly on a broom, than go down to the GP basement.

Happy Sewing wherever you sew!

FALLing into Piecing

For the past two weeks, which involved the darling granddaughter babysitting us for a week which we recovered nicely and being home this week, I have no finished quilt to post; only some new projects in the beginning stages and a hopeful solution involving fabric.

During the week we were at the Grandparent House, I started making Jen Kingwell Wensleydale blocks with foundation paper piecing after much hesitation but was finally inspired to make them thanks to my down under Quilt torMentor Sue of Patchwork and Play who is doing a wonderful job with her blocks. I won’t give too much details right now but only to mention before finishing the very first block, I was ready to call it quits and was planning an Escape from Wensleydale quilt. After much careful ripping of patches and finally making the first block which took more than three hours due to some fabric patches being too small and some distraction, I decided to do another block but this time cutting my patches larger resulting in some waste but was worth it. I originally precut my patches based on the templates in the Quilt Recipe book and adding 1/4”around. For me adding 1/2” around worked much better. I’m using several Jen Kingwell fabric lines which  include some bright colors and prints and to tone it down, I’ll be making neutral blocks to alternate with these colorful blocks.

Before I can continue with the Wensleydale blocks, I had to decide what I was going to do with the Jen Kingwell Glitter Blocks which I paper pieced last year. After making forty of these blocks, I decided to stop since I couldn’t see making a large quilt with these blocks. I came up with a plan to make a wall/door hanging for the recently vacated bedroom using  the gray/tan Radiator Cover print, designed by Amanda Nyberg purchased several years ago, for sashing with apple green cornerstones. Now that I have a plan for the Glitter blocks, this will free up the fabrics set aside and can now use it for the Wensleydale Blocks which will give them even more variety.

The October Project Number for Country Threads Dirty Dozen UFO Challenge was Five and in my group of projects for  this number was two quilts using Sandy Gervais fabrics which I am calling them FALLoween #1 and FALLoween #2. I still have a nice stash of Sandy Gervais fabrics and my favorites are the ones she designed for Fall and Halloween. This week, I’ve been busy die-cutting  HSTs and squares plus sewing 2.5” strips together which were die-cut last year. BTW, the skinny strips leftover from die-cutting the strips were used to make what I call fabric marbles seen in the top opening photo of this post. I am hoping I will have both of these finished by the end of the month.

When we were with the darling Granddaughter last week and observing the napkin war she was having with her father who thinks she shouldn’t be throwing her paper napkin on the floor after one use or not using one at all, I decided to make her some fabric napkins. I know when we eat at Olive Garden she uses the fabric napkins and doesn’t throw them on the floor and may take disposable napkins to heart by throwing them on the floor. I remember seeing a post about fabric napkins made with terry cloth so I purchased a pack of 18 for under $7. These inexpensive washcloths are the right weight to go with the fabric. I trimmed the wash cloths to 10” square since the size of each one differed which turned out to be a good idea since I could use a 10” cut x width of fat quarter to make two napkins. After top-stitching around the napkin edges, I also did diagonal stitching on the center to make sure the fabrics stayed together after washing. I have washed the napkins after sewing 18 of them and I can say they are nice and soft, not wrinkly and probably will get softer after each washing. Here’s hoping the darling Granddaughter will use them so I don’t have to hear her father say “Napkin” at least twenty times during meals. In her defense, I will say her father was a very messy eater when he was her age.

Another thing that kept me busy was the slow makeover of the recently vacated bedroom once occupied by Demando along with other rooms. My yarn stash which has been residing in the dining room and the spare bedroom will now be residing in this bedroom since the nice IKEA shelf unit was left behind. And if I didn’t have enough Jen Kingwell during the past two weeks, my Gypsy King bedroom  ensemble was finally laid out this week; the king-size quilt was finished October of last year. So far, there has been no bad dreams sleeping under the Gypsy Wife quilt.

We’re once again heading off to the Grandparent House. It’s nice to know that upon my return I’m going to have some wonderful projects to sew but then again there’s also more room/closet reorganization to do. I need a magic nose.

The Ernie Express Quilt, Etc.

It isn’t very often when after a quilt is a finally finished that the weather is co-operative for taking photos outside. This past Tuesday was one of these rare occasions with beautiful sunny skies, warm temperatures with a slight breeze and the landscaping around our house looking presentable thanks to the Master Quilt Holder which made taking photos such a pleasure for once. 

Last August, I purchased a fat quarter bundle of Jen Kingwell Grainline Wovens with the intention of making another Ernie Quilt (You can see the previous ones make here) with this and  my stash of Jen Kingwell fabric scraps. After my strips were cut, combinations decided and strip sets sewn, the project was put away and sort of forgotten until I happened to come across it this past March.  

As I was ready to start cutting the strip sets to sew the 4”x8” blocks, I happened to catch with the corner of my eyes, the 6” Checkerboard Express block which I designed for Moda’s 2017 Countdown to Christmas, (You can see the tutorial here), hanging on the board next to my sewing machine. I thought that I could spice up the Ernie Block if I changed the orientation of the block and make the blocks 12” x 16”.

I also had another idea of instead of using just two fabrics, I would use four fabrics just like the original block I submitted to Moda. I decided that this block would be my “A” Blocks which would be the checkerboard blocks in the center and the rail blocks on the outside. Since I didn’t want all of the blocks to be “A” which then all of the checkerboard segments of the blocks would be lined up and running up and down the quilt, so to offset this, I designed a “B” block with the checkerboards on the outside and the rail block in the center and only using two fabrics. Because of this newly inspired design, I had to add some Cotton+Steel and other bright prints so there was enough fabric and variety for more strip sets.

After the Flimsie was finished earlier this month, I have to admit I was disappointed with the way it turned out. I liked how the “B” blocks with using just two fabrics looked and wished the “A” blocks only had two fabrics also. It’s rather ironic that after the Checkerboard Express Block with the four fabrics was accepted by Moda, I switched to just using two fabrics to keep it simple and because I liked it better--wished I remembered this when I started making this quilt.

But I’m happy to say that once I quilted it with a combination of straight and wavy lines, I really love this quilt now.  The colors and fabrics are so happy. I used an Essential Thread in Charcoal Gray and the binding was a small white polka dot on black print. Also what is nice about the Ernie Express Quilt is that it’s a finally finished but I am feeling a little guilty that I have 12+ flimsies waiting to be quilted and this one jumped ahead of the queue. Maybe it’s because I just purchased yardage of the black and white splatter print last week and knew it would be a perfect backing for the Ernie Express Quilt.

Here are some close-up shots of some of the blocks so you can see the quilting and the happy fabrics.

Before I quilted the Ernie Express Quilt, I was planning on making another one with using just two fabrics for the Type A and B Blocks with my newly acquired stash of Alison Glass fabrics but now am having second thoughts. I’m thinking now of just making just the usual Ernie Quilt unless I see another pattern for these wonderful prints. But if I do make another Ernie Express Quilt, I will provide instructions on how to make it since I’ve come up with a different and maybe a faster way to make the blocks. If the strip sets for this quilt weren’t already cut and sewn, I would have made it this way.

I thought it would be interesting to show a photo of my first Ernie quilt made over four years ago with Jen Kingwell fabrics next to the Ernie Express Quilt, so named since it was inspired by the Checkerboard Express block.

Here’s a photo of the happy Master Quilt Holder who was glad these photos went without a hitch. This quilt measures 60” x 80” which was just the right size to hang it on the garage door with heavy duty magnetic clips which I learned about these from Shannon, The Fleming Nines, who learned about them from Myra, Busy Hand Quilts. Between hanging long quilts from the garage door or from the gutter outside the screen room, I don’t think a clothesline is needed which makes the Master Quilt Holder very happpy.

I had to include a photo of the Ernie Express Quilt with my metal goat Susannah as a shoutout to Mary Etherington, Country Threads, the designer and inspiration for the Ernie Quilts.

Just when I’m thinking that my stash of Jen Kingwell fabrics is dwindling, I’ve decided that I need a new challenge, which didn’t involve falling down and bumping my head and making me forget I have a “fear of Jen Kingwell patterns.” Maybe it’s because of inspiration from my down under quiltTormentor Sue, Patchwork and Play and her wonderful creations she’s been posting lately on her Instagram and Blog.  I have a new “forever” project with Jen Kingwell’s Glitter pattern which I’ve been procrastinating doing since finishing Smitten several years ago. The templates were purchased back then and I admit I was not looking forward to cutting the fabric until I saw that paper pieces were available.  I originally was going to use reproduction fabrics but decided that I needed more Jen Kingwell fabrics so I purchased a fat quarter bundle of WikiPops and a jelly roll of Fine and Sunny, my early Mother’s Day present. Cutting the fabric pieces will be easy with the templates and using 2-1/2” strips, which I am looking forward to cutting up my new stash. I think there might be leftovers and another Ernie quilt would need to be made which now seems to be a tradition.

My first four blocks for the Sandra, mmmquilts, Follow Your Own Path QAL, are sewn and I am happy to say these blocks were a snap to make which is no surprise. After participating in all five of Sandra’s QAL, her patterns are fun, sew easy and quite conducive to wanting to finish the quilts all at once.  I am quite surprised at myself for sewing on schedule and not being the usual “rebel”in her QAL. But I do have a new name for her; the great mmm-tivator. Funny I had visions of Darth Vader and hearing the Empire music as I was typing this.

Thanks to my Accuquilt Go Baby die cutter and Flying Geese die along with my Stripology Ruler and a brand new blade on my rotary cutter, the remaining patches are cut and I am ready to sew the rest of the blocks.  My quilt will be the throw size and my arrows will be going both left and right. But before that, the dreaded Tax Returns must be filed first.

If you have been reading other posts on Blogger, you will know that starting in July, Feedburner will no longer be sending posts through email but you could continue seeing posts through Bloglovin which is a problem for me since my posts are no longer being picked up by them. I’ve contacted them several times and have not yet received a response. For several years I’ve been avoiding link-ups since it seem to be atttracting “strange” activities on my blog but I guess I will start doing link-ups again. Hopefully I can resolve my Bloglovin issues before July.

Linking up with My Quilt Infatuation, Needle and Thread Thursday and From Bolt to Beauty, Brag About Your Beauties.

February DrEAMi: Specks, Strips and Squares, Oh My Quilt

This quilt was an unexpected finally finish for February, or as it is properly called by Sandra of MMM quilts, a DrEAMi!. It wasn't even in my plans to make which means a Squirrel was involved. Screamer, the Squirrel, was sent to me by my down-under Quilt torMENTOR, Susan of PatchworknPlay who is one of the major reason why I started blogging with her just saying "you should start a blog-it's easy" or something to that effect.  She has a way of making me do things especially with the beautiful quilts she has made with her fabulous fabric and color combinations.  I first started following Susan when she was posting a Jen Kingwell pattern she was then making called "My Small World" and I then became aware of Jen's many wonderful, but complicated patterns.  I should have then realize that Jen and Susan seem to go hand to hand. I finished my Gypsy Wife quilt several years ago and it still makes me go cross eye when I think about the making of this quilt and, in typical fashion, as I have done with other challenging quilts, I took the easy way out and eliminated the setting strips and set the blocks sampler style.  My thought was that after all the hard work making all of these blocks, I wasn't going to do a jelly roll race at the end--this coming from me who loves to make easy quilts with strips, especially 2.5" strips.  To further solidify my feelings of any Kingwell patterns are a test of quilt fortitude, I did finish Smitten. So getting back to Susan's involvement with the making of the Specks, Strips and Squares (S3) quilt. Now remember she has a way with her words, being a teacher and all, after I had posted about finishing my Classic Meet Modern BOM quilt this past January and mentioning that it was challenging and refreshing to make something a little bit harder, she left a comment "I hope the success of it encourages you to try more difficult designs and blocks! Perhaps Delilah (a Jen Kingwell pattern) could be your next one??"  Disclaimer:  I did warn Susan about this post earlier and that I was going to throw her under the bus so hopefully I didn't break any sanctity of comments and deter anyone else from ever leaving me comments.  Well, after reading the mere mention of Jen Kingwell's name, I went into mind numb mode with a screaming "No" and my eyes started crossing, my usual reaction which is what I call Fear of Jen Kingwell patterns. Some time later, I retreated to my sewing studio with Sue's comment fresh in my head; I'm lucky I didn't fall down the stairs thus wasting the time I've already done doing physical therapy for my healed fractured knee--don't you love my dramatics and guilt I'm throwing into this post?

While in this mindset of  my Fear of Jen Kingwell patterns and putting away fabric, I came across my stash of Jen Kingwell fabric and scraps.

The scraps came from these two quilts made from a Gardenvale Jelly Roll (right) and Lollies yardage and a Behind the Scenes Jelly Roll (left) and some yardage.  Even though I had other projects I wanted to work on, I thought maybe purging any thoughts of doing a Jen Kingwell pattern, I would use her fabric from my stash and challenge myself to make a quilt with what I had; taking the easy way out once again by doing something with just strips and squares.

Since I had a Gardenvale charm pack which I received in a giveaway, I considered using either my Jelly Roll Charm Chase or my Staggered Strips and Squares patterns, but the two packs of the Speck mini charms and not having much variety with the yardage I had to make long 2.5" strips, I came up with a pattern to spread out the dots, stripes and the multi-color check print in some kind of order. This quilt is made up of 4.5" squares from the charm pack and yardage, 2.5" x 8.5" rail strips from yardage and 2.5" x 6.5" rail strips from the Speck charm pack and yardage.  It measures approx. 54" x 72".

How do you like this backing?  Would you believe that I bought this from IKEA around 2010 and is not quite the Nummer fabric that I loved and has been discontinued. I thought I make my annual mention/plea that I wish IKEA would bring back their sheeting fabric, especially Nummer, which was perfect for quilt backing.  The home dec they now carry is just too heavy although the prints are fun.

Here's a close up shots of the quilting (my go-to wavy and straight line  with black Aurifil thread) and backing.  I showed it to my son, Demando, who promptly called the backing a Nightmare and questioned who would want that on the back of their quilt.  Obviously, someone like me who thought it was sort of representative of my fear of Jen Kingwell patterns and thought it would add a quirky touch to the S3 quilt. This backing does have it's limitation, I would never use it for a baby or child quilt so I had it for awhile until the perfect quilt top for it was made. I guess it also proves that I've haven't had to make a quilt for someone I don't like because that would be the perfect time to use it.  Let me say I was getting kind of spooked when I was quilting it during the wee late hours in my downstairs studio.  The only non-Jen Kingwell fabric in this quilt, besides the backing, is the black with white dots used in the binding.

I had to include a close-up of the screaming monster which I think my mind looks when someone mentions they're working on one of Jen's patterns. Doesn't it look like it's screaming a long, expressive "Noooo!" I'm glad I could finally let others in, which I may have already done, on my Fear of Jen Kingwell patterns in this post; it's all in good fun now. Knowing me, I wouldn't be surprised after this post, I'll probably do another since I do have her Glitter templates which have been sitting around for awhile. 

They say that good things come in threes or is it three times the charm. So after thinking about this, I have done three Kingwell patterns, Gypsy Wife, Smitten and Flutterby and I've now made three quilts with Jen Kingwell fabrics so I think I've earned an unofficial merit badge and I should be pretty good for awhile before I attempt another pattern. Leave it to my beloved Quilt torMENTOR Sue who left me a new comment, thus a new challenge, on my Pinky quilt about making another one called Blinky after an Australian book character named Blinky Bill.  I'm going to need some Koala fabric. BTW, I never responded to Sue for her Jen Kingwell comment so I hope she accepts this Post as my reply.  Also, do check out her Delilah quilt, it is absolutely stunning; it inspired some of my fabric and color choices for some of my quilts last year.  Send her some love but don't tell her who sent you.

Linking up with MMMiQuilts DrEAMi, Quilting Is More Fun Than Housework, Oh Scrap! and My Quilt Infatuation NTT

The Kingwell Sew Alongs: Flutterby Quilt Finished and Still Smitten-ing

I previously posted about doing two sew alongs this year both involving a Kingwell:  Flutterby by Jen Kingwell and Smitten by Lucy Carson Kingwell (you can read the post here) which is sort of ironic since I barely recovered from my Gypsy Wife experience and never thought I would do another  pattern by Jen Kingwell.  Though Flutterby is much more simpler than Gypsy Wife, ( I changed the dimensions so I could use my die-cutter 😊) it still was head spinning which could be due to each of the thirty blocks having 36 patches and trying to make sure that each one of the prints were different in each block.  I also had to be careful that the HRT patches were sewn in the correct orientation which  for an angle-challenge person makes the sewing slow.  And then there's the quilt layout where I wanted to make sure the same print weren't in the same vicinity and that's when I finally began to feel dizzy and decided then that there is so much movement in this quilt, it's wasn't going to be too noticeable if the same print is right next to each other.

If that wasn't challenging enough for me to make a quilt with over a thousand patches, I decided I wanted to do 1/2" skinny straight line quilting which there were problems in the beginning, my fault and not my Juki's, and it turned out pretty well despite a few puckers in the backing.  Flutterby measures 60" x 72" and I didn't use any of my much-loved Cotton + Steel fabrics because I felt I've been ignoring the other wonderful prints in my stash. Fabrics were from Zen Chic which was given to me from an exchange with Connie Tesene, several Allison Glass charm packs and other modern and low volume prints.  The Flutterby pattern is from Jen Kingwell's Quilt Lovely book and there are other patterns I may want to do now with Cotton + Steel and my die-cutter but will give my head a much needed rest before  I do.

I've now finished four out of the twenty-seven full hexagons (these measure 10" x 12") needed for the Smitten Quilt and am still friends with Carol who got me started on this project.  I like how these blocks turned out and enjoy sewing them while binge watching Gilmore Girls.  I've now watched 30 episodes and it looks like it's taking me an average of almost eight episodes to complete one block which is pretty slow since each episode is 45 minutes long.  I am finding that I'm getting faster and it's easier for me if I baste through the paper and not tacking down at the corners.  I have one more block left to make of this hexagon type and these might be the easiest out of all the other hexagons.  There's only five and half seasons left of Gilmore Girls for me to watch so in the event I'm not done with Smitten by the end of the series, I have another TV series lined up to watch:  Blue Bloods.  I used to be smitten with Tom Selleck.

Minus 100 Yard Challenge YTD Total:  - 31.375 yards

I still haven't bought any new fabric and we're past the first week of February.  Thankfully, I just received my monthly Cotton + Steel fabric package from Pink Cast Fabric and enjoyed oogling over the twelve fat quarters.  But best of all, I just received a wonderful gift of feedsack squares from a fellow blogger who is also a feedsack lover and am amazed that all of the prints were those I don't have.  As I said in an earlier post, feedsack fabrics and friends go together.  I think I'm going to make it through the end of February because by then I will be receiving my FQS Sew Sampler box.

Sew Strong!

My Ernie Journey

My friend, Mary Etherington, owner of Country Threads, Garner, IA, a wonderful quilt shop which is now closed and who blogs under Country Threads Chicken Scratch made this wonderful quilt using a Denyse Schmitz jelly roll plus some extra strips.  We called it the Ernie Quilt because of the backing fabric that I gave her which I purchased from Ikea and has orange cat heads which reminded me of her orange tabby Ernie Joe Mauer.  

This is Mary’s first Ernie Quilt.

Mary also made another Ernie quilting using strips from men dress shirts and it's beautiful.

What I like about these quilts is the versatility of this pattern, you can use any size strips and the blocks can be any size you want.  You're not tied down to using a jelly roll especially when you have a die-cutter and can die-cut your own 2.5" strips.  Also, I like that Mary off-set the blocks which really makes her quilts interesting and unique.

Well, I had to make a Ernie quilt too-- mine was made with a combination of a Jen Kingwell's Behind the Scenes jelly roll and yardage of her Little Lollies fabric line which determined the size of my blocks, 4" x 8" (finished).  My quilt is 56" x 72", 14 blocks across and 9 blocks down and I did not offset the blocks which wanted to but didn't look right to me, I'm thinking my prints weren't bold enough.  Even though I had yardage of the Ernie fabric I did not back my quilt with it because I had yardage of Jen Kingwell's Gardenvale fabric which I accidentally purchased.  The story behind this purchase was I made a Gypsy Wife quilt and bought this fabric for the backing forgetting that I did not make this quilt with any Gardenvale fabric in it--so this was a very good opportunity to make up for my whoops.

My journey with this quilt was in the machine quilting, a three-day journey.  I originally wanted to do straight-line quilting horizontally but my Juki 2010Q would not co-operate so I had to remove 10 lines of stitching.  When this happens, I tend to spend some time on the Internet looking at Long Arm Quilting Machines and Frames but reality sets in and I go back to quilting.  I decided to switch to doing vertical straight lines and after doing the first line in the ditch, 72 inches long, I wanted to change it to 1/2" from the seam line--so another round with the seam ripper.  I love my Juki 2010Q and only have a problem when it comes to straight-line quilting that is less than 1" apart; my quilt lines were approximately 3/4" done organically which means I couldn't see the lines I made with the hera marker very well.  For this quilt, I tried spray basting for the first time and pin baste in certain spots but still was experiencing shifting which leads to tucks but not so much as previous quilts.  I really was expecting that I would not like the quilting but in the end it turned out okay.  As well as the look of straight-line quilting, I love the feel of it.  I was happy to find in my stash a 1/2 yard piece of a micro-stripe black and white made by Windham Fabrics for the binding which was so nice to hand sew since it was a lighter weight.

So I'm ready to make another Ernie Quilt, a.k.a., Ernie II using some wonderful colors of twill and dyed homespun and cottons; this time I will back it with the Ernie fabric.  My blocks will also be larger, 8"x 12" (finished).

This pattern is so addicting, I know two of my quilting friends who plan or have already made Ernie Quilts when they saw Mary's quilt.  My friend, Carol, who is known never to follow a pattern completely, made one and here is her interpretation.  What's so funny about this is I want to make one like this now since I have a beautiful Jinny Beyer fabric and greens which Carol has given me over the past few years.  Carol thought I threw her under the bus when I showed Mary her quilt so as a form of punishment she bought me three yards of Lotta Jansdotter fabric which could be called Ernie, Jr. fabric.

I guess this means there will be an Ernie III quilt.