The New Grandma Quilt

Last week while searching for some backing fabric, I came across an UFO of a Valentine quilt which I started in 2014. I thought with Valentines Day fast approaching and the rail blocks made with 2.5” strips from several Sandy Gervais fabric lines which just needed to be QAYG, I would have a quilt to give to the darling Granddaughter. Whatever I was supposed to do could wait.

There were twelve 18”x20” rail blocks already paired with batting rectangles in which two of them were already quilted. The quilting was done with a pale blush pink thread from CT Essential Thread which has been discontinued. Fortunately, I had kept the spool of thread with this project probably knowing that it was no longer available and there was enough left for me to finish the quilting.

QAYGing the remaining ten blocks went fast with just pin basting and straight line quilting along the seam lines; it just took several hours. The top and bottom of the blocks were not quilted but would be once the backing was added. As I was quilting, I remember more about how these blocks came to being and why maybe I never finished this project.

I know that these blocks were started in 2014 after Jera Brandvig’s Quilt As-You-Go Made Modern was released. From looking at the two blocks which were already quilted, I knew I used my Elena 8900 and was unhappy with the way the straight line quilting looked and at that time I was looking to purchase a new sewing machine. I purchased my Juki 2010Q in 2015 but still did not resume working on these blocks and was packed away with another flimsy (seen below) made several years earlier with some of the same Sandy Gervais fabrics.

In March of 2017, I posted about this quilt, named  The Grandma Quilt and I quilted and finished due to the pending arrival of our future grandchild in which we didn’t know the gender. I, being the future first-time grandmother wanted a pink quilt to hold my grandchild in but I ended making another  quilt, The Grandpa Quilt in case we had a grandson who wouldn’t appreciate being photographed with a pink quilt. The Grandma Quilt ended up staying with the darling Granddaughter with the understanding that it would be returned to me after a suitable replacement quilt was made which I then told them I had one in mind. It was the rail block quilt I just finished, almost five years later.

After the blocks were quilted which looked so nice thanks to my Juki 2010, they were trimmed to 18-1/2” square which made a 54”x72” finished quilt. I decided to back the New Grandma Quilt with a pink plush fabric I had in my stash since it was dark enough to hide the QAYG seams even I thought at first it was too pink but it grew on me. I finished the quilt in two days and in time before leaving for the Grandparent house. Before arriving, I let the darling Granddaughter’s parents know of this quilt and that I would like my Grandmother quilt finally returned to me.

And why am I calling this quilt the new Grandma Quilt and not just a Valentines Day Quilt. Well, it turned out the original Grandma Quilt cannot be found or has been misplaced which I am a little peeved; lesson learned, you snooze, you lose. So, the once Valentines Day Quilt is now the new Grandma Quilt and will be staying at the Grandparent House and will be added to the darling Granddaughter’s collection. Do I feel guilty about not letting her take it home, Nope, I plan to snuggle with her and the new Grandma Quilt and tell her a once upon a time story about a Grandma Quilt which came to the hospital on the day she was born.

As disappointed as I am with not getting the Grandma Quilt back, I am glad that the new Grandma quilt is a Finally Finish and now I have one less UFO. It feels like I have a wee little more space in the studio now. I don’t think this would be considered a DrEAMi being that it wasn’t a new project but it was an interruption. I can resume finishing some quilts which I was in the process of doing until I happened upon long-forgotten, but should have been finished sooner, the new Grandma Quilt. I’m planning on finishing my January and February quilts for the Country Threads Dirty Dozen UFO Challenge and hoping I don’t come across another long-forgotten project.

Linking up with: My Quilt Infatutation/NTT

The Gypsy King Quilt

The Gypsy King is my #4 of the Country Threads Dirty Dozen UFO Challenge for October and is a Finally Finish. Big sign of relief here because I seriously thought this would be the first time since participating in this yearly challenge that I would not finish on time.  Even before I started this quilt, I was in QAL Escape Artist mode by asking myself do I really need to make this quilt and do I still like these fabrics and I had to say Yes. This was reluctantly decided after much procrastination by viewing too many BTS and Fiona the Hippo photo/videos. I thought when I decided to participate in another year of the UFO Challenge, I would step it up by committing to finishing projects which were in the block stage rather than just needing to be quilted like I mostly did last year. This wasn’t a bad idea except the UFO was a king size quilt with more than half of the blocks still needed to be made. It’s challenge enough to make a king size quilt let alone making it a double challenge by finishing it during a certain time frame. I wanted to QAYG, even though it was only going to be my third time using this technique, because it’s the only way I could quilt a king size quilt. Normally this would be something I would send to my long arm quilter but because of the pattern and scrappiness, I thought the quilting would be somewhat lost plus I rather save my money for a quilt more deserving of fine longarm machine quilting.

I mentioned in my Flying Geese Frenzy Quilt post which was my July finish for the UFO Challenge that the fabrics used in that quilt would be seen again for this project. The blocks are a modified version of the Unruly Pattern by My Quilt Infatuation (not an affiliate link) and were made while at the Grandparent House. The fabrics used were mostly Basic Grey’s PB&J line and Felicity Miller’s Charleston line, both of which came out around 2012/2013. I’ve used these fabrics in other quilts and mainly one which I will show later in this post. I needed thirty blocks to made a 90” x 108” quilt which I thought at first would make a King, but then I was briefly disappointed when I thought I made a mistake in  the measurement  and that this would only made a Queen. It was only after I was halfway through the quilting that I realized that I was confusing the measurement with that of a Queen size batting and yes I was making a King size quilt which is really what I wanted. I needed to sew 17 more blocks and thankfully the patches were already cut and ready to be sewn into bocks.

Here are the thirty blocks arranged on my design board. Initially the plan was to QAYG each block but then I realized that I could instead QAYG vertical rows of 5 blocks each which would be a lot simpler. The blocks were laid out with the seams of the blocks in each row either pressed going up or down so once the rows were sewn together, the seams would nest.  Otherwise not too much attention was paid where each block went and if it was too close to the same fabric which usually matters to me but since there is so much scrappening going on I didn’t care.

I thought I show a before and after shot of the batting pulled from the scrap stash and it doesn’t look like it made a big dent but nevertheless I was happy I was able to culled some large enough pieces to use for this quilt. I need six pieces measuring at least 22” x 96” and had four but was able to piece the other two using a pieced batting method found on A Quilter’s Table Tutorial. It really was very simple and know I plan on piecing more batting for future projects. I originally pulled the batting thinking I was going to QAYG blocks rather than rows so this also saved batting. I think the scrap pile on the right would have been a lot bigger. Before this gets tossed out, I first will cut up the useable pieces to make squares to use for dusting which comes in very handy around the house.

I sewed and QAYG one row/panel at a time. Once the row was sewn together, then all of the loose threads were removed and then pressed before placing it on the batting. Because the rows were only around 25” wide, I pin basted using the long arm straight pins. When you do this, you definitely need to be  sure your arms and legs are covered, armor around the torso would have been nice.  Each row/panel was straight-line quilted 1” apart with #2610 Blue Gray Aurifil thread. Since these were going to be sewn together, the quilting started and ended l” away from each side since this would also be the area where additional anchoring quilting would be done once the backing is added.

Once the batting was trimmed, two rows/panels were sewn together, one pair at a time and the 1/4” seams were pressed opened.

Here is a photo of four rows/panels sewn together. I had to say despite having to sew the rows together with the batting, the seams nested together very nicely. And even when they didn’t, it isn’t very noticeable.

After machine quilting four rows/panels rather cautiously and suffering some pricks, I remembered that I had made some pin point protectors and boy did that make a difference in how fast the last two rows/panels were quilted. I was rather annoyed about forgetting that I had these, so to avoid this happening again the future, I packed the long arm straight pins with the pin protectors. I just hope I remember that I did this when I’m looking for the pins.

Once the six rows/panels were sewn together which I might say it was a little cumbersome, I discovered a new absolute “hate”; pressing a 108” x 124” wide backing. For me, this is one of  the good reasons why king size quilts should be sent to a longarmer. I have to mention that the dusty blue Moda Marble wide backing has been sitting in the backing vault for awhile and that it was the right color. You don’t want to use a light backing when you QAYG, because the seams of the top and batting will show through the backing.

Also, a little cumbersome and time consuming was placing the top/batting on top of the backing. I still pin basted 4” apart.

Once the quilt was layered, I originally only planned to anchor quilt around the seam lines of the rows, but then decided to also quilt it approximately a 1/2” away from the sixth line of quilting just for added anchoring.

I thought the final machine quilting went well until I saw this which happened at one of the corners as a result of bad basting but was an easy fix. I am hopeful the QAYG technique will be stable enough for the Gypsy King quilt which will be used for our bed and will be subject to numerous washings. If not,  then I know five or six people/dogs who might want a yoga mat.

I was going to machine bind the quilt with a yellow print in the quilt which I had yardage of but I remembered I had this Basic Grey text print on grunge which I think is from their Merkai line. I thought it would be perfect although I can’t read some of the verbiage; I just love using text prints for binding especially when you can read all of it.

I mentioned earlier in this post where the fabric for the Gypsy King quilt came from and would show the quilt where it was used mainly for; my often mentioned but seldom shown, but still gives me the willies, Gypsy Wife Quilt which I put to great use my QAL Escape Artist skill by finishing it sampler style and not with the strips. If you’ve made a Gypsy Wife Quilt and have since recovered, you know what I am talking about.  A funny tidbit here, the yellow binding I was going to use for Gypsy King, I used it for Gypsy Wife which I didn’t realize until I pulled it out from her sitting spot.

And now you know why I named this quilt Gypsy King as a reference to the Gypsy Wife quilt and as to the size of it. Truth be told, I didn’t come up with this name until I put together these four quilts for this pic to show my new bedroom ensemble which almost was eight years in the making. I now have a quilt to hang on the wall which can only be Gypsy Wife, Gypsy King for the bed, Flying Geese Frenzy for the rocker and Fat Eighth Frenzy for the bench. I would love to put this in my bedroom now but sadly the Winter quilts were just hung or laid on the bed this week. I will have to wait until either next Spring or Fall for my new ensemble can make an appearance. Meanwhile the Gypsy Wife Quilt will be hanging around my studio to remove any bad woo-woo between us so I will be comfortable sleeping with it hanging above my head.

I thought I include some more pics of Gypsy King just to show how well I think it turned out and the size of it although it looks rather small hanging from outside the screen room. Also to show how wonderful the Master Quilt Holder/Hanger is for climbing up the ladder after recovering from whatever he had, wasn’t Covid, Strep Throat or telling me too often how much he loves helping me, etc. Because he was laying low this week and didn’t go to the Grandparent House, I was able to finish Gypsy King. Finally, I now know my limitations and don’t plan on ever quilting a King quilt ever again…but I do have plans for making another one.

Linking up with: My Quilt Infatuation/NTT

A Finally Finish: Thirties Tart

Since I started quilting over twenty years ago, I always had a project using 30's fabrics.  I posted about my love for 30's fabrics in my last Throwback Thursday post.  In this post, I briefly mentioned my, then, current project "Thirties Tart" which I started last September.

I was inspired to make this quilt after seeing Shannon's (The Fleming Nine) Sweetart Pattern and I knew it would be perfect for a modern 30's quilt made with my stash of Judie Rothermel's Around the World with Aunt Grace fabric.  I bought this fat quarter bundle back in 2005 and for the past few years have been anxious for this stash to be finally used.  I really love the black and white print, it's so modern looking and I'm glad I purchased three yards of it back then.

As mentioned in my Throwback Thirties post, I made a slight change with the Sweetart block layout since I wanted to showcase the 30's prints more than the bright, happy green fabric.

Shannon's Sweetart Quilt had the most exquisite quilting and there was no way I could duplicate it so I thought about doing my usual straight line quilting but didn't think it would work.  Instead, I decided I would QAYG each of the 30 blocks.  I've done several QAYG quilts and there are several good tutorials available online.  I used a 40wt Black Aurifil thread because I really wanted the quilting to show.  You can see that the blocks were not quilted at least 1/2" from the edge of the blocks to save this area for when the backing is added.

After the blocks were quilted, I trimmed each block the same size of 12". 

The blocks were sewn together with a 1/4" seam, although 3/8" is recommended but I didn't because it would have affected the look of the blocks.  The next time I will use a 3/8" seam since it will make pressing the seams open easier.  Also, when pressing the seams, I recommend setting your iron to medium heat or whatever the highest setting the batting will take. I really wasn't looking forward to sewing the blocks together but thanks to pinning the blocks together, which I usually don't do, they sewed together nicely.  It also helped that there were no block seams to line up.

Remember the 1/2" space I left on each side of the blocks?  With the big red arrows pointing, you see on the left photo, how the quilt top looked before the backing was added and once it was, the quilting matched.  The nice thing about the QAYG method, you only need to quilt the block seams once the backing is added.  I don't know why I don't do this more often, seeing that it's a great way to use up the scrap batting.  On a table runner  I QAYG, one of the corners did pucker after it was washed but that could have been caused by me not pressing the top and backing together well.  Before I pin basted the Thirties Tart top and backing together, I made sure to press them well together. Also I would not quilt 1/2" on the vertical edges until it is done first on the horizontal edges to avoid puckering.

I really like how the quilt drapes and the backing feels soft and snuggly agains the body.  Lucky me for also purchasing enough of the light floral print from the Trip Around the World With Aunt Grace line for the backing. Even though batting is sewn with the seams, the extra thickness is visually and tactilely almost unnoticeable.  One tutorial I've seen, suggested trimming the corners after the blocks are joined to reduce bulk but I didn't.

I chose to bind the quilt with the same black fabric in the quilt and thankfully remembered where I stored it after looking for it for ten minutes.  I hate when this happens.  For a brief moment I thought about sewing the binding down by hand because after all my other 30's quilts had hand sewn binding but then I remembered that this is my first made modern 30's quilt in which all of the patches were die cut and I did modern quilting via QAYG, so, of course the binding could be sewn down by my sewing machine.

Sorry for the limited photos of the finished quilt.  This is the time of year when it's really hard to take good photos of your quilts outside.  Here in my part of the Midwest, we had two ice storms and rain this week.  Today, the sun did make an appearance but it came with 30+mph winds.  Really it would have been perfect if it was a bright, sunny summer day and the Thirties Tart quilts was hung over a white fence.  Since that wasn't a possibility, I did photo editing again (this time not using a Bison nor an Elk as a prop) with a quilt over my yellow bike when it was brand new just to give me a visual of what a wonderful Summer quilt this is and hope that warm weather is coming soon.

Linking up with: My Quilt Infatuation NTT