Throwback Thursday: Let's See It for the Red, White and Blue

I didn't have a problem choosing a topic for my July Throwback Thursday post hosted by Sandra of mmm Quilts.  For me, July is the month for Red, White and Blue and I have plenty of quilts made with these colors which also happens to be the colors of my family room.  I almost gave my Hubby, a.k.a the Master Quilt Holder, a heart attack when I mentioned that I needed to take a photo of each of the seventeen quilts individually in this photo but I only said that in my continuous and relentless campaign to get a clothes line in the backyard.  As you can see in my photo, I have two piles: the ones on the chair are what I consider Patriotic Quilts which were made with the many wonderful patriotic fabrics designed after 9/11 and the red and blue quilts on the floor which has floral prints designed by Jan Patek and Barbara Brackman.  I can honestly say that ever since I started quilting over twenty years ago, I've made red, white and blue quilts.

It was really hot on Wednesday, so taking photos of each of the quilts was out of the question.  It just was exhausting to round up all of the quilts together for the group shot in the hot screen room and I did not include the ones hanging on the wall. If I could be granted one magical blogging power, it would be to twitch my nose and have all my quilts laid out, perfectly photographed and then the quilts and furniture moved back.  Since I don't have magic on my side, I'm only going to post a photo of these two quilt blocks, one embroidered and the other foundation pieced which is something I still don't do very much of being the strips and squares quilter that I am.  I love the doggy star.

And speaking of strips and squares (almost), I wanted to share the story behind this Scrappy Flag Quilt made over fifteen years ago.  I made this quilt when I was working at our local quilt shop and this pattern was brought to our attention at the weekly Show and Tell by a customer who saw it on the then Worldwide Web.  The 9" (finished) flag blocks were made through an exchange of patches, four of them consisting of one 3-1/2" x 5" blue rectangle and three red and white rail fence blocks of varying sizes and layouts.

Here is the pattern, based on my quilt, which I've drawn on graph paper and, yes, I still need to get EQ back on my computer.  The one thing not noted on this pattern is there are two layouts for the blocks, one with the blue rectangle on the upper left corner, which is the traditional flag layout and one with the blue rectangle in the upper right corner as you can see the two block layouts in the quilt.  Depending on the size you want to make your quilt will determine how many of each layout you need to make.  

We did a patch exchange amongst the staff and customers and to the best of my recollection there was no set amount to make, just that you have to have equal number of patches and you got to pick as many patches as you made.  I remember the tables which were set up in the basement of the shop with all of the patches laid out and how fun it was to see all of the different fabrics used.  Of course, it was quite daring or fun back then for Lynn, the quilt shop owner, to use fuchsia in some of her rail fence patches (see arrow on the left photo) for a color pop.  I guess we could have exchanged flag blocks but it wouldn't have been as much fun putting together your own combinations.  If I were to make another Flag quilt, I would use the same fabric or the same tone, like a beige or gold for the bottom 2.5" strip in Patch D to give a more defined zig zag line in the quilt.

Here's a photo of the Star Spangle backing fabric, which I still have some in my stash, and the wonderful Star longarm quilting done either by Marcia or Sue.

I don't participate in any online block or fabric exchanges now but am wondering if a scrappy flag would be a fun exchange.  I still have a lot of patriotic fabrics in my stash and still have some small wallhangings which this post is reminding me that still need to be quilted.  I made this door hanging several years ago and included lime green and aqua, colors I thought were fun when I first started seeing them in modern flag quilts several years ago. As much as I love adding these fun colors to the mix, red, white and blue quilts will always hold a special place in my heart and home.

Linking up with mmm quilts' Throwback Thursday

Throwback Thursday: The Picnic Quilt

Since May is the month of Mothers' Day, I thought my May Post for Throwback Thursday should be about a quilt which brings back Quilt Mom Memories, the Picnic Quilt made at least twenty years ago.  When I first mentioned to my Hubby that I wanted to write about this quilt, he knew which quilt I was talking about and even knew it by name.  But then he made me panic when he said he hasn't seen it for awhile and I really had to remain calm.  It wasn't in the car or the garage like I thought it was but then realized several years ago I moved it to my studio so it wouldn't get tossed or lost. Whew, this made me take a few deep breaths. It's one of the first quilts I made when I started quilting but not until I first made each my two boys a bed quilt because that's what a quilter should make before anything else, right?

I didn't start quilting until my boys were respectively around 13 and 9 years old which I think I was pretty fortunate since they were somewhat self-sufficient and left me alone when I was quilting.  I should mention that the boys had Mario Brothers to play with also. My two boys, in fact, were pretty receptive to my quilting even when I exercised Quilter Mom Eminent Domain and took over the upstairs TV/Computer/Toy room which was next to their bedrooms and was renamed The Quilt Room.  It really was no problem since the basement was after all finished and the computer was moved to the never used formal dining room which was good for me to keep an eye on their computer use while I was in the kitchen.  I used to cook back then.

I still remember when both of my boys were in my quilt room, kneeling on the floor next to each other, watching me use the rotary cutter to cut off the legs of my oldest son's ripped khaki pants to turn them into shorts.  Mike, my youngest, with his mouthful of bubble gum turned to his brother, Tom and said "aren't you glad you have a mom who quilts."  Mike is the one who blurted out quite a few memorable lines when he was young; my favorite being, when when were going out to dinner at a local buffet restaurant and we're walking in the parking lot and he said, "I'm so hungry, I can eat TWO all you can eats." This same Mike also committed the worse quilting travesty by using my rotary cutter to trim a photo he was going to use on his Science Fair board when I was not home.  He did not quite grasp the knowledge that anything under the rotary cutter is going to get cut too and laid the photo on top of a just appliquéd lady bug block which happened to be laying on the board.  He never did that again; I made sure I never left my rotary cutter laying around after that.  And not to leave out my oldest son, Tom, out of my Quilt Mom memories of him is he was recanting to me a discussion he was having with his then wife, now an ex, about their bedding and her wanting a down comforter and he telling her his preference by saying "I grew up sleeping under handmade quilts" which just warmed my heart even though he was off by a decade.

Getting back to the Picnic Quilt which is in a sorry stage now, is made up of mostly Tom and Mike's old blue jeans and madras summer shorts which at that time they had outgrown with some batiks, plaids, denim and fun fabric from my stash.  The utility side of quilting appealed to me so I remember cutting the tumblers out individually and then hand piecing the tumblers together during numerous weekend road trips and watching TV.  The rows and the blue batik border were sewn by machine.  I guess this really isn't a quilt but a throw since I only backed it with denim and there is no batting in between, but for the sake of this memory, it is a quilt.  It was always meant to be a picnic quilt kept in the car in case we needed it to put over a picnic table or to lay on the ground and it was used for that reason many times.

Here are closeups of the fabric and patches and as you can see, some of the hand pieced patches has fallen apart and were mended with some real noticeable stitching and some of the patches from the boys' jeans included grass and mud stains--see the big green arrow on the right. I still love the multi-color denim print with the purple and green which was from a pair of muscle pants, a popular style back then for boys and it's hard to believe the print is over twenty-years old and still looks cool.

My best and favorite memory of the Picnic Quilt is when I was making it and sitting in front of the sewing machine with the patches strewned all around, Mike was walking past the Quilt Room, popped his head in, gave a cursory glance at what I was doing, made a quick, subjective interpretation and then ran down the stairs. Mike, being the Gallant to his brother, the Goofus who was probably laying down on the couch watching TV (if you've read Highlight Children Magazine while at the doctor or dentist office like forever as I have, you know what I'm talking about) was yelling, "Tom, Tom, you gotta pick up your clothes off your floor, Mom's cutting them up and making a quilt; she must be out of material!”. I am hearing this and my mind was responding, I am?, no, I'm not, these are old clothes you've outgrown, is that what you think I'm doing and if that's what it takes to clean your room, then I am.  I had to chuckle about Mike thinking I was out of material.  Did you notice the usage of the word "material" which at that time was what it was called back 20+ years ago and soon after I started working at a Quilt Shop, I quickly adapted the more proper word to say and write "fabric".

There are times when I wish my boys were little again, probably when I feel the years creeping up over my mind and body and when I see Tom and Mike facing grown-up problems which we don't want our kids to have, but that's life.  If there's a quilt I want to hold on to for the memories of my boys when they were little, it would be the Picnic Quilt.  It will always hold a special place in my quilt memories and will remind me that I'm a Quilt Mom who has two boys who love quilts...and also someone who still has not yet ran out of material.

Linking up with:  MMM Quilts, Throwback Thursday

A Finally Finished: Postcards from Sweden

My Postcard from Sweden quilt is finally finished so I'm happy to post since it seems that finally finishes have been few and far between for me this year. I know the linky party hosted by Sandra of mmm! Quilts isn't until next week (April 18th) but I wanted to post about it today for several reasons but mainly because it is a big finish for me.

Hubby and I took advantage of the glorious sunshine today to take photos at the walking path by the neighborhood playground and it would have been perfect if Windy didn't decide to tag along.

So far in 2018, I have participated or am participating in five QAL and I'm pretty proud that I have stayed on schedule with them despite having a few squirrels and one blogger (clue: she's hosting the Postcard QAL) distracting me.  I have to say my participating in the Postcard from Sweden QAL was erratically consistent, I was either early starting with the sewing of the HSTS, really behind in sewing the rows together due to a visit to the Granddaughter and then finally pushing to getting the top and the quilting done (an extra week was added to the schedule) during the past few days only to be early.  

The making of the Postcard quilt was made possible by:

• my stash of Kaffe Fassett shot cottons which have been waiting patiently for the right project to use them
• my Sizzie die-cutter--thank you 4-1/2" HST die
• my having a supply of 5" cardboard squares to make color cards and them little white labels to help keep the HSTs in order.  I only made one HST wrong but when you think about it, would anyone had noticed
• my big display board to make sure the HSTs were positioned right

The machine quilting was a breeze; I did squiggly quilting lines, just like the original quilt, in a lilac thread.  Needless to say but this quilt is so squishy soft.

As for the backing and the binding, it had to be Kaffe Fassett fabric and it had to be from my stash so despite not having a lot of Kaffe yardage in my stash, I had this purple somewhat paisley print which had most of the colors in the top.  As for the stripe binding, it was not my first choice, I was going to mix two fat quarters of other stripes since I didn't have enough of one but wasn't really sold on using them. I decided to check in my binding drawer to see if there was any Kaffe fabric in there and lo and behold there was yardage of the pretty multi-stripe.  (The rule of my binding drawer is that right after a top is made, I set aside the binding fabric in the drawer which then is not to be used for any other project.  I cannot remember which quilt top  I set aside this stripe fabric for and I'm hoping that I didn't need all of it.)

I just had to include another photo of my Postcard from Sweden Quilt because I love it so much.  My quilt measures 48" x 60" and it just the perfect size to cover the legs especially for the road trips which we will be taking one next week to Myrtle Beach.  This quilt is so soft thanks to the Kaffe fabrics and the colors just make my heart sing.  I will say my quilt is not as bright as the original Postcard from Sweden quilt. I used whatever Kaffe fabric came closest to the ones specified from the original quilt based on what I saw online and even though I don't know if they were on the mark I just love the combinations.  As I mentioned before, would anyone notice if my colors are off.  

And lastly, two more things:

If you read my last Throwback Thursday post, hosted by guess who, Sandra of mmm! Quilts, (you can read about it here where I recounted my memory of receiving a gift of a doll pattern from Amy Butler which may have been prompted by the outfit I was wearing, here are the lime green socks I mentioned.  After I posted, I remember that I still had the socks, maybe a little faded, and I pressed them for the photo--are they not cute and the wearer deserving of a free pattern.  They're now hanging in my studio and maybe one day I'll make a really big doll so she can wear them or I'll save them for Micah who I think will have big feet like me since at one-year old, she's at the 99 percentile for height.

And speaking of Micah, here is a photo taken by her Godfather, Chad, of Kamerad Arts, reminding me of how long I've been her  Grandmother. Thanks for all of her birthday wishes which were posted. BTW, see what I mean about her having big feet; at least she has a smile to go with them.  Hee, Hee, I should be receiving a message from her mother soon.

Linking up with:  My Quilt Infatuation, Needle and Thread Thursday,  MMM Quilts, Crazy Mom Quilts, Finish It Up Friday, Confessions of a Fabric Addict, Can I Get a Whoop Whoop Friday, Busy Hands Quilts, Finish or Not Friday

Throwback Thursday: The Dollmaker Wannabee Me and Meeting Amy Butler

It seems that ever since Sandra of mmm! Quilts resurrected Throwback Thursday where we can share tales of yesteryear's quilts and creations, the months go by really fast now.  Fortunately, this also gives me a month to think about what my next post is going to be about and decided this one  will be about a memory.  One of the big differences about making a quilt years ago is that I, like other quilters, did not have a camera phone nor a social media connection to record yesterday's doings which is something I wish I had then for the time I'm writing about now.

I had mentioned in the past if I couldn't make quilts, I would make dolls and saying this in the presence of my fellow quilters, their comments were not very encouraging.  I could still hear Lynn, the owner of the quilt shop I used to work at, saying: "I don't think so."  I've only made two handmade dolls during my twenty years of quilting:  one was a Jan Patek pattern and the other one was an Amy Butler pattern which is what my post is all about.

Back around May, 2002, almost sixteen years ago, I attended the Spring Quilt Market in Kansas City with Lynn, the quilt shop owner and two of my co-workers, one being Carol, whom I've written about in several of my posts and in this post you will see why she is so valuable to me as a quilt peep.  One of the highlights attending this Quilt Market, besides being my first one and the excitement of seeing all of the designers and the fabrics, was meeting Amy Butler, before she became THE Amy Butler.  Carol knew all about her through Country Living Magazine and she even made one of her bag patterns.  I, on the other hand, didn't know a thing about her, just that as soon as I met her, I was so impressed with her happy and sunny personality, her talent and her booth was just wonderful.  Amy was at Quilt Market to promote her own pattern company, Art of the Midwest and had a line of doll patterns called Americana Angels. We visited her booth several times to purchase her patterns for the store and just to say hi to her.  And on the occasions we saw her outside her booth and on the escalator, we gave her the royal wave while chanting "Amy" in which she returned the same wave right back to us.  The sad thing about this encounter is that it is only captured in my memory and I don't have any photos with Amy...nada.

During our first visit to Amy's booth and when we were leaving, she said to me, and only me in the presence of my group, "Here, I want you to have this pattern--it was the Little Miss Liberty Angel doll pattern."  I was flabbergasted and managed to thank her and being someone stunned, I did not ask her to sign it.  I can't say for certain how my co-workers felt about this but there was a certain question lingering in the air as why I was chosen to receive this pattern.  Maybe Amy saw in me the doll maker I wanted to be.

Soon after Quilt Market, I made the Little Miss Liberty Angel Doll, the driving force being that I had to make it because the pattern was a gift and it was also during the time when patriotic quilts were popular due to 9/11 and beautiful fabrics were available in red, white and blue colorways.  I made my doll using Jan Patek's Attic Treasures by Moda and it spent some time hanging in the shop, and after that, has hung in my upstairs hallway wall for almost fifteen years now above a wall quilt I designed and made using the same line of fabrics.

This doll measures 15" high with a 13" wingspan.  It was fun to mix up the fabric prints for all of the parts, tiny and small, which needed to be made and sewn together.  The pattern was not difficult at all and easy to follow, but truth be told, I could probably make a quilt in the time I spent making my Little Miss Liberty Angel.  Probably this is the reason why I don't make many bags or purses or anything else besides a quilt.  Still, it was worth making my Little Miss Liberty Angel Doll and I consider it a remembrance of meeting Amy Butler and am reminded of it every time I walk by the doll/quilt.

If I ever find the time, I would like to make another one of her dolls, they're just that clever and cute.  The two patterns I purchased afterwards, the Sailor's Siren Mermaid Angel and Great Plains Cowboy Angel have been waiting for me to make for at least fifteen years.  I think the Cowboy doll would look great in feedsack fabrics.

Soon after meeting Amy Butler, her popularity exploded with fabric lines, publications and her own line of patterns and it couldn't have happened to a nicer person.  Every now and then after meeting her, Carol and I would still wonder about why she gave me the pattern.  This usually happened when we were around Amy Butler fabrics. Around four years later, I found my answer with Mark Lipinski's magazine "Quilters Home", August 2006 and the quilt celebrity he did a Q&A interview with was THE Amy Butler.  One of the questions he asked her was what her color was the most like her personality and she replied "Lime Green"-- Oh Yeah!--the color of the dress I was wearing when I first met Amy was Lime Green.  No one else in the group was wearing this color so this must be the reason why Amy singled me out, right?  I might add I was also wearing matching lime green anklet socks that had crocheted lace around the cuffs with my Mary Jane shoes so I must had also looked a little quirky too. I immediately called Carol to tell her that the mystery was finally solved and  to inform her I needed her to stay my friend for all times because I needed her to vouch for me that Amy Butler gave me a pattern.  Maybe I should tape a copy of this post to the pattern to make sure I never forget how this pattern was acquired.  As mentioned earlier in this post, no photos, just memories and Carol as my witness.  And yes, I like to give Carol yearly reminders about this important memory and hope that she and I never forget the time we met Amy Butler before she became THE Amy Butler.

I enjoyed sharing this memory and adding it to my quiltlore.  BTW, I hope you check out the other quilters' stories, especially Sandra's, mmm! Quilts because she gave me an idea what my post for next month will be.  I have a month to think about it in my head.

Linking up with MMM! Quilts' Throwback Thursday

Throwback Thursday: Fassett and Feedsack Fabrics Go Together-Yeah, Yeah, Yeah

Well February definitely flew by and I was just finishing up a project for this week's Friday link-ups and I realized that today was Sandra's mmm!quilts Throwback Thursday link-up so I thought I better post since I missed last month's.  I do like participating in Throwback Thursday (TBT) since it gives me an opportunity to show and explain some quilts which were made many moons ago and may explain why I sew things the way I sew.  Sandra, in her last month's post mentioned that when she and her friend first started quilting around the mid 1990's and went to buy fabric for their first quilt class, her friend said "Well, apparently in quilting you can mix prints, no problem...." which is the same thought I embraced wholeheartedly when I started quilting right around the same time, so something must have been in the water back then.  And for me, there were no better fabric mix than Kaffe Fassett and Feedsack fabrics which at the time the above quilt was made I was accumulating a nice stash of both.

I made my Flower Bed quilt in 2003 after seeing this quilt in  Pamela Mostek and Jean Van Bockel's Quilts from Larkspur Farm book and absolutely fell in love with it and as you can see I pretty much duplicated it without a benefit of a kit but a lot of fabric searches on foot before online days. Fortunately, I worked at a quilt shop at the time and was able to buy the Piece of Cake's stripe and some of the floral prints along with some greens and found the Kaffe Fassett lattice print through one of my many quilting jaunts which is what you did before buying online.

I was needing some more floral prints and I found some in my Feedsack stash which I have accumulated through the generosity of my quilting peeps, Mary and Linda, yes, the same friends from the Aunt Amy's Bullseye QAL which I posted about in January's TBT.  I am pretty sure that the original quilt did not have any Feedsack prints and I always chuckle to myself when I think about the fabrics I used in my quilt "Feedsack and Fassett together, who would have thunk."  Another takeaway from this quilt is that I discovered Pat Mostek and after the Quilts from Larkspur Farm book, she published Just Can't Cut It!, Quilts From Fabulous Fabrics, which validated my feeling of not wanting to cut up my large focus prints and started my love of making quilts with big blocks.

I'm still keeping my tradition of Feedsack and Fassett (F&F) fabrics, although separate now. For the past few weeks, I have been working on the Fassett version of Darlene Zimmerman quilt which I made in Feedsack fabrics and finally finished in 2015 during Country Thread's UFO Challenge. When I first saw the pattern over ten years ago in American Patchwork and Quilting, I decided that I wanted to make two versions of it and after finishing the feedsack version, I wasn't in a hurry to finish the Fassett version. I just need to add the borders to this quilt and will post about the latest F&F quilts later.

And now for some stats for my Flower Bed Quilt:

Size:  68" x 82" (approx.),  Ninety-nine  7.5" Square in the Square Blocks, funny I just mentioned the other day that Square in the Square Blocks were not my favorite and now I may know why.  Also, the original quilt was 84" x 98" and I probably made it smaller because I didn't have enough of the Kaffe Fassett Lattice fabric but bought more after the quilt was finished.

Pattern:  Flower Bed by Pam Mostek and Jean Van Bockel, 2001

I've been going a little bit modern in my quilts for the past few years but after pulling out the Quilts from Larkspur Farm, there really are some lovely quilts using floral prints in this book, and I could easily make another quilt from this book--after all I still have lots of floral prints from the 1990s in my stash.  And finally, for a few days this week after the announcement of Free Spirit Fabrics closing and the uncertain future of Kaffe Fassett fabrics, I thought my stash was going to be a real treasure chest but am glad they found a new home with Jaftex.  Yay.  More Kaffe Fassett fabrics to buy!

I'm linking up with:  mmm! quilts Throwback Thursday

Throwback Thursday: My 21st Century Bulls-eye Quilt

Sandra of mmm! Quilts is hosting or as she is calling it "babysitting" the Throwback Thursday Linky Party which I am happy to be participating for the very first time. I've only been blogging since October, 2016 and may have come across a few posts while scrolling through Blogland but may not have know what this linky party was all about until I read Sandra's posts (you can read about it here) and (here) and thought that this something I could do. After all, one of the reasons why I started blogging was so I could better explain some of my quilts which I couldn't do on Pinterest nor Facebook.  I've been quilting for over twenty years and some of my quilts were made with stories. The quilt I thought I share my first story on Throwback Thursday is my 21st Century Bulls-eye Quilt.

There's a number of reasons why I thought this quilt would make a good story because it was started at almost the end of the 20th Century (1999) and finished right at the almost beginning of the 21st Century (2000) and was made by three quilting friends and myself which at that time we didn't realize this was a QAL.  We were inspired by the cover quilt on the book Quilts by Aunt Amy written by Mary Etherington and Connie Tesene whom I now know personally and I've done some QALs and fabric exchanges, willing and unwilling with them.

At this time, we're talking traditional quilting being the way norm, the Bulls-Eye quilt was so "radical" (I don't think the word "modern" was used then) with the raw edge appliqué and the wonkiness (and I also think "improv" wasn't used too) of the circles, cut freehand not matching up.  I loved this quilt as soon as I saw it and appealed to me as the failed appliquér and somewhat a rebel because I didn't prewash my fabrics.  So, the four of us came up with some ground rules once we decided we wanted to make this quilt and to the best of my recollection this is what we did:

• we had a fabric exchange party when we swapped squares of light and printed fabrics in a certain size of what we considered "ugly" fabrics which were the calicos, florals, reproductions and the "inexpensive" which also meant no new fabric was suppose to be bought; we had to use stash-- sort of ahead of our quilt time, weren't we?
• the circles were precut and the different sizes were placed in separate bags and you had to use the one pulled and the only time you could put it back was if it was the same color as the previous circle--fun, right?
• we agreed that the circles would be sewn with a running stitch and not a fancy stitch like a zig-zag, etc; after all speed was part of the plan
• we exchanged quarter circle blocks within a certain time frame so the Bulls-eye blocks could be made 

I thought I add a little tidbit about what happened after we exchanged the quarter circle blocks is that the one who complained the most about making this quilt was the first one to complete her top and another one who thought she would be the second one to be done was overtaken by me who rounded the corner and beat her to the finish line.  To this day, these two are still my dearest peeps and we still get together but not very often does it involve quilting.

Here are some close-ups where you can get a better look at the wonderful wonkiness and "ugly" but interesting fabrics used in making the Bulls-eye blocks.  Part of the fun in making this quilt was that the edges of the circles would fray after washing and as you can see, I never washed it because this quilt is a permanent fixture on my quilting rack and doesn't get used.  My quilt was sent to a longarm quilter who was just starting her business and she quilted it with wonderful swirls.  She did mention that the quilting wasn't easy because the edges of the circles would flip over and she would have to pin them down.  I worked with her then at the quilt shop and she may have sent me some daggers with her eyes. I think she may have said she never wanted to quilt another Bulls-eye quilt which may have been hard for her to refuse because these quilts were getting popular to make.

My 21st Century Bulls-eye Quilt is one of the very few quilts I made that I've labeled and the reason for doing this, remember this was made during traditional quilt time and there was a lot of talk about preserving our quilt history,  I envisioned this quilt being one of few of mine which survived in the far future and possibly people wondering what was I thinking when this quilt was made.  I figured I save them some research time and also to let them know I wasn't crazy then when this quilt was made.  Sorry, I blocked out the names of the other quilters in order to protect their sanity.  Looking back now with the modern quilt techniques well into place, this quilt really doesn't need any explanation (modern versions of this quilt are being made) except maybe for the fabrics which are so yesterday, but  I might add, I still love looking at them.

Around ten years after the first Bulls-eye quilt was made, I made a second one with the leftovers from the first one and additional "ugly" fabrics accumulated since then as part of a UFO Challenge which Mary and Connie hosted in 2012 or 2013.  I might mention, making a Bulls-eye quilt is like starter dough for a friendship cake, the circles you cut just keep on going, you'll understand once you know the construction method. The second quilt, laying on the chair, is still not finished and I've been tempted to finished it with simple quilting in the ditch.  It would be too funny if I happened to find the longarm quilter who quilted the first one and jokingly ask her if she would be willing to quilt the second one for me--funny, but not nice.

The 21st Century Bulls-eye Quilt was really a lot of fun to make and it is a great way to use up the stash.  I'm thinking I could make one with "modern" fabrics against gray and low volume fabrics since I've built up quite a stash of these fabrics now.  This definitely would make a great DREAMi project.

To paraphrase a line from the 50's TV Series "Naked City", there are eight million quilt stories out there, this has been one of them.  I'll be linking up with Sandra and hopefully you will join in the Throwback Linky party with one of your stories.