FALLing into Piecing

For the past two weeks, which involved the darling granddaughter babysitting us for a week which we recovered nicely and being home this week, I have no finished quilt to post; only some new projects in the beginning stages and a hopeful solution involving fabric.

During the week we were at the Grandparent House, I started making Jen Kingwell Wensleydale blocks with foundation paper piecing after much hesitation but was finally inspired to make them thanks to my down under Quilt torMentor Sue of Patchwork and Play who is doing a wonderful job with her blocks. I won’t give too much details right now but only to mention before finishing the very first block, I was ready to call it quits and was planning an Escape from Wensleydale quilt. After much careful ripping of patches and finally making the first block which took more than three hours due to some fabric patches being too small and some distraction, I decided to do another block but this time cutting my patches larger resulting in some waste but was worth it. I originally precut my patches based on the templates in the Quilt Recipe book and adding 1/4”around. For me adding 1/2” around worked much better. I’m using several Jen Kingwell fabric lines which  include some bright colors and prints and to tone it down, I’ll be making neutral blocks to alternate with these colorful blocks.

Before I can continue with the Wensleydale blocks, I had to decide what I was going to do with the Jen Kingwell Glitter Blocks which I paper pieced last year. After making forty of these blocks, I decided to stop since I couldn’t see making a large quilt with these blocks. I came up with a plan to make a wall/door hanging for the recently vacated bedroom using  the gray/tan Radiator Cover print, designed by Amanda Nyberg purchased several years ago, for sashing with apple green cornerstones. Now that I have a plan for the Glitter blocks, this will free up the fabrics set aside and can now use it for the Wensleydale Blocks which will give them even more variety.

The October Project Number for Country Threads Dirty Dozen UFO Challenge was Five and in my group of projects for  this number was two quilts using Sandy Gervais fabrics which I am calling them FALLoween #1 and FALLoween #2. I still have a nice stash of Sandy Gervais fabrics and my favorites are the ones she designed for Fall and Halloween. This week, I’ve been busy die-cutting  HSTs and squares plus sewing 2.5” strips together which were die-cut last year. BTW, the skinny strips leftover from die-cutting the strips were used to make what I call fabric marbles seen in the top opening photo of this post. I am hoping I will have both of these finished by the end of the month.

When we were with the darling Granddaughter last week and observing the napkin war she was having with her father who thinks she shouldn’t be throwing her paper napkin on the floor after one use or not using one at all, I decided to make her some fabric napkins. I know when we eat at Olive Garden she uses the fabric napkins and doesn’t throw them on the floor and may take disposable napkins to heart by throwing them on the floor. I remember seeing a post about fabric napkins made with terry cloth so I purchased a pack of 18 for under $7. These inexpensive washcloths are the right weight to go with the fabric. I trimmed the wash cloths to 10” square since the size of each one differed which turned out to be a good idea since I could use a 10” cut x width of fat quarter to make two napkins. After top-stitching around the napkin edges, I also did diagonal stitching on the center to make sure the fabrics stayed together after washing. I have washed the napkins after sewing 18 of them and I can say they are nice and soft, not wrinkly and probably will get softer after each washing. Here’s hoping the darling Granddaughter will use them so I don’t have to hear her father say “Napkin” at least twenty times during meals. In her defense, I will say her father was a very messy eater when he was her age.

Another thing that kept me busy was the slow makeover of the recently vacated bedroom once occupied by Demando along with other rooms. My yarn stash which has been residing in the dining room and the spare bedroom will now be residing in this bedroom since the nice IKEA shelf unit was left behind. And if I didn’t have enough Jen Kingwell during the past two weeks, my Gypsy King bedroom  ensemble was finally laid out this week; the king-size quilt was finished October of last year. So far, there has been no bad dreams sleeping under the Gypsy Wife quilt.

We’re once again heading off to the Grandparent House. It’s nice to know that upon my return I’m going to have some wonderful projects to sew but then again there’s also more room/closet reorganization to do. I need a magic nose.

The Tell Tale Blues Quilt

I thought that my Tell Tale Blues quilt, which was one of the eight flimsies made since July, would be the one I would finally finish. This quilt was made with a Jelly Roll, last Saturday was Sew A Jelly Roll Day and I seem to be sew-lebrating with making quilts with 2.5” strips this month since The Kitty Corn Mix quilt was a finally finish earlier this month and another flimsy made which you will see later in this post. I mentioned this quilt in a July post when it was a flimsy and called it a dream/scream project: I’m thinking a better name for a project of this type would be a daydream since I worked on it for one day and then set it aside.

Like some of my quilts, I wasn’t planning to make my Tell Tale Blues quilt. Every day, I receive a memory photo feed from either Apple or Amazon, and I just so happened to receive the above photo of The Opposites 2.5” strip roll taken in October, 2020 which was when I purchased it. Of course, it prompted me to make another Staggered Strips and Bricks quilt like my Celestial Moonrise Quilt.

After pulling additional fabrics from The Opposite collection from my stash of Marcia Derse fabrics since the roll was not going to be enough, I decided to use the yardage of The Blue One which was a nice accent against the black, gray, white and natural tones of The Opposite fabrics.

Here’s a photo of my yardage of The Blue One before it was cut up into 4.5”x16.5” bricks, both horizontally and vertically.

Lessons learnt from the making of The Celestial Moonrise quilt on the right was applied to The Tell Tale Blues quilt. I wish I had more of the blue fabric since I think it almost gets lost against the black, grays, white and natural and not liking it too much after the flimsy was finished. It sort of looks “spooky” doesn’t it, which how I came up with the name because thumping sounds and Edgar Allen Poe came into mind as I was sewing this late into the night.

I had the perfect backing for The Tell Tale Blues quilt which was my last piece of IKEA’s 2010 Beckmans of Design print which fits the spooky feel. Even though the backing was 60” wide, I still had to sew additional strips on the side to accommodate the width of this quilt.

I was happy with my choice of using #4060 Aurifil thread for the top since it blended nicely with all of the colors and silver was used for the bottom.

Here’s some close-ups of the fabrics and the machine quilting of straight and wavey lines. For the binding, I used leftovers from The Blue One along with additional blue prints from the Marcia Derse stash. The Tell Tale Blues quilt measures 60”x80”(approx.). 

It was just a little bit windy this morning when an outside photo was taken and the Master Quilt Holder had no problems holding it up. It looks so pretty in the morning light.

Before The Tell Tale Blues quilt was a finally finished, I worked on another daydream project for several days with my 2.5” strips leftover from previous Staggered Strips and Squares quilts. Once this is quilted, I’ll have more details but wanted to show you a pic of the Master Quilt Holder and the Apprentice Quilt Holder who both were needed to hold up this 80”x92” flimsy. The Apprentice Quilt Holder is leaving the Nest which means he may not be around much to help hold up the quilts. I don’t think this was an incentive for him to finally move but it sure is nice for me to have his old bedroom for another creative space. BTW, this quilt will be for the bed which will still remain.

We’ll be heading to the GP house tomorrow where the darling Granddaughter will be babysitting us for a week. Trips to the Zoo and Pumpkin Patch are planned and maybe a little chance of some sewing and knitting.  Upon our return, some home reorganization and makeover will definitely keep Hubby and I busy.

Linking up with: My Quilt Infatuation/NTT

Rainbow Forest, A Grandson Quilt Finally Finished

 

The Rainbow Forest Quilt is my September finish for the Country Threads Dirty Dozen UFO Challenge. Although you have a choice of either working on an UFO or a new project and I have done both during the past two months, I still like to finish an UFO, especially one that has been a flimsy for over sixteen years as the Rainbow Forest Quilt was. (Sorry for the rather dark photo, but it was really hard taking a good pic and had to rely on photo editing).

I used to maintain an Excel spreadsheet of my quilt projects and stopped when I started blogging in 2016. According to my spreadsheet, the flimsy was finished in 2006 and measures 68” x 90”. At that time, both of my sons were in their twenties and wouldn’t have appreciated the wonderful Jennifer Sampou Rainforest prints but probably would have if the quilt was made ten years sooner. So, according to my recollection, I referred to this flimsy as the Grandson Quilt #1 which turns out to be wrong and was actually the Grandson Quilt #2. I can’t remember the source for the quilt pattern but the spreadsheet noted that this pattern as Contemporary Patchwork which today would be considered Modern with the six patch blocks using various shades of the same color group. Some of the prints in the blocks were from the Rain Forest collection but some were prints from other contemporary collections. I still love the bright colors with fun prints and was glad to be reacquainted with them when the flimsy was pulled out.

When I first pulled out the flimsy, I was excited to start quilting it but then had second thoughts since it measured 68” x 90” which is a little bit outside my comfort zone. I was so sure that the green yardage I found in the backing vault would be enough but was 12” too short so I had to piece the backing with some of the leftover blocks I was lucky to still have. Even more luckier was finding the blue fabric from the Rain Forest collection in the binding drawer. I decided to machine quilt wavey grid lines on the center blocks and straight lines on the border with a variegated thread on top and green thread on the bottom. My sweet Juki Junebug was acting up on the final few lines of quilting and I was lucky to be able to finish it. I was debating on whether to sew down the binding by machine but decided I better hand sew it since there was a good chance Juki Junebug was too tired to finish. I know I should take her in for a Spa Treatment but am not happy with the local service center. I am entertaining thoughts of buying a new machine but really love my Juki Junebug.

I thought I include another close-up photo of the wonderful focus print and the border fabric. I know it wasn’t too hard to find fabrics in my stash then which went well with these prints.

As mentioned earlier, I thought the Rainbow Forest Quilt was the Grandson Quilt #1 but it turned out the blue quilt on the right was the Grandson Quilt #1. This quilt was made with then contemporary blue prints like batiks and from the Animal Attraction fabric line and was finished in 2002. Thank goodness I still have a printout of my spreadsheet to set me straight. This quilt also uses a border print and the pattern is a four-patch log cabin which was a class I taught during my quilt shop days. I can say that I still like my bright fabrics, fun prints and simple patterns; making quilts with borders, not so much.

Here’s a side by side photo of the two Grandson Quilts which is nice to have finally finished after starting them when I had vision of grandchildren back in the 2000’s. In July, I finished the Granddaughter #2 Quilt and the Granddaughter #1 Quilt is down for this year’s UFO Challenge and it’s another big one made with another Jennifer Sampou fabric line. The Master Quilt Holder had a real workout today with the pic taking  of the Grandson quilts and as mentioned in my earlier post, I need to stop making long quilts because they’re getting harder to photograph. I’m calling my participation in the September UFO Challenge as done even though there’s 20 days left in the month and there are three other projects I can do. Since July when the new Challenge started with the new rules, along with some dreaming, I have eight flimsies. I’m hoping to quilt at least one of them this month although September is going to be busy with the darling Granddaughter babysitting us for an entire week at the end of the month as well as October since I am determined to finally clean out the bedroom closets. You have to believe me that it is going to be one huge undertaking. Wish me fun.

Kitty Corn Mix-A Halloween Quilt For You Know Who

Since the beginning of September when the Country Threads Dirty Dozen Challenge project number and color was announced, I’ve been busy working and finishing the two projects I designated. My first project, the Kitty Corn Mix, was made possible with Mary Etherington’s choice of the color Orange to be September’s color. Normally the color is drawn but she thought with Fall approaching that the participants wanted to work on projects with pumpkins. I was more than happy to switch to my Orange projects from the Neutral projects which was my #11, the number Mary did pull, because I did want to finally make something with the Kitty Corn fabric purchased last year. Also, this would be a quilt for my favorite recipient, the darling Granddaughter.

With the jelly roll and one yard-cuts of two focus prints and the black and white gingham, I came up with a version of the Ernie Quilt. I did make a slight change later to not making the kitty blocks with the black and white gingham because I didn’t have enough fabric plus the kitty print is just that cute.

The blocks are 8.5”x12.5” and there is a mix of five different types; two were just plain cuts of the two focus prints, one was a four patch block with the two focus prints which was made because there wasn’t enough of either focus prints and two type of rail (Ernie) blocks made either with two prints or somewhat scrappy since again I was out of jelly roll strips.

I spent some time arranging or tweaking the blocks in a controlled layout; the rail blocks with black were in the center, the rail blocks with teal green were next to the black blocks and the blocks with the light green are on the outside. The plain blocks with the kitty print are in the center and the blocks with the black focus prints are on the outside. There were some blocks made with the plum prints and I decided not to include them in the quilt. After the above pic was taken, I did make one more “tweak” and then I was ready to sew.

Machine quilting in a light Apricot Essential Thread with my go-to straight and wavey lines went well. The binding was the black and white gingham print and I’ll say it again, I just love binding my quilts with a gingham print. Also, I was lucky to find the gray and white dot print in the backing vault. The Kitty Corn Mix Quilt measures 56” x 84” which is a nice size for both the darling Granddaughter and I to snuggle under. It’s nice to already have a quilt finished in time for Halloween and I will be taking it to the GP House this weekend.

I really have to stop making my quilts so long as it’s getting hard for the Master Quilt Holder. Fortunately, he was able to hold it up by standing one the front porch and letting Kitty Corn Mix hang down. I’ll be posting soon another quilt finish for the UFO Challenge and this one we needed the ladder. Stay tune!

Linking up with: My Quilt Infatuation/NTT

Mori Girls Quilt

My Mori Girl Quilt is my official finish for the August CT Dirty Dozen UFO Challenge. I was confused at the beginning of August when I forgot I compiled my list a little differently from Mary Etherington who is pulling from two lists, one for a number and one for a color. I combined her two lists by using her color list which she numbered as my list. This month she pulled #12 and Yellow and my #12 is any UFO/project which were stripe or contained stripe fabrics. My Mori Girl quilt was a flimsy made in December of 2020 and this finally finish has hit a sweet spot with me. No surprise that the Mori Girl print reminds me of the darling Granddaughter, the one time baby who has morphed into a little girl.

I had purchased a remnant piece of Mori Girl along with a gray ticking stripe from Bernie/Needle and Foot and knew I would have no problem finding fabric from my stash to go with it. My palette for this quilt was black/white, gray, gold and coral pink. I love the black and white print with the red dots used for the QST which was perfect for the Mori Girl print with its crosshatched lines. 

And speaking of the QST, my plans originally was to use four-patch blocks but when I was drawing out the layout on my trusty graph paper and rather than marking the squares with a plus sign, I used an “x” and decided that this was a better block since it mimics the hair bows and butterflies in the Mori Girl print. I should also mention that this is a Dashwood print, the fabric line was Mori Girls and this print was called Paper Girls but I like the sound of Mori Girl better. This is a version of a Strip and Brick Quilt which I love making since it involves two of my favorite sizes; 2.5” strips and 4.5” x 8.5” rectangles. After the prints were paired, I made 4.5” x 8.5” rail blocks. Each row contains (5) rail blocks with (1) QST and (1) 4.5” patch, either a rail block or focus print.

Sewing the flimsie was quick and has been finished since late December, 2020. It languished since I was debating on whether to quilt it with a combination of diagonal quilting on the top portion with straight line on the bottom. I was still undecided as I was preparing Mori Girl for machine quilting and finally went with straight line quilting 1” part with diagonal quilting lines on the QST

Here’s a pic showing the cute Mori Girls, the sometimes straight quilting lines with light gray Aurifil thread and the fabrics. The binding is the black print used in the QSTs and the backing is a Waverly print. Mori Girls measure 48” x 60” which is a nice size lap quilt for which I intended, but have decided since I love this quilt so much it needs to hang in my studio. I think my Smitten Quilt which has been hanging in my studio for several years now deserves a much need rest.

One outside pic is a must. The Master Quilt Holder obliged me with a little stoop and clarified this by saying this is what I mean when I call him “Stupid”, Uh huh, wink.

In my last post, I mentioned that my plans were to quilt Mori Girls upon my return from the GP House unless the Squirrel distracted me with another one of my August Projects. I made this flimsie with Sherbet Pips fabric BEFORE leaving for the GP house. I thought I would show it since I love making quilts with 2.5” strips. My plans for making this a patchwork throw next has now been changed to another flimsie which needs machine quilting. There’s no surprise here with plans ever changing-the Focus Force is not strong in me. At least I can say I could be finish with this month’s Dirty Dozen UFO Challenge.

Linking up with: My Quilt Infatuation/NTT

The Lucky Jerry Lotta Quilt

August started a new month for Country Threads Dirty Dozen UFO Challenge. After I finally finished one of the flimsies from the July Challenge, I was ready to start quilting the August flimsie this past weekend when I was distracted by my bundle of Lotta Jansdotter fabric which I had chosen as the designer for this month. I could hear the Studio Squirrel chanting “Ya Gotta Lotta” so I did.

These are the original fabrics I pulled maybe last year when I had planned to make another Strips, Squares and Brick Quilt,  similar to my Mackinaw Island Row Quilt which is a pattern I designed to use up charm squares and yardage of the same fabric collection which I seem to have accumulated, intentional or unintentional. I had several charm packs of the Follie prints and yardage of other Lotta Jansdotter’s lines such as Glimma, Mormor, Lucky, Lilla Prata and Homemade. These are fabrics from the 2010’s and I haven’t purchased any of her recent collections. The gray fabric on the left is a Figo print which I purchased on sale to use for the backing. I decided after looking at this bundle and then looking what was still in my stash that I wanted to use different fabrics for the bricks and strips and didn’t want to use all of the colors which were in the charm packs. After eliminating the orange, brown, blue, purple, fuchsia, beige and lilac fabrics, my palette for the Lucky Jerry Lotta Quilt is Black, Gray, Citronickle (yellow/green, not Lime), Golden Yellow and Teal. I find these colors to be a pleasing combination despite not having a focal print to tie these colors together in this quilt.

This pattern is what I called a stir fry; much time, almost the whole day was spent on die-cutting the strips, squares and bricks and then laying out the patches on the design board. Rather than sewing in rows, the quilt is constructed with 8”x16”(f) blocks which I found was easier to sew together rather than separate patches. The block on the top is (8) 4.5” squares in a two by four layout and the blocks on the bottom are the 4.5” x 8.5” bricks sewn with 6.5” x 8.5” strip sets. The bricks in this quilt are the Lucky Jerry Cat print, the inspiration for the name of this quilt, which paired so well with the Citronickle line print. Once the blocks were sewn, assembling the flimsy was quick just like a stir fry recipe. 

I should mention that I was first drawn to Lotta Jansdotter prints because of her use of Citronickle a name for the yellow/green which Wendy of Pieceful Thoughts and I came up with — a tomato/tomahto moment of our blog friendship. I also changed the strip sets to be the black/white and golden yellow prints from the Lucky and Lilla Prata lines which contrasted nicely with the bricks. Aren’t the teal prints a nice pop against the Citronickle prints? While I was laying the blocks onto my design wall I was saying to myself that this looked so Scandi/IKEA  that I realized another change to my plans needed to be made.

The backing for this quilt went from the gray Figo print to making this a patchwork throw by backing it with my favorite plush chenille to my Aha! moment that my long treasured and last yardage of the IKEA Nummer print which I’ve been saving for just the right quilt was to be used. You can see I quilted with a combination of straight and wavey lines. I think the Lotta Jansdotter and the Nummer print are a perfect and a great combination which was meant to be.

I used the black/white Lilla Prata print for the binding which at first I didn’t think would look right but now glad that I did. A light gray Aurifil thread was used for the machine quilting which went well with all of the colors. I thought I would include a closeup of the blocks and quilting. The Lucky Jerry Lotta Quilt measures 56”x74”, approx.

One last photo of the Lucky Jerry Lotta Quilt taken outside with the assistance of the Apprentice Quilt Holder. I can’t complain about his right hand showing because that’s his injured hand which is nicely healing and it’s good physical therapy for him to be holding up quilts, right? The Master Quilt Holder was resting after a long band practice so I didn’t want to bother him. We’ve been experiencing some rain this week so it was nice to take a photo outside.

Since I’ve been writing about squares and bricks in this post, I thought I should share the finally finished quilt of a flimsie from July’s UFO Challenge which is now ready to give to baby girl whose mother is sometimes a carer for the darling Granddaughter. This quilt is made from one of the first fabric collections by Lella Boutique and I had both charm packs and yardage of this collection. Once I saw the baby registry in March I knew this fabric would be perfect but sadly I could not find where I put the fabric and too stubborn to pick other fabrics from my stash. Once I started collecting projects for the 2022/23 UFO Challenge at the end of June, I finally found it. I didn’t have enough yardage of the floral print to do a complete border so the side borders were made with alternating bricks of the floral and pink print. I like the way this looked and will have to remember to do this again. The flimsy was finished during the last week of July and I could have finally finished it but was distracted with another quilt. I thought since the mother didn’t know I was giving her a quilt, the quilting could wait. But wouldn’t you know it, last week the  mother asked my son if she could pay me to make her a baby quilt so I knew I had to finish it and it will be a gift. I will be bringing the Baby B quilt when we leave for the GP house this weekend. 

Once we return, I will start quilting what I consider to be my #12 of the Country Threads Dirty Dozen UFO Challenge unless a squirrel brings me one of the other projects. This is what happens when I give myself choices.

Linking up with:My Quilt Infatuation/NTT

Peri-Pinkle Nine Patch Quilt

The month of July started the Country Threads 2022/23 Dirty Dozen UFO Challenge and I was busy. New to the challenge is besides a number being pulled for a UFO project, a color will also be pulled (a list of colors and the corresponding number was posted in June) and you have the option of working on a new or old project. This gives the participants a choice of working on a UFO or a new project which I thought was a great idea since there were several months that I wondered if I wanted to continue participating since I was getting tired of finishing UFOs. I also added another twist to this challenge by gathering five projects for each month corresponding to the Color which were a flimsie waiting to be quilted, a UFO project (in a block stage or less), a designer whose fabrics I’ve have in my stash and always wanted to make something with it, a fabric bundle waiting for a project and a scrap project. I have a choice each month of deciding which one of these projects I want to work on and given myself the allowance that new projects can be a flimsy finish. Number 10 and the color Pink was pulled for July and I chose to finally finish my Peri-Pinkle Nine Patch which was a flimsie I finished in 2000 or twenty-two years ago.

One of the reasons why I wanted to finally finish this quilt is because of the other name I gave it; the Granddaughter Quilt #2. The Granddaughter Quilt #1 is also on this year’s challenge list. I was working at the Quilt Shop when I purchased the fabrics for this quilt; it was during this time when other fabric companies were coming out with their own reproduction fabrics which before only Marcus Bros, Julie Rothermel was designing. The fabrics used in the Peri-Pinkle Nine Patch Quilt were from Moda (Sharon Newman), In the Beginning (Sharon Yenter) and Chanteclaire (Darlene Zimmerman). When I made this flimsie, my two sons were still in high school and middle school and thought that someday this quilt would be for a future granddaughter. Now this future granddaughter, the darling granddaughter is now five and may be ready for a big girl quilt or several big girl quilts so I thought this would be a great finish to start the Challenge. You would think this would be my oldest quilt finish but it’s not if the Granddaughter Quilt #1 is finished.

I would like to say that the machine quilting was a breeze but it wasn’t. My plan to do simple in the ditch quilting combined with diagonal crosshatching on the nine patch did not go well with the Ditch Quilt Foot which I used before. I should have realized after the first line of quilting that something was wrong but I ignored it. Two thoughts came to mind after I quilted it the first time, you’re never too old to make stupid quilting mistakes and if the first line of machine quilting isn’t right, stop and get the seam ripper out. You can see on the top pic how badly puckered the machine quilting was and my thought was maybe this is what it would have looked like if I had machine quilted it twenty-two years ago and maybe it wouldn’t be too noticeable if I photographed it at a certain angle. But I decided I needed to rip out all of the quilting which took two days. It should be no surprise that I binge watched crime and murder mysteries. The second time I machine quilted this quilt I used my walking foot, the ditch quilt foot has been placed in the time out corner on my sewing table. You can see how much better the machine quilting  looks on the bottom pic. When I showed my Hubby these photos, he commented that if I left the quilt alone the first time,  I could have called it the Puckered Pink Quilt.

I did hand sew the binding down which I would have done twenty-two years ago because doing it by machine was almost unheard of back then. You can see the backing is the pink Chanteclaire ticking stripe which I almost wasn’t going to use because back then I thought I might need it for another project but now I’m pretty sure there won’t be and it was just perfect for the backing. I normally am a cheapskate when it comes to backing fabric; I use sale fabric which sometimes is not part of the fabric line or used in the flimsie. BTW, the Peri-Pinkle Nine Patch Quilt measures 60”x80” which was a pretty big quilt for me back then.

And here’s a photo of the darling Granddaughter with her Peri-Pinkle Nine Patch Quilt wearing her matching pink shoes. If you’re wondering how I came up with the name, it’s a combination of the periwinkle blue and pink fabrics used in this quilt.

The Peri-Pinkle Nine Patch Quilt was a finally finish before mid July so I thought I would have time to work on other projects I had designated for the month. I spent the last week in June organizing my projects, a total of 60 projects and making a photo collage of the five projects for each month. I have to mention that I love each one of the projects chosen and that there were lots more which could have been included. The left top photo is the flimsie, the bottom left is the UFO, the top right is the designer bundle, the center right is the fabric bundle and the bottom right is the scrap project which I have to mention since Pink was the color of the month, my scraps are Tula Pink. There are some months I tweaked some of the designations and changed one of the fabric colors from stripe to neutral or free for all. We’re only traveling to the GP House every other weekend now which gives me a nice block of time to do some serious quilting and that I did.

Four Flimsies in four days-leave it to me to turn a Challenge to a Choice and then to a Am I Crazy Challenge by working on the other four projects which I don’t expect I will do each month. It helps that these patterns were fast and easy. And you know what’s even crazier….

I finished another flimsie, instead of quilting one of the other four flimsies, which was a DrEAMi but right now looks more like a Squirrel Scream. This flimsie did not sew fast as the others and glad it’s a finish. I’m hoping once the blue binding is on, I will like it better. I’ll post more about these flimsies once they are finally finished. I’m thinking some of these flimsies finished during this year’s challenge are perpetual and are going to appear on next year’s challenge list. I do like the idea of having less fabrics sitting idly in my stash.

Even though the month of July isn’t over for another three days, I’m tired. We’re leaving for the GP House this weekend and I don’t think I’ll bring any sewing but who knows what I’ll come up with after I clean my table. There are some interesting scraps laying around…..

Linking up with: My Quilt Infatuation/NTT