A Finally Finish: Thirties Tart

Since I started quilting over twenty years ago, I always had a project using 30's fabrics.  I posted about my love for 30's fabrics in my last Throwback Thursday post.  In this post, I briefly mentioned my, then, current project "Thirties Tart" which I started last September.

I was inspired to make this quilt after seeing Shannon's (The Fleming Nine) Sweetart Pattern and I knew it would be perfect for a modern 30's quilt made with my stash of Judie Rothermel's Around the World with Aunt Grace fabric.  I bought this fat quarter bundle back in 2005 and for the past few years have been anxious for this stash to be finally used.  I really love the black and white print, it's so modern looking and I'm glad I purchased three yards of it back then.

As mentioned in my Throwback Thirties post, I made a slight change with the Sweetart block layout since I wanted to showcase the 30's prints more than the bright, happy green fabric.

Shannon's Sweetart Quilt had the most exquisite quilting and there was no way I could duplicate it so I thought about doing my usual straight line quilting but didn't think it would work.  Instead, I decided I would QAYG each of the 30 blocks.  I've done several QAYG quilts and there are several good tutorials available online.  I used a 40wt Black Aurifil thread because I really wanted the quilting to show.  You can see that the blocks were not quilted at least 1/2" from the edge of the blocks to save this area for when the backing is added.

After the blocks were quilted, I trimmed each block the same size of 12". 

The blocks were sewn together with a 1/4" seam, although 3/8" is recommended but I didn't because it would have affected the look of the blocks.  The next time I will use a 3/8" seam since it will make pressing the seams open easier.  Also, when pressing the seams, I recommend setting your iron to medium heat or whatever the highest setting the batting will take. I really wasn't looking forward to sewing the blocks together but thanks to pinning the blocks together, which I usually don't do, they sewed together nicely.  It also helped that there were no block seams to line up.

Remember the 1/2" space I left on each side of the blocks?  With the big red arrows pointing, you see on the left photo, how the quilt top looked before the backing was added and once it was, the quilting matched.  The nice thing about the QAYG method, you only need to quilt the block seams once the backing is added.  I don't know why I don't do this more often, seeing that it's a great way to use up the scrap batting.  On a table runner  I QAYG, one of the corners did pucker after it was washed but that could have been caused by me not pressing the top and backing together well.  Before I pin basted the Thirties Tart top and backing together, I made sure to press them well together. Also I would not quilt 1/2" on the vertical edges until it is done first on the horizontal edges to avoid puckering.

I really like how the quilt drapes and the backing feels soft and snuggly agains the body.  Lucky me for also purchasing enough of the light floral print from the Trip Around the World With Aunt Grace line for the backing. Even though batting is sewn with the seams, the extra thickness is visually and tactilely almost unnoticeable.  One tutorial I've seen, suggested trimming the corners after the blocks are joined to reduce bulk but I didn't.

I chose to bind the quilt with the same black fabric in the quilt and thankfully remembered where I stored it after looking for it for ten minutes.  I hate when this happens.  For a brief moment I thought about sewing the binding down by hand because after all my other 30's quilts had hand sewn binding but then I remembered that this is my first made modern 30's quilt in which all of the patches were die cut and I did modern quilting via QAYG, so, of course the binding could be sewn down by my sewing machine.

Sorry for the limited photos of the finished quilt.  This is the time of year when it's really hard to take good photos of your quilts outside.  Here in my part of the Midwest, we had two ice storms and rain this week.  Today, the sun did make an appearance but it came with 30+mph winds.  Really it would have been perfect if it was a bright, sunny summer day and the Thirties Tart quilts was hung over a white fence.  Since that wasn't a possibility, I did photo editing again (this time not using a Bison nor an Elk as a prop) with a quilt over my yellow bike when it was brand new just to give me a visual of what a wonderful Summer quilt this is and hope that warm weather is coming soon.

Linking up with: My Quilt Infatuation NTT

Throwback Thursday: Forever 30's

Clarification: I'm talking reproduction fabrics now and not about age which I don't think this would be the age I would want to be forever since this is when my boys were born and wee littles, so no Thank You, I'm still recovering. 

30's Reproduction Prints have always been one of my favorite fabrics since I started my quilting journey in the mid-1990's.  My three fave fabrics then were Fassett, Feedsack and 30's and I'm still making quilts with all of them since I still love them and also have quite a bit of each in my stash.  I've already posted this year about Fassett and Feedsack love so I thought it was time to do a 30's post and what better way to do it is with a Throwback Thursday post. (This linky party is usually hosted by Sandra of mmm quilts but for the remainder of the year, Andree of Quilting & Learning - What A Combo blog will graciously be hosting).  This is a great way to do some Show and Tell and reminisce about about the 30's quilts I've made during the past twenty years--definitely before my Blog days. Doesn't the yo-yo quilt look sweet on Susannah The Tin Goat's back?

I fell in love with 30's Reproduction Prints (which are so called, if case you didn't know, because they were inspired by 30's Feedsack prints) when I first started haunting my local quilt shop and saw this poppy print on one of their display quilts.  I was so surprised and sad to learn that this reproduction print was no longer available then, which being a novice didn't understand the concept of fabric lines being available only for a season, just like fashion. Thankfully I've been quilting long enough now to know that some prints or lines get reissued and this print was reissued but only on a much smaller scale years later.  I ended up buying the original print on the secondary market which was way more than the $1.36/fq price which was such a bargain price back then.  It should be no surprise that I've accumulated quite a stash, since after I started working at this quilt shop, I bought them with my 40% employee discount which made the cost under $1.  Aunt Grace prints were designed by Judie Rothermel for Marcus Brothers and were the ones to buy, others came later, had almost the same feel as authentic feedsack fabrics, somewhat coarse.  The prints were so fun and cheerful, came in so many colors and as you can tell by my quilts, you have to use a lot of prints, `ala scrappy when you do 30's.  You also have to make the quilts big too.

Another reason for loving 30's prints were the antique/vintage quilts I saw in books and publications. Since I am the first quilter in my family and didn't inherit any of these quilts, I knew I had to make my own "antique" quilts and my first 30"s quilt was going to be a Grandmother's Flower Garden, which I posted about last year.  This was probably one of the first quilts I came up with an alternative finish (which I tend to do rather than abandoning the project) after I realized these quilts were so named because you probably became one after finishing one.

Forever 30's has a double meaning for me -- loving the fabrics and also any 30's quilt I've made were not quick; they took forever, like years, to finish. I only made no more than ten quilts in the last twenty years and, as I mentioned before, most of my quilts are big, either queen, double or twin size.  I've made only two table toppers and this one, a lap quilt. Most of these quilts started as hand piecing projects while on road trips and I don't think I ever totally used up any of the fabrics, some of them are used with other quilts and some fabrics will live quietly forever in my scrap or tidbit pile. Also being the big patch, make them easy and quick Quilter that I am, you can see by these quilts, they are all made with small patches, the largest patch being maybe 4" and the smallest patch is 1" finished which does not make a quick quilt.  I had to show the quilt made with Kaye England's 30's fabrics--sometimes you wonder why you go through the hassle of piecing when there's a wonderful cheater print also in the fabric line.  The two sides are separated by the red binding in the middle and a portion of the pieced top is on the right.  I guess you can call this a reversible quilt.

Before I purchased my die-cutters, the go-to tools for making 30's quilts were (no affiliated links here) my June Tailor Shape-Cut ruler for cutting squares and strips, Triangle Paper for the HST which was so appreciated for the Pinwheel/Broken Dish Quilt made up with 1" finished half triangles, Clover Yo-Yo maker and paper pieces.

You can see which tools were used for the making of some of these quilts and I don't think they would be in their finally finish state if it weren't for them.  I apologize for not showing full size photos or recent photos of some of these quilts, but some of them are huge and there was no way Master Quilt Holder could hold them up by himself yesterday. The Apprentice Quilt Holder had just got off duty and is sleeping on the couch. Quilts just don't look pretty when a grouch is holding them up.  (Today, of course, it was too windy to take photos outside.)

I always have a 30's quilt on my project plate.  The Clamshell quilt top, on the left, which was a road trip project but then became too large, has been waiting several years now for me to decide on a border color--should it be the traditional green or maybe salmon pink or lavender.  I need to check out the 30's solids once and for all.  And speaking of greens, when I first started, Niles Green, which was the color used for the Irish Chain Quilt, was the shade of green to use in order to be authentic.  Looking at it now, it's a rather dull green and I'm glad to see there are other brighter greens which goes so well with the 30's fabrics now.  Working on the one patch quilt, on the right, should resume again, because the Fall TV shows have started and there's a lot of good shows for me to sew by.  I probably should start thinking of its border color now.

Thanks to Shannon of The Flemings Nine I started another 30's quilt project. When I saw and purchased her Sweetart pattern, I knew I wanted to make it with my bundle of Aunt Grace Around The World prints which came out in 2005.  It's about time, thirteen years, that I make something with these wonderful, fun prints, don't you think?  

I wanted to make a modern 30's quilt with this pattern and after playing around with the fabrics, I did make a slight change with the block layout since I wanted to showcase the prints more than the happy, bright green I found in my stash.  I love it when the purchase of three yards of green fabric many moons ago finally gets to be used, I think a Minecraft quilt was the reason. As with my other 30's quilts, my Thirties Tart may take me forever to make, because I may do a QAYG with each block since there is no way I can duplicate the wonderful quilting Shannon did on her Sweet Tart quilt. Oh, I have to mention that all of the patches for my Thirties Tart quilt were all die-cut, the first 30's quilt to have this distinction.

I'm still loving my 30's stash and projects even after more than twenty years. It still doesn't look like my stash has dwindled, I sort of think that these fabrics reproduce themselves--is that why they're call reproduction fabrics, ha, ha, getting goofy now from writing this post.  I have a lot more chunks than fat quarters which is still enough to make more scrappy 30's quilts -- the more is merrier. Too bad I can't buy them anymore at 1.36/FQ or under $1/FQ.  Also sad is that I can't lay any of my 30's quilt on a bed being that Sophie, the World's Worst Dog just loves to mess up a made bed and scratch on my quilts.  It's nice that these lovelies could come out of the closet to enjoy a day in the Sun.

Linking up with: Andree of Quilting & Learning - What A Combo