Sushi Shuffle

In between two projects which were “must-dos”, I managed to squeeze in making Sushi Shuffle a “shouldn’t be doing” which some would say is a “dream” but for me turned into a scream because that’s what Quilt Karma does sometimes, especially to my aging Asian mind. I was tempted to name my latest quilt Screaming Sushi but thought Sushi Shuffle would give a better image.

Anyhoot, while I putting away my fabric purchases made from last month’s Maine vacation, I purchased yardage of the black/gray/white Stof print (lower left corner). I knew I could use it  as backing for a quilt I would someday make with the other Stof prints which are stored  in my box of Teal fabrics. For such a small box, this has been a start of many quilts made as I mentioned in this Post. And wouldn’t you know just opening this box inspired me again to make the Sushi Quilt so I stopped working on my secret project.

No surprise that I wanted to make another Staggered Strips and Brick quilt with my initial fabric pull. Except for the black prints, the other prints were stored with the Teal stash. I knew someday I would make a quilt using the two fish prints on the left which were the color inspiration for the quilt. I did end up pulling some more gray and taupe prints because you can never have too much fabric when making a Staggered Strip quilt.

I decided that the Sushi Shuffle quilt would have (4) panels measuring 8”x72” each of staggered strips and three panels of 4”x8” blocks each also measuring 8”x72” since I wanted to feature the Stof prints purchased almost five years to the day from The Fabric Nook in Granby, CO which are the green and black and the gray and black print. I had to find some other prints which would complement the Stof  prints and was lucky to find the black/taupe which is by Basic Grey and from the Basic collection. Even luckier was finding the wonderful Stof print I didn’t remember purchasing, on the right and it wasn’t with the Teal box but with low volume prints. The orange Fish print is a Moda print which was stored in the Teal box. Have you notice my use of “the Teal Box”? I normally would refer this as my Teal Stash, but after making Sushi Shuffle, I’m thinking it’s like Pandora Box, not evil, but it does unleash sometimes untimely inspirations.

I really thought the Sushi Shuffle was going to be an easy and quick make and was I wrong as soon as this crossed my mind. I had to include a photo showing the seven panels so you understand how this quilt went from a dream” to a “scream”. First of all, I thought I was being smart by remembering that the strip panels needed to be on the sides of the block panels because I don’t like the way it looks when the blocks are on the outside. I also was going to add strip panels on the top and bottom but remembered that I don’t do this when the strip panels are vertical.  When making lap size quilts, I like at least an 80” length since we are a tall family and  now would have to settle for a 72” length since I already cut them this length before remembering I should have cut them 80”. But what really started the screaming was when I was sewing the two panels, what should have been the final seam, one with #1-#4 with #5-#7 and it did not line up. It seems that whenever I make a vertical Staggered Strip quilt there is always a problem with the panels lining up evenly and salty language is always used.  This time there was a 1” difference and I had to take the two panels apart. I thought maybe the solution was to also take apart panels #4-#7 and resew them back together.

I was so happy after ripping out two long seams that the panels lined up (left photo) but there was a problem. I don’t know how I did this but panels #4 and #6 were switched and finally corrected it after ripping more seams apart like three-four times, I lost count (right photo). I will say that this was not the original layout since panel #1 and #7  somehow got switched in all of the shuffling. If you’re wondering how I came up with the name Sushi Shuffle, I did want a name that tied in with the fish prints but really settled on Sushi because I was saying the four-letter “S” word a lot, especially after realizing I had to rip seams out again and again. Sushi is a nice alternative word for a swear word to use especially around the darling Granddaughter. And Shuffle was what I did and I do like alliteration when naming my quilts. I did mention before Screaming Sushi was in the running but also Senile Strips because I had to be with the many times I sewed the panels together wrong.

I did end up sewing panels on the top and bottom and wonders of miracles I sewed them in the correct spot. I really did want this top to be 80” long and since the panels were already made I decided to add them. I do like the way this looks. After the flimsy was  made, I did set it aside for the secret project that needed to be finished.

It’s no secret now that I am participating in the book launch blog hop for Kelly Young’s, My Quilt Infatuation, latest book “Perfectly Pieced Quilt Backs which will be released on June 21st. My quilt made for this book launch is a Finally Finished and I am very excited to share it along with the other quilters who are participating in this book launch. This is another great book by Kelly and has converted this once pieced-back resister.

And to show how inspiring the book is, instead of backing Sushi Shuffle with just the black and gray Stof fabric which was my original intention when I bought the fabric, I did a pieced backing using the leftover strip panels and fabric chunks. The way I see it, I needed to use up the scraps, as encouraged in “Perfectly Pieced Quilt Backs” and not put them away in the Teal Box because I don’t need another future project. I plan on staying away from this box for awhile. It feels good to spend just a little more time and thought into my quilt backings and making it a nicer Finally Finished.

Here’s are close-up pics of the machine quilting with straight and wavy lines using CT Essential Thread in Stone The binding done by machine was with the Basic Grey black and taupe print. Sushi Shuffle measures 56” x 80” (approx.)

I always like to close my posts with a “glamour” shot of the quilt and thought Sushi Shuffle would look nice in front of a Sushi restaurant. Unfortunately, there isn’t one close by so this one is made possible by PicMonkey. The colors in this quilt does go with the restaurant, doesn’t it? Knowing the reason why I’m using Sushi, I didn’t think it would be pretty if I used a photo of Outhouses, right?  Now that my May Misbehaving may be over, it’s time to put together my flimsy for my other mmmust-do, the Rainbow Neighborhood QAL parade scheduled for the end of June. We’ll be leaving soon for a vacation in the mountains and I’ll be visiting The Fabric Nook to see if they have more Stof fabrics to add to the Teal Box.

Wishing everyone a Safe and Happy Memorial Day Holiday.

Linking up with:My Quilt Infatuation/NTT

Strips Ahoy, a Nice Nautical Not Naughty Finish

Back in the early part of February, I finally had the chance to work on a new project and was going to play with Janet Clare’s A Field Study fabric line but soon jumped ship when I saw the stash of blue fabrics from her Hearty Good Wishes and More Hearty Good Wishes fabric lines in the stash. My plan was to make another version of my Staggered Strips and Squares pattern but this time instead of using 4.5” Squares I would make 12”x16” blocks to go with the 2.5” strips.

I decided that I didn’t have enough different fabrics from just the Hearty Good Wishes fabrics, so I added fabrics from Janet Clare’s Nocturne and Aubade, some Japanese/Asian prints and a Jennifer Sampou Dot print as well as fabric from Moda’s Indigo line which is over ten years old.

The above are quilts/projects, Skyfall (left) made in Fall, 2021 and the Indigo Tiles Quilt and Everything Bag made in 2017. My Strips Ahoy quilt is now part of the trio of quilts made with Janet Clare’s fabrics in blues and gray and I never get tired of seeing these think these colors together.

The 12”x16” blocks were made from the Hearty Good Wishes and More Hearty Good Wishes charm packs along with yardage of a blue and a tan print. I wanted the Tan Prints only to be used for the blocks and I think this accents nicely against the blue and gray strips. The strip panel was made from over 100 2.5” strips cut in varying lengths and were sewn in four rounds ‘ala jelly roll race to make an eight row panel measuring 16-1/2” high. I also included in this mix a strip panel leftover from the Skyfall quilt.

My initial plan was to randomly place the blocks among the strips but decided on a controlled layout of two different row settings; one with a 36”(f) strip panel framed with a 12”x16”(f) block and the other with three 12”(f) strip panels alternated with two the two blocks. This measured 60” x 80”. I finished the flimsy by the third week of February and could have quilted it then and glad I didn’t. Lessons learned from the Celestial Moonrise Quilt and the Tell Tale Blues Quilt were forgotten and then remembered after looking at this photo when I was at the GP house later and that is I do not like the way blocks look when they are on the edge. 

 

Thankfully I had enough leftover strip panel to take apart to add two rows on the sides and the top and bottom. I think it looks so much better when the blocks “float” next to the strips. Some of the previous Staggered Strips quilts mentioned in this post, the strips were set vertically instead of horizontally but for the Strips Ahoy quilt the strips were set horizontally because I didn’t want the whale and fish prints to be swimming upstream but it looks okay on the side borders.

The backing is a map print that I have been saving for when I ever did make something with the Janet Clare blue fabrics. I only had four yards of it and had to add a gray clamshell print on the sides. I already made the backing with the smaller measurements and thankfully I only had to add a strip on the bottom to accommodate the larger size.

Machine quilting in Aurifil #2610 Blue/Gray thread was done with my usual but favorite straight with meandering lines horizontally but I also added the lines vertically to the side borders to create a grid pattern. The binding is the stripe print from the Hearty Good Wishes line and sad to say I’ve used the last of the yardage. Strips Ahoy measures 68” x 88”. I also like to mention that with all of the changes made, not once did I use any salty language which I have been known to do on previous quilt with a blue or Sea theme.

Strips Ahoy was finished a week ago and I delayed posting about it because I wanted to include some outside photos but the weather has not been co-operating. The first photo we tried to take outside, I realized that it was a tad too wide for the Master Quilt Holder. The plan was to take it to the GP House where the darling Granddaughter will be babysitting us for the next thirteen days and again had to wait several days until the rain stopped. Also, next door is where the Rookie Quilt Holder resides.

The Rookie Quilt Holder assisted the Master Quilt Holder to finally get a nice full-size shot of Strips Ahoy.

I do like this shot also since the house and sky matches the colors of this quilt. Would you believe after these photos were taken and we were inside, the Sun made an appearance.

We will be traveling to the East Coast mainly Maine and Niagara Falls and will be taking this quilt with us since I think I need some photos of Strips Ahoy by the Ocean and Falls. We will be meeting up hopefully with my Bee Sista, Kathleen McMusing, and I’m sure she will know some places to take photos. I’m also pretty sure she won’t be able to hold up the quilt though (a little inside joke here). I do have the perfect bag to carry Strips Ahoy in.

Linking  up with: My Quilt Infatuation/NTT

Serendipity Super Scrappy Strippy Quilt

I didn’t come up with a name for this quilt and one with alliteration until after it was a finally finished and ready for some pics and a boast post. Since starting the Serendipity Super Scrappy Strippy Quilt (S4) back in September and just finishing it yesterday, I realized there was a lot of unplanning and fortunate occurrences with this quilt which started with Demando moving out and leaving his queen size IKEA bed behind and it needing a quilt. 

During this time, I was working on my Tell Tale Blues Quilt and had staggered strip quilts on my mind and knew I had a lot of 2-1/2” scraps leftover from making these type of quilts and other quilts which I could use to make the S4 quilt which would go with the blue bedroom walls. Since these leftovers had teal and aqua in them, I kept them in my bin of aqua/teal fabrics and were reminded of them whenever I happened to be searching in that bin. 

These scraps are mostly from the above four quilts all made in 2018: The Hinto Minto Baby Quilt, Stacked Squares Quilt, Echinacea Dream and Spa Spurts Quilt. I remember the color inspiration for these quilts which were the Delilah blocks Susan Snooks, Patchwork and Play was making at this time. We both loved Anna Marie Horner’s Echinacea Glow fabric in the Pretty Potent color way which included teal and peachy pinks. Not to throw Susan under the bus which I am known for doing to her, is that I was going to link her quilt but could not find it on her blog, since she does not have a photo gallery of all the wonderful quilts she had made and she should. I may be receiving a reply or clarification from her, I think.

Some of the scraps were leftover strip sets and some were 2-1/2” strips and they were sewn together to make a very long strip of two 2-1/2” rows sewn together which were then subcut them into two strip set panel sizes: 20-1/2” and 40-1/2”.

The 40-1/2” strip set panels are in the middle flanked by a 20-1/2” panel on each side. It was an easy make and the flimsy was finished around the middle of September and has been waiting to be quilted since then which at that time I was starting to have problems with Juki Junebug.

Well, Juki Junebug has been replaced with Jinny Janome, my new 1600P, who was waiting to machine quilt one of the many flimsies that have accumulated during the past few years. I was not planning for S4 to be her inaugural quilt and was going to quilt one of the Lotta Jansdotter flimsies from last year but Serendipity/Senior moment struck as I was putting away some fabrics in my aqua/teal bin and was wondering where my leftover strips and strip sets were. I spent some time looking around my studio to see where I could have stored them, were they stuck in a bin with other low volume scraps or were they put aside on the project shelf for a new quilt? I couldn’t find them for at least 15 minutes which was annoying since I rather be sewing than searching. I happened to go by the cart which had flimsies waiting to be quilted and there I saw S4 and realized that I had forgotten that I made this. It’s been four months and like they say, how soon we forget, which is happening a lot with my quilt brain. I knew S4 would be the perfect quilt to test Jinny Janome with since I planned on doing both straight line and wavey lines. Fortunately the Janome open toe walking foot I used on Juki Junebug could be used on Jinny Janome. On a side note, my Juki walking foot which is a closed toe and came with the machine could not be used on Jinny Janome which I needed in order to sew the binding down. I made do with the Janome walking foot and had to use another way to maintain a 1/4” stitch line.

Jinny Janome quilted wonderfully and you can see I played a little quilt chicken on one of the corners of S4 which I did’t noticed after I was almost finished with pin basting. I crossed my fingers and hoped that the machine quilting would not push the top past the batting. I think it helped that before I started machine quilting with Jinny Janome, I moved Juki Junebug upstairs because I know bad quilt karma happens when she’s upset, especially now that she’s second banana. Juki Junebug is at the Spa getting her latest problems fixed and will be moving to the GP house where she sew supreme once again.

Here are some pics showing the wonderful scraps of mostly Cotton+Steel and Art Gallery fabrics along with text prints. I especially love the cat prints. The backing was from the vault and was a wide back print purchased at a nice discount from Amazon several years ago. It’s not as modern as the front but I’m saving my Carrie Bloomston wide back text print for another quilt, not yet made but in my head. I used a CT Essenial Thread in Parchment and the binding was the teal XOXO print by Cotton+ Steel. S4 measures 80”x90” which was pretty large to test Jinny Janome with but I was confident that she could do it. As much as I love my Juki Junebug and already owning a Janome Gem for over ten years, I knew Janome is a pretty good and reliable brand.

One of the reasons why I finished hand sewing the binding while we were at the GP House this weekend was because I knew the Master Quilt Holder (MQH) would need some help holding it up. Also, we left right before a big snow storm and was lucky it didn’t follow us which would have interrupted photo taking. When the flimsy was finished, Demando, also affectionately know as the Apprentice Quilt Holder was still at home and was able to assist MQH. My youngest son and father of the darling granddaughter lives next door at the GP House was able to assist and now will be referred to as the Rookie Quilt Holder. Even though this was his first time assisting, he listened and followed his father’s example and with no lip or complaining as the Apprentice Quilt Holder is known to do. 

The darling Granddaughter was taking a nap during photo taking so I thought I would close this Post with the Serendipity Super Scrappy Strippy Quilt in the foyer and her baby photos in the background. I really enjoy making another quilt using my Staggered Strips and Squares pattern but this time without any squares or rectangles. If you’re not familiar with this pattern, you can check out my “sort-of” tutorial on how I make the staggered strips Here.

January is finally living up to its reputation as we’re experiencing cold at the GP house and we’ll be heading back to more cold as in freezing temperatures along with snow. The only good thing about this is that it is good sewing weather. Now I need a cup of hot tea just thinking about it and wishing warmer days will be coming soon.

Linking up with:My Quilt Infatuation/NTT

First Two Finally Finishes for 2023

And just like that, after lamenting in my Last post of 2022 that I was feeling I was falling behind in my participation in Country Threads’ 2022/23 Dirty Dozen UFO because I only had flimsies to show for the months of October through December, I machine quilted and bound October’s and December’s flimsies this  week. This was made possible by Mary Etherington declaring that during January and February there would be no number or color drawn so we can catch up especially since these are the months where snow and cold would make it possible for us to stay home and sew. Well, here where I live in the Midwest, we’re experiencing unusual warm weather in the 40’s and 50’s and there has been no measurable snow for the past two weeks, but I still stayed home to sew after returning from the GP House. Despite really wanting to sew a new project with some new fabrics I received for Christmas and Juki Junebug still not sewing perfectly (I really miss my threads being cut automatically) I am happy that Wonderland, the patchwork throw, and FALLoween I, the future wall hanging are finally finished. Here are the deets:

Wonderland was the last flimsy I finished for 2022 and the plan was for this to be a quick quilt finish since I was only going to back it with my favorite Gray Chenille Plush which I will again mention that this makes for a wonderful, snuggly quilt/throw. Since we’re leaving once again for the GP House this weekend, I wanted to take this to give to the darling Granddaughter in hopes I can reclaim the Carrie Bloomston Patchwork Throw I made last May for me to use in her bedroom. She decided that this must be shared with her and I’m lucky if I get at least a quarter of the throw to snuggle under. Like her Grandma, she likes the feel of the plush backing.

The fabrics for this quilt/throw is from Katarina Roccella’s Wonderland collection along with other Art Gallery prints and some Cotton + Steel prints. These fabrics have been set aside for several years and I decided that this collection would be added to the 2022/23 UFO Challenge list. I just love the combination of the pinks, peaches, plum mixed with the grays and  the minty green I call Aquamint. The focal print of the sweet girls of which I only had a fat quarter would determine the pattern since there was no way I could cut this print into small patches. The prints on the lower right were added since I thought I could use these colors, especially the plum/abergine print.

I’m calling this pattern Easy Ernie Eights, since the eight inch blocks are made up of with either 4”x8”(f) Ernie rail blocks  combined with 4”x8”(f) plain rectangle patches, two plain rectangles or two Ernie rail blocks. I first drew out the pattern on my trusty graph paper to determine how many of each rail blocks/patches I needed to cut and sew. You can see that the sweet girl print was fussy cut into 4-1/2” x 8-1/2” rectangles and I used every bit of the fat quarter; I even had to piece together one of the rectangles together and hopefully the darling granddaughter won’t notice.

Since there was no batting in between the top and the plush chenille backing, I only quilted vertical lines between the four inch segments in a gray polyester thread. The binding is the pink xoxo print from Cotton + Steel, one of my favorite prints to use for binding. The Wonderland Patchwork Throw measures 56” x 80”. If the darling granddaughter still won’t give up the Carrie Bloomston Patchwork Throw, then I will be happy to claim this one as mine, hopefully she won’t decide she needs both of them and Grandma will be left out in the cold.

FALLoween I was a flimsy finished last October and would have been quilted then had Juki Junebug didn’t need to go to the Spa. 

I just love the prints and colors in this quilt as they are a collection of Sandy Gervais prints from when I first started quilting in 1996 and she was with Moda to some of her later prints from Riley Blake. I knew these fabrics would look great with the Cinnamon Spice pattern designed by Ledine Watson of Sugar Stitches Quilt Company and this would be the second time I made this pattern with my Cracker Jack being my first one made last April. I did modify the size of the blocks.

The pieced backing was made with yardage of two Sandy Gervais prints sitting in the stash for way too long and it didn’t take me too long to decide that it was time to use it up for  this very deserving top. I machine quilted with a combination of straight and wavy lines with a CT Essential Thread in Camel. The binding is the orange grid print, one of my favorite prints in my stash and may be the first time I ever used it for binding. Because Juki Junebug sometimes is continuing to sew after I release the foot pedal, I wasn’t comfortable sewing the binding down with her so I had to hand sew which was a good thing to do while watching the three crossover NCIS TV shows. FALLoween I measures 60” square, the perfect size to hang in the family room. I also have a FALLoween II flimsy and considered finishing it also but decided to wait since I still need to quilt my November quilt, which I did before starting this post and does it look awful. Guess what  I’ll be ripping out after this post. I love my FALLoween I quilt and can’t wait to hang it up this Fall. I’ve been wanting a new Fall quilt for the last several years but never seem to be in the mood during the Summer when it was too hot to be working with warm color fabrics. I’ll be ready this Fall for sure.

Here’s some photos taken outside which usually is hard to do in January with the snow and cold. The Master Quilt Holder definitely did not have any problems assisting me. Once my November quilt is finally finished, I am so looking forward to sewing a new project, but then again, I may feel like machine quilting some more flimsies, especially if I order my new machine next week.

Linking up with My Quilt Infatuation/NTT

The Tell Tale Blues Quilt

I thought that my Tell Tale Blues quilt, which was one of the eight flimsies made since July, would be the one I would finally finish. This quilt was made with a Jelly Roll, last Saturday was Sew A Jelly Roll Day and I seem to be sew-lebrating with making quilts with 2.5” strips this month since The Kitty Corn Mix quilt was a finally finish earlier this month and another flimsy made which you will see later in this post. I mentioned this quilt in a July post when it was a flimsy and called it a dream/scream project: I’m thinking a better name for a project of this type would be a daydream since I worked on it for one day and then set it aside.

Like some of my quilts, I wasn’t planning to make my Tell Tale Blues quilt. Every day, I receive a memory photo feed from either Apple or Amazon, and I just so happened to receive the above photo of The Opposites 2.5” strip roll taken in October, 2020 which was when I purchased it. Of course, it prompted me to make another Staggered Strips and Bricks quilt like my Celestial Moonrise Quilt.

After pulling additional fabrics from The Opposite collection from my stash of Marcia Derse fabrics since the roll was not going to be enough, I decided to use the yardage of The Blue One which was a nice accent against the black, gray, white and natural tones of The Opposite fabrics.

Here’s a photo of my yardage of The Blue One before it was cut up into 4.5”x16.5” bricks, both horizontally and vertically.

Lessons learnt from the making of The Celestial Moonrise quilt on the right was applied to The Tell Tale Blues quilt. I wish I had more of the blue fabric since I think it almost gets lost against the black, grays, white and natural and not liking it too much after the flimsy was finished. It sort of looks “spooky” doesn’t it, which how I came up with the name because thumping sounds and Edgar Allen Poe came into mind as I was sewing this late into the night.

I had the perfect backing for The Tell Tale Blues quilt which was my last piece of IKEA’s 2010 Beckmans of Design print which fits the spooky feel. Even though the backing was 60” wide, I still had to sew additional strips on the side to accommodate the width of this quilt.

I was happy with my choice of using #4060 Aurifil thread for the top since it blended nicely with all of the colors and silver was used for the bottom.

Here’s some close-ups of the fabrics and the machine quilting of straight and wavey lines. For the binding, I used leftovers from The Blue One along with additional blue prints from the Marcia Derse stash. The Tell Tale Blues quilt measures 60”x80”(approx.). 

It was just a little bit windy this morning when an outside photo was taken and the Master Quilt Holder had no problems holding it up. It looks so pretty in the morning light.

Before The Tell Tale Blues quilt was a finally finished, I worked on another daydream project for several days with my 2.5” strips leftover from previous Staggered Strips and Squares quilts. Once this is quilted, I’ll have more details but wanted to show you a pic of the Master Quilt Holder and the Apprentice Quilt Holder who both were needed to hold up this 80”x92” flimsy. The Apprentice Quilt Holder is leaving the Nest which means he may not be around much to help hold up the quilts. I don’t think this was an incentive for him to finally move but it sure is nice for me to have his old bedroom for another creative space. BTW, this quilt will be for the bed which will still remain.

We’ll be heading to the GP house tomorrow where the darling Granddaughter will be babysitting us for a week. Trips to the Zoo and Pumpkin Patch are planned and maybe a little chance of some sewing and knitting.  Upon our return, some home reorganization and makeover will definitely keep Hubby and I busy.

Linking up with: My Quilt Infatuation/NTT