More Finally Finishes for February

My Plush Phase for backing flimsies continues with my two latest finishes; Baby Bullseye (left), a fairly new project, and Yellow Rose Double Nine Patch, a UFO of at least ten years. Of course, they both have stories or explanations.

I didn’t expect  my Baby Bullseye project which I started last November to be finished way so soon but I was motivated by my other two Peeps, who joined me in making another Bullseye Quilt, almost twenty-four years later (You can read about our first Bullseye Quilt here), who were finishing their Flimsies sooner than me. I was thinking that I was going to be the last one to finish her Flimsie but it turns out I was second, just like the first  time and it was Linda and not Mary who finished first. Did you notice my use of a modern word Flimsie—twenty-four years earlier, I called it a Top. It’s also a good thing that I now have modern technology in the form of a Blog Post, iPhone pics  and numerous Texts to refer to as I recap how the second QAL went, definitely something I could have used before.

After the pattern was purchased from Mary Etherington/Country Threads, and just like the first time, the guidelines planned which were the backgrounds were to be grays and low volume whites, no tans or beiges, modern prints and blenders and definitely no calicos since the Baby Bullseye was going to be modern and the size and number of patches to be exchanged before we met for a morning of merriments which always include good food and conversation. We each exchanged 30 squares of backgrounds and prints in two sizes and most notably there were no duplicates. One Peep did have not much of a modern stash but did provide the blenders which were definitely needed for a bit of calm in the blocks. We were a little bit more looser with the pattern, after all we are older, a littler more ornery with more quilting experience by changing the size of the blocks and one peep exchanging pre-cut circles and quarter circle templates to cut the circles from the folded squares which made the Baby Bullseye blocks less wonky. I will admit that I made a mistake with the Baby Bullseye pattern by not realizing that the backgrounds on Mary Etherington’s  Baby Bullseye  Quilt was not neutral but were different color prints which I love and wished I did. But in my defense, I did write if I ever were to make another Bullseye quilt I would use grays and low volume prints so my mind was already set. After the exchange was made, we each sewed our own way, texting each other with our progress. I would like to mention that my Baby Bullseye is almost true to the pattern unlike the Peeps. I think they were a little bit more ornier than me.

Baby Bullseye was so named because it is a smaller block with only two circles sewn on the background which would have been enough if we used the sizes given for the pattern. But because the sizes was increased for both the background and circles and after playing around with the first four blocks sewn, I thought a third circle could be added, especially after having the left over circles from cutting away the backs of the first circle after the second circle was sewn which was the perfect size for the third circle. I am going to narc on the Peeps now since they kept their circle blocks intact without quartering them so they made their flimsy with whole circle blocks which is why they were finishing before me. I should narc some more by saying one of the Peeps did not cut away her circles. Although I liked the look of the whole circle blocks and was tempted to do it myself,  I’m glad I quartered my blocks although it was a lot more sewing but  I do love the scrappiness which is eye candy to me.

I sewed 140 Bullseye block which was way more than needed but then I hadn’t decided on a layout. After deciding to sew them as nine-patch blocks and making twelve of these blocks, a sashing of a gray dot on black was definitely needed. If I could change anything, it would be the cheddar yellow cornerstones since it looks like post-it notes but thankfully with all of the eye candy it’s not too noticeable, right? While I was sewing the flimsy together, I did sing Baby Bullseye to the tune of Baby Sharks doo, doo, doo,  doo.

One of the big challenges for me to finally finish my Baby Bullseye was deciding how to machine quilt and if it was going to be a quilt or a throw. Before the blocks were sewn together I played with the idea of making it a rag quilt but decided that there would be too much fraying and decided to make it a patchwork throw. It helped that I purchased yardage of a Smokey Gray Plush Minky Dot last summer and also seemed to be in a Plush Phase right now, especially when you see the next throw. I did pin baste 3” apart since I wanted to avoid any shifting since the flimsy was almost as wide as the Plush and it seems like that took forever but was worth it. Machine quilting with straight lines on the black sashing and cross-hatched  wavey lines on the center of each bullseye block was a little challenging especially with the circle seams sometime flipping over and being careful not to sew over it. When I was sewing the circles onto the background, I wasn’t so willy-nilly with the seams like the first Bullseye quilt and tried to sew within a 1/4” seam allowance by remembering the flipping seams. I now know how my long arm machine quilter who did my first Bullseye felt and her frustration and quite possibly her Karma was paying me back. 

The Baby Bullseye Patchwork Throw measures 56”x74”and is a perfect lounge size for the couch which is where it will be laying for awhile before deciding if I should wash it. I do like the way it looks right now without the fraying but as Mary Etherington says it’s not a true Bullseye until you wash it. BTW, I never washed the first Bullseye Quilt which is still happily sitting on my quilt rack. To think the Peeps and I did the first Bullseye QAL together twenty-four years ago when we were just mothers of eight school age and young adults and now grandmothers of sixteen grandchildren between us (allow me a little sniffle and a tinge of envy here because I only have the darling granddaughter), I am grateful we still are friends with fabric who still quilt whenever we can. I think our grandchildren take precedent over quilt time now.  I did mention in a text to the Peeps that with modern medicine working on longevity that it may be possible to live until we’re 120 years old, we could do another Bulls-eye QAL in twenty-four years and maybe after that. And wouldn’t that be a fun project for the retirement home. I did insert three big laughing emojis.

Before I started working on the Baby Bullseye quilt, I finished the Yellow Roses Double Nine-Patch Patchwork Throw.  After the Granddaughter Quilt #1 was finished earlier this month, I was reminded of  this flimsie which was made at least ten years ago from a Henry Glass fabric collection called Possibilities and was designed by Nancy Smith and Lynda Milligan which was purchased twenty years ago. I loved this rose print as much as the Sweet Rose print and after sitting in my stash then for ten years I finally made a quick flimsy with big plain and double nine patch blocks measuring 13.5” finish just to alleviate some quilt guilt. Thanks to Eunice, my quilt alter ego who remembers what I should be sewing,  I finally finish it by making it a patchwork throw by using a pretty butter yellow Minky Dot Plush I had in my stash which was the perfect shade although it’s hard to tell from the pic. I’m glad this is a finally finish and looking forward to using it as a new travel blanket. With the Three Bear Throws finished in January and these two for February, I have now finished five Patchwork Throws/Baby Boomer Blankies which I’m calling a Royal Plush. BTW, Eunice has now gone from time-out to Jail and won’t be released for awhile since I have some new projects.

Along with a secret project for Demando who is recovering nicely from his recent hip replacement surgery, I have to start working on my project for the Villa Rosa Designs Fast & More Fun Blog Hop. My fabrics has been picked and ready for die-cutting, the pattern reviewed and I am looking forward to working on it because, surprise, it will be for the darling Granddaughter. Maybe that’s how I find time to quilt if I always say it’s for her. Insert Big Wink Emoji.

Linking up with: My Quilt Infatuation/NTT

Goodbye 2023 and Hello 2024

It’s almost the middle of January and I am finally ready to say goodbye 2023 and ushering 2024 with my first Finally Finish of my LOVE 2024 wall quilt. Since we were at the GP House since Christmas Eve and not returning until January 4th, I wasn’t ready to post my 2023 tally which I will share later in this Post.

When I was preparing for our extended stay at the GP House, I decided to take an unexpected UFO which I found while working on another project for Country Threads 2023/24 Dirty Dozen UFO Challenge. I’m not sure if this was really an UFO since all I did was tie the pattern to some hand-dye fabrics with a backing fabric together and it laid underneath my big basting table which has eight shelves underneath full of fabrics, scraps, UFOs and fabric pulls. It’s been sitting on the shelf for almost ten years when I first intended to make this when my youngest son and his then wife purchased their first home. They painted each room of their house in different, bright colors so I thought this would be a perfect wall hanging. I never got around to making this and may have been a good thing since a divorce happened almost two years ago. After coming across this bundle, I thought it would be a good project to work on and made quite a few changes which I may not have not done if I made this earlier. First, instead of piecing the blocks using freezer paper templates for the letter blocks, I decided that my piecing would be more accurate if I made FPP for each letter even though it meant tracing the letters backward on a light box using newsprint plus doing this twenty-four times, six for each letter. Another change made was to use Shot and Pepper Cotton instead of the hand-dye fabrics since the colors were more vibrant.

I like FPP and this is the third project in 2023 which I used this technique and you think this would come easy for me but it doesn’t because I always forget there is a sequence and how I start is to fold all of the seam and cutting lines and the first patch should always be cut to size with a 1/4” seam allowance. This makes sewing the patches so much easier. I thought by writing this I would remember this for the next time.

I started these blocks on New Year’s Eve and all twenty-four blocks were finished by the time we left which was somewhat of a surprise since the darling granddaughter was with us ten out of the eleven days and usually in the same room as I was in. The distractions were minimal as long as I took a break to color with her. I should mention that for each set of letters, I used cool fabrics for three and warm fabrics for the other three to make sure the colors were balanced as well as planning on using two cool and two warm color letters for each word.  I did not plan for LOVE 2024 to be my first finish for the year but thought since I always like to start the New Year with a bright and colorful project plus I didn’t want to leave these blocks laying around for too long and decided to continue working on this after we came home since I had the momentum.

I made a slight change with the sashing by using only cornerstones in the center sashing. I’m pretty sure the color used was Kona Yarrow which is fun to say if you’re a Pirate wannabe. Another small change was to put the four larger border blocks in the corner instead in the middle of the top and bottom border.

And the last change made was the original backing chosen almost ten years ago (left) was replaced because I thought the colors were not bold enough as the top so I found a Libby Lehman Threadplay print which I am pretty sure is over ten years old

One of the things I noticed about the LOVE pattern was that Mary Etherington made this in 2013 and machine quilted it with straight lines which may have been “new” at that time, especially continuing it through the borders. Mary is one of the reasons why I started to  quilt with straight lines and was able to see you can do this with both modern and traditional quilts.

I machine-quilted with a Coats & Clark golden tan thread, 3/4” apart which went well except for the right side which looks a little wonky. I was ready to finally do a scrappy binding like the pattern but then remembered that I had Kaffe Fassett stripes so I used a fat quarter which was just enough. Because this stripe had warm tones, I did not use any gold or yellow squares in the border. LOVE 2024 measures 31”x44”. Sadly, the LOVE pattern is no longer available from Mary Etherington/Country Threads.

I have to mention two funny stories relating to this quilt, Green Bay Packers and Kaffe Fassett fabrics. The first story is living near Chicago and rooting for the Bears, while I was finishing the LOVE 2024 flimsy, the Bears were playing their  arch rival, the Packers whose Quarterback’s last name is Love. The Packers did win and I want to say that my LOVE quilt played no part in this. I did send an email to Quilt Sista Roseanne, Home Sewn By Us who is a diehard Packers fan. The second story is that earlier this year, someone contacted me after reading my Blog to see if I would be willing to sell her some of my Kaffe stripe scraps as she was making a jacket. Before I communicate with anyone I don’t know, I do some background digging on FB and found that she lived in Green Bay, Wisconsin. I replied I would be happy to send her some at no charge but would she have a problem with them being from a die-hard Chicago Bear Fan. Not at all she said and mentioned that perhaps we could meet at a Bears/Packer game which I promptly confessed that I’m really not a die-hard fan and was only joking. Her reply  was that in all the many years she lived in Green Bay, she has never attended a game. I was busted but did feel I should have reported her to the Packers. It’s fun meeting Blog Buddies, isn’t it.

I do like making blocks with letters which had me thinking of the possibility of making another version of LOVE 2024 but using other four letter words. I have to confess that I thought of this when I was saying or thinking a bad four letter word (depending if the darling granddaughter was around) beginning with S whenever I made a mistake which was often at the start. This had me thinking there are a lot of other nice four letters important to me this year and I chose four, if and when, I make another wall quilt which are LOVE, HOME, HOPE and VOTE. It would be easy to design the letters based on LOVE and I only need to draft them on my trusty graph paper.

Now for my 2023 Tally:

31 Finally Finishes:    19 Lap Size or Larger

                                    12 Baby/Wall/Runners

Flimsies                        3

One of these Flimsies I was planning on this to be my first finish for 2024 but now I will be getting it ready for quilting later.

I did not include in the count several place mats and a small wall hanging. If you’re interested in seeing the quilts you can click on this Link.

I didn’t  compile a Best Five or Top Nine list because I really am pleased with all of my finishes this year and for me 2023 sure felt like a long creative year. 

We expecting a big snowstorm tomorrow which will delay our trip to the GP House but I am so looking forward to what I call great sewing conditions. Happy Belated New Years!

Linking up with: My Quilt Infatuation/NTT

The Ernie Express Quilt, Etc.

It isn’t very often when after a quilt is a finally finished that the weather is co-operative for taking photos outside. This past Tuesday was one of these rare occasions with beautiful sunny skies, warm temperatures with a slight breeze and the landscaping around our house looking presentable thanks to the Master Quilt Holder which made taking photos such a pleasure for once. 

Last August, I purchased a fat quarter bundle of Jen Kingwell Grainline Wovens with the intention of making another Ernie Quilt (You can see the previous ones make here) with this and  my stash of Jen Kingwell fabric scraps. After my strips were cut, combinations decided and strip sets sewn, the project was put away and sort of forgotten until I happened to come across it this past March.  

As I was ready to start cutting the strip sets to sew the 4”x8” blocks, I happened to catch with the corner of my eyes, the 6” Checkerboard Express block which I designed for Moda’s 2017 Countdown to Christmas, (You can see the tutorial here), hanging on the board next to my sewing machine. I thought that I could spice up the Ernie Block if I changed the orientation of the block and make the blocks 12” x 16”.

I also had another idea of instead of using just two fabrics, I would use four fabrics just like the original block I submitted to Moda. I decided that this block would be my “A” Blocks which would be the checkerboard blocks in the center and the rail blocks on the outside. Since I didn’t want all of the blocks to be “A” which then all of the checkerboard segments of the blocks would be lined up and running up and down the quilt, so to offset this, I designed a “B” block with the checkerboards on the outside and the rail block in the center and only using two fabrics. Because of this newly inspired design, I had to add some Cotton+Steel and other bright prints so there was enough fabric and variety for more strip sets.

After the Flimsie was finished earlier this month, I have to admit I was disappointed with the way it turned out. I liked how the “B” blocks with using just two fabrics looked and wished the “A” blocks only had two fabrics also. It’s rather ironic that after the Checkerboard Express Block with the four fabrics was accepted by Moda, I switched to just using two fabrics to keep it simple and because I liked it better--wished I remembered this when I started making this quilt.

But I’m happy to say that once I quilted it with a combination of straight and wavy lines, I really love this quilt now.  The colors and fabrics are so happy. I used an Essential Thread in Charcoal Gray and the binding was a small white polka dot on black print. Also what is nice about the Ernie Express Quilt is that it’s a finally finished but I am feeling a little guilty that I have 12+ flimsies waiting to be quilted and this one jumped ahead of the queue. Maybe it’s because I just purchased yardage of the black and white splatter print last week and knew it would be a perfect backing for the Ernie Express Quilt.

Here are some close-up shots of some of the blocks so you can see the quilting and the happy fabrics.

Before I quilted the Ernie Express Quilt, I was planning on making another one with using just two fabrics for the Type A and B Blocks with my newly acquired stash of Alison Glass fabrics but now am having second thoughts. I’m thinking now of just making just the usual Ernie Quilt unless I see another pattern for these wonderful prints. But if I do make another Ernie Express Quilt, I will provide instructions on how to make it since I’ve come up with a different and maybe a faster way to make the blocks. If the strip sets for this quilt weren’t already cut and sewn, I would have made it this way.

I thought it would be interesting to show a photo of my first Ernie quilt made over four years ago with Jen Kingwell fabrics next to the Ernie Express Quilt, so named since it was inspired by the Checkerboard Express block.

Here’s a photo of the happy Master Quilt Holder who was glad these photos went without a hitch. This quilt measures 60” x 80” which was just the right size to hang it on the garage door with heavy duty magnetic clips which I learned about these from Shannon, The Fleming Nines, who learned about them from Myra, Busy Hand Quilts. Between hanging long quilts from the garage door or from the gutter outside the screen room, I don’t think a clothesline is needed which makes the Master Quilt Holder very happpy.

I had to include a photo of the Ernie Express Quilt with my metal goat Susannah as a shoutout to Mary Etherington, Country Threads, the designer and inspiration for the Ernie Quilts.

Just when I’m thinking that my stash of Jen Kingwell fabrics is dwindling, I’ve decided that I need a new challenge, which didn’t involve falling down and bumping my head and making me forget I have a “fear of Jen Kingwell patterns.” Maybe it’s because of inspiration from my down under quiltTormentor Sue, Patchwork and Play and her wonderful creations she’s been posting lately on her Instagram and Blog.  I have a new “forever” project with Jen Kingwell’s Glitter pattern which I’ve been procrastinating doing since finishing Smitten several years ago. The templates were purchased back then and I admit I was not looking forward to cutting the fabric until I saw that paper pieces were available.  I originally was going to use reproduction fabrics but decided that I needed more Jen Kingwell fabrics so I purchased a fat quarter bundle of WikiPops and a jelly roll of Fine and Sunny, my early Mother’s Day present. Cutting the fabric pieces will be easy with the templates and using 2-1/2” strips, which I am looking forward to cutting up my new stash. I think there might be leftovers and another Ernie quilt would need to be made which now seems to be a tradition.

My first four blocks for the Sandra, mmmquilts, Follow Your Own Path QAL, are sewn and I am happy to say these blocks were a snap to make which is no surprise. After participating in all five of Sandra’s QAL, her patterns are fun, sew easy and quite conducive to wanting to finish the quilts all at once.  I am quite surprised at myself for sewing on schedule and not being the usual “rebel”in her QAL. But I do have a new name for her; the great mmm-tivator. Funny I had visions of Darth Vader and hearing the Empire music as I was typing this.

Thanks to my Accuquilt Go Baby die cutter and Flying Geese die along with my Stripology Ruler and a brand new blade on my rotary cutter, the remaining patches are cut and I am ready to sew the rest of the blocks.  My quilt will be the throw size and my arrows will be going both left and right. But before that, the dreaded Tax Returns must be filed first.

If you have been reading other posts on Blogger, you will know that starting in July, Feedburner will no longer be sending posts through email but you could continue seeing posts through Bloglovin which is a problem for me since my posts are no longer being picked up by them. I’ve contacted them several times and have not yet received a response. For several years I’ve been avoiding link-ups since it seem to be atttracting “strange” activities on my blog but I guess I will start doing link-ups again. Hopefully I can resolve my Bloglovin issues before July.

Linking up with My Quilt Infatuation, Needle and Thread Thursday and From Bolt to Beauty, Brag About Your Beauties.

In the Mood for Red, White and Blue

‘‘Tis the month for sewing red, white and blue quilts which means I have three Finally Finished, two of them longtime UFOs and one quilt a start and finish within nine days which would have been done sooner if not for a five day visit to the Grandparent House. I already have a nice collection red, white and blue (RBW) quilts and it’s been awhile since I’ve made one, with the exception of some small wallhangings, but these three just “happened” to get made. 

This is the first RBW quilt finally finished and if it weren’t for Mary Etherington, Country Threads posting the one she was currently working on, there was a strong possibility this would have remained a top. It’s been over five years since this was made and was a QAL which Mary hosted. I changed the dimensions of the blocks to 6” finished so I could die cut them and used fabrics from my Minnick & Simpson stash. Seeing Mary’s current quilt gave me the impetus to finally quilt it. It’s the first time I’ve ever sprayed basted and really liked it and thought it would be a game changer but as I later discovered it works best right now for small quilts. This quilt measures 28” square and already hanging on the hallway door.

This is the second RBW quilt which I finally finished as a result of the first quilt because I made the two at the same time and it just wouldn’t be right for it to remain an UFO. The pattern is Dandy designed by Pat Sloan and she also hosted a QAL. I thought this was a great pattern for the Zippity Doo Dah fabrics designed by Sandy Gervais which I had a layer cake and yardage. This has to be one if the few quilts I've made which only used four fabrics. After I made this top, I wasn’t sure how to quilt it so that’s why it was an UFO for so long.  I decided to quilt it with curvy horizontal lines and again I spray basted it and this time I don’t think I liked it as much with the numerous pinches and puckers. This quilt measures 34” x 46” and will be a seasonal table topper for the dining room table.  (I’ve been thinking a lot of Pat lately because right after I finished my Dandy quilt, I learned that while going for a walk, she tripped over uneven pavement and broke both of her wrists and had surgery today. I’m a big fan of Pat’s patterns and fabrics and wish her a speedy recovery and hope she heals well.)

While hunting for the binding for the Dandy quilt and coming upon the Zippity Doo Dah layer cake, I knew I wanted to use it for an Algorithm Quilt, a pattern designed by Gundrun Erla, GE design, which is a fun pattern to make and a nice change of pace from the strip and square quilts I’m fond of making. Would you believe, we're at the end of June and this is the first quilt the Master Quilt Holder has held up outside? 

The pattern did not include borders and measures approximately 49"x64". Normally I do not add borders but thought since I still had yardage of the floral print I would add borders so the quilt measures 57"x70 which is a nice size to cover more than a lap.

Since I added borders, I was tempted to quilt straight through the borders but decided that I would start the straight and curvy line quilting inside the top and bottom and spent the time burying the knots.  I was going to use a natural color thread and glad I decided at the last minute to use instead Red. For the borders, I also did a combination of straight and curvy lines also.

For both the Algorithm and Dandy quilt, I was able to back it with a 2001 print designed by Jill Kemp/Bear Paw Design.  It's a patriotic print with text saying "Remember Me' which I'm glad I did because it's definitely been waiting to be used.  Since I didn't like the red print I had left from the Zippity Do Dah stash, I decided to use a ticking stripe of red and natural which went well with the other prints.

If you read my last post about my Centred Quilt, which I mentioned that I was unhappy with the new Blogger interface and some may have interpreted that I wasn't going to post anymore since I wrote that this post would be the last post I would do in the old or Legacy Blogger interface which I dearly love. Well surprise, surprise, I'm writing this post in the new Blogger interface since I decided to put on my big Blogger pants and post with the flow.  My mentor Sue of PatchworknPlay and tormmmentor Sandra of mmm quilts have been helpful.  I discovered one of the problems I was having is that my MAC Pro Laptop is ten years old and cannot support the new Blogger interface so the toolbar was not appearing.  It worked on my iPad but there was no way I was going to type with one finger.  My hubby suggested that I try typing it on my PC and it works but I had problems with uploading photos directly from OneDrive.  Another problem is inserting links so I apologize for not including them in this post.  Hopefully, Sandra, who promised a little tutorial for the new Blogger interface can offer some insight.

Wishing everyone a Safe, Happy and Healthy Fourth!

A Nice and Not So Crazy November

For a lack of a clever post title, I'm calling what this November was all about despite being another month which went by so fast that I didn't realize until last weekend that Thanksgiving and the end of the month was happening this week.  Since deciding to only post once a month now, it seems that this only makes the month go by faster, especially when you're traveling to and from the Grandparent House.  It seems that again my Finally Finishes involve two quilts for the month; one being a have-to-make and a very old UFO which both was needed to decorate the walls at the Grandparent House.

We're at the stage where quilts are migrating to the Grandparent House, mostly quilts for the beds and chairs and a few for the walls.  I needed a wall quilt to hang on the wall in the living room opposite to my Country Threads 2014 BOM Quilt which I finally have a place to hang it up.  Fortunately the stars were aligned for me to make just the right wall quilt to complement the BOM quilt.

This is the year that I've been able to make quilts with fabrics sitting too long in my stash and I've been wanting to make something with a Kaye England collection of fabrics called Birds of a Feather purchased years ago along with some never-used Civil War prints.  Having just received my copy of Country Threads A Country's Call which is their latest book featuring traditional/Civil War prints and my wanting to make the "First Lessons" quilt pattern, I knew this would make the perfect wall quilt to complement the BOM Quilt.  With a little modification to the pattern because of the size of the Bird of A Feather panel and adding sashing to make the quilt bigger, this quilt was a dream to make.  If I had a Good Quilt Karma Reward Card, I got to use it for this quit.  The fabrics played nicely together, having the black and white crosshatch fabric, which is a ten years old print, in my stash for the sashing and binding and the backing was an old Jinny Beyer print already sewn and I was going to cut it up for rug weaving and I didn't--how lucky can one quilter be.  The "First Lessons" pattern is great for using a focal print/panel and strips in various widths.

One of the things I like about the quilts in all of the Country Threads Civil War Quilts series is the straight-line quilting which is may be unusual to see modern quilting on Civil War/Reproduction fabrics but it looks wonderful together.  For my Birds of A Feather Quilt, I did vertical straight line quilt, 1" apart, thank you quilting guide which made my stitching nice and even, with Connecting Threads' Essential Thread, Silver on the top and Gray on the bottom.  This quilt measures approximately 48" x 60".

Here's a photo of the two quilts on the wall and besides both of them being Country Threads patterns, they also feature Kaye England fabrics.

Here's a photo of Hubby, aka, Master Quilt Holder and House Fixer Upper, demonstrating he is also a Master Quilt Hanger getting ready to hang the Bird of A Feather Quilt next to his new recliner.  This is going to be a cozy corner for he and the Granddaughter who likes birds and the alphabet.

The other Finally Finish is another wall quilt which was a really old UFO from the twentieth century and had it not been for my creating a Cowboy Corner in the front hallway and coming across it while I was searching for something else in the cabinet, this may have not ever been finished.  The top was sewn over twenty years ago and I remember when I made it, the day after Roy Rogers passed away in July of 1998.  I used a Mary Ellen Hopkins pattern and some Cowboy prints I had in my stash.  Yep, this old quilter who had a 50's childhood liked her Cowboys and horses, especially Roy Rogers and Trigger.  I called this quilt Happy Trails and I know why I never quilted it because I wasn't quite sure back then how I wanted to and it just took me twenty years to figure out that simple diagonal lines quilted in black would do.

Happy Trails measures 30" x 38".  Like some of my other quilts finally finished this year, the weather did not co-operate, and I had to take indoor photos.  Hope you can see how vibrant the colors are in this quilt.  I love the Alexander Henry Cowboy print as well as the Cowboy riding the tornado which I remember a Pecos Bill cartoon with the same theme. I thought I was going to have a problem with binding this quilt because since this top was made so long ago and I had not yet instituted my learned practice from binding boo-boos of always putting away fabric for the binding right away in the drawer, I thought I was going to have to spend time looking for the right fabric.  Lucky for me I found a half yard of the black and natural Debbie Mumm print used in this quilt right away in my stash.  Whew!!!! And when the Roy Rogers prints came out years later,  you know I did buy yardage of it and made the quilt on the right  which is already sitting on the chair in the hallway at the Grandparent House and waiting for Happy Trails to hang right next to it.

I was looking forward to not having to shop both online and in the stores for the Grandparent House since I think we're pretty much done but now it time to shop for the holidays.  I'm starting on the Christmas quilt makes and hopefully things will sew well.  A nice and not so crazy December would be something to have now, wouldn't it.  I hope everyone had a nice Thanksgiving week and am glad I had one.  Have fun with all of your holiday sewing and let's not do crazy.

A Pair of Finally Finishes: Scrappy Six Patches & Three Patches

It's been well over a month since I last posted and yes it's been that long since I've been able to finally finish one quilt, let alone two quilts, one being a DrEAM (totally unexpected make) and the other, an UFO from several years ago.  Between several visits to see my granddaughter and her family and dog sitting, there wasn't too much time spent on quilting plus several heat waves in the Midwest didn't help.  This past weekend, I was focused on finishing the DrEAM quilt and much to my surprise I was able to finish the UFO quilt which seems apropos seeing that these quilts share a common link of both being made with some Japanese Woven fabrics coming from the same source which I am happy to share the details.

Scrappy Sixpatch was the first finally finished quilt which came about courtesy of once again Squirrel Mail. Back in July when I was working on a baby quilt which needed to be made since the baby is now several months old,  I found out that my friend Mary of Country Threads was sending me a box of scraps which much to my surprise turned out to include some Japanese Wovens and Cottons.  Needless to say, I abandoned the baby quilt to play with the scraps which were like puzzles pieces waiting for a quilt to be made.  

After sorting through the Wovens and Japanese Cottons, I separated the large half rectangle patches and the 2-1/2"x4-1/2" rectangles which were already sewn together.

The half rectangles were sewn together and then trimmed to 2-1/2" to 8-1/2" and the rectangles were separated into two patches also measuring 2-1/2" x 8-1/2".  From there, four different six-patch blocks measuring 6-1/2" x 8-1/2" were made; three half-rectangle blocks pointing right, three half-rectangle blocks pointing left, six rectangle patch blocks which included a red print and another one which does not.

With a limited number of the half-rectangle blocks and way more rectangle blocks, this is the layout I came up after drafting it first on graph paper. When I initially laid out the blocks, I did not like the movement which I resolved by putting the half-rectangle blocks pointing left in one row and the ones pointing right on another row.  When they were mixed together on the same row, the movement made my eyes crossed which half rectangles does to me. Also, the rectangle blocks were laid out with the ones with red patches on one row and the ones without on the alternate row.  You wouldn't think by looking at this that much planning went into this layout.  There was a point that I thought these blocks were not going to play well with each other but I'm glad they decided to get along.

Machine quilting was a breeze, I think my Juki JuneBug was happy to be sewing once again and I think it shows in the 3/4" straight line quilting with Connecting Threads in Natural.  The backing and binding was from a Jan Patek collection which went perfectly with the top.  

While I was sewing the Scrappy Six Patch quilt, my Three Patch quilt was brought out since this quilt was also made with Japanese Wovens and Homespuns.  If some of these fabrics look familiar, I used them in my Kiwi and Mango Tango Bundle Buster Quilt made earlier this year.  Who would have thought I would have three quilts made with Japanese Wovens done in one year and the year is not over yet. The Japanese Wovens in this quilt was purchased four years ago from Mary when her Country Threads shop was opened.  The top was made over three years ago and was on my UFO List to one day finish.  I thought of using the top as a backing for the Kiwi and Mango Tango quilt but much to my surprise, this top was only 48" x 60" which was way too small.  I didn't think it was fair to finish the Scrappy Sixpatch and not the Three Patch, which if you're wondering why it's called this, it's because the 6" blocks consisted of two 3" squares using the same orange and gray fabrics with a 3"x6" rectangle patch.  Once the blocks were sewn together, alternating the block orientation, it looks like four patches with a rail block. Getting back to finally finishing the Three Patch Quilt, I was wondering why I made this quilt so small and then accepting that it was meant to be a lap quilt, I then had to figure out how I wanted to quilt it.  I wanted to do something fast and simple and thought diagonal quilting lines on the four patches would work but maybe would be too far apart.  I resolved this by putting fleece instead of batting in the middle which meant I didn't have to quilt it as much.

Juki JuneBug once again obliged me with some wonderful machine quilting done with me just eyeballing the diagonal lines with the Natural thread already loaded up.  Quilting with fleece in the middle, which I've done several times already, is no problem as long as you baste well which I did with basting straight pins.  I used yardage of a teal homespun from the backing vault and the binding was the gray homespun used in the top.  The other nice thing about using fleece besides not having to do a lot of machine quilting, is how soft and cuddly it makes the quilt, especially after it has been washed. I recommend this if you want to make a simple and fast quilt.

Now that these quilts are finally finished it's time to start quilting the Baby Quilt.  I like to give a shoutout to Mary for once again inspiring me to make another quilt.  I seriously can write a post of all of the quilts that "Mary Made Me Make".  Between her and the other mmmPetus, Sandra, these two keep me busy.  Last, but not least, I'm participating in  the 2019 Online Quilters Meet & Greet hosted by Benita Skinner of Victoriana Quilts which starts on September 3rd. Last year's Meet & Greet had over thirty bloggers participating and was an opportunity to meet new bloggers and be eligible to win great prizes.  This year's promises to be the same and I'm glad I am able to participate this year.  Now that I am back to writing posts and Hubby is back as being the Master Quilt Holder, I will be ready after another visit to see the granddaughter.

Linking up with MMMiQuilts DrEAMi, Quilting Is More Fun Than Housework, Oh Scrap!, My Quilt Infatuation NTT