The Twisted Trail Quilt

The Twisted Trail Quilt was my last flimsy finished in 2021 and I waited until this month to finally finish it so I could write a tutorial (yes, I’m joining Kathleen McMusing’s Tips & Tutorial on the 22nd #25 Linky Party) on how simple and quick this quilt is to make and even more nicer, a great stash buster. If you’re like me who has been quilting for over twenty-five years and started out as a traditional quilter, you may still have a stash of Thimbleberries, Kansas Troubles or Civil War or primitive/country prints which you still love even though the colors and prints are not as fun as the new modern prints-this would be a great pattern to use for these fabrics.

Last November, I posted my Hocus Quilt which was inspired by Gudrun Erla’s Locus Quilt which is a layer cake pattern for 10” squares of fabric. The Hocus Quilt used a different size square because I had at one time cut up a bunch of smaller squares with my Kansas Trouble stash. I named this quilt Hocus as in Pocus since I thought it was so magical that these rail blocks were made from squares and not from strips. I also mentioned in this post that I wanted to make another quilt like this but would use strips instead of squares and also use my stash of Thimbleberries fabrics. I love making quilts with strips, usually 2.5” that I die-cut and rail fence blocks are one of my favorite because of the fast and simple construction and it goes really well with lots of different types of fabrics. Rail Fence Quilts are my go-to pattern for baby quilts, quilts gift/donation quilts  and also the best for quilts you know are going to be used/abused a lot which in house means that they’re going to be thrown on the floor or one of our dogs can be found snuggling with it. These are the quilts I like to lay on a couch or chair.

I decided to name my follow up to the Hocus Quilt, the Twisted Trail Quilt since it is made with strips,  the blocks are larger and the layout is different, plus I wanted to allude to it being a rail fence pattern. I originally pulled fifty-six prints from my Thimbleberries stash which was easy to do since there was a time, especially when I worked at the quilt shop, I used to buy prints from every collection when it was released and only stopped buying them almost twenty years ago when I left the shop and by that time acquired a nice stash.

I had planned to make the Twisted Trail quilt 84” long but had to reduce it to 78” (which I will explain later in the post) so I ended only using forty-four prints which was still more than needed. This is where the start of my tutorial on how to make the blocks begin once you decide on your fabrics. Like with most rail fence patterns, there should be good contrast between the fabrics, like light and dark, etc.

• Block Size: 6”x 18” wide
• Two different fabrics are used for each block and there are two block layouts, Type A & Type B
• Three strips measuring 2.5” x21” in each color is needed and will make (2) blocks. If your strip are less than 21” then you will need additional strips

My color palette for the Twisted Trailer quilt used blues and greens paired with beige/tan lights for my Type A Blocks and reds and browns paired with gold lights for my Type B Blocks.

For the Type A blocks, sew two strip sets, one with the color fabric on the top and bottom with the light in the middle and the other strip set with the light on the top and bottom and the color print in the middle. Press the seams according to the yellow arrows.

• The strip set with the color fabric (blue) on the top and bottom should be cut in (2) 9.5” segments
• The strip set with the color fabric (blue) in the middle should be cut in (4) 5” segments

Per the top pic, sew one 5” segment on each side of the 9.5” segment and press the seams towards the center segment.  These blocks should measure 6.5” x 18.5”.

For the Type B blocks, sew two strip sets, one with the light fabrics on the top and bottom and the color print in the middle and the other strip set with the color fabric on the top and bottom and the light fabric in the middle. Press seams according to the yellow arrows.

• The strip set with the color fabric (red) in the middle should be cut into (2) 9.5” segments
• The strip set with the color fabric (red)  on the top and bottom should be cut into (4) 5” segments

Per the top pic, sew one 5” segment on each side of the 9.5” segment and press the seams away from the center segment. These blocks should measure 6.5” x 18.5”.

In the top pic of the two block types, you can see how they alternate with each other once they are sewn together and in the bottom photo, the seams of the blocks will nest with each other when sewn together whether horizontally or vertically.

The Twisted Trail quilt measures 54” x 78” with three blocks across and thirteen blocks down; a total of thirty-nine blocks, (20) Type A and (19) Type B. To determine how many strips to cut, you will first have to decide on what size you want to make the quilt. As mentioned earlier, three strips of two different fabrics measuring 2.5” x 21” will make two blocks. For this quilt, just 10 strip set of each color combination needed to be sewn; there was one extra Type B block left. This quilt sews quickly as long as you remember to sew and press your Type A and B correctly . And this, ends the block tutorial and I hope it is not confusing.

I had wanted to make the Twisted Trail Quilt longer, especially since I had enough fabric but the reason why I had to reduce it was because of the above fabric which is an almost twenty year Marcus Bros. Print called Story Dogs which I purchased a whole bolt of it when I worked at the quilt shop. I love these hound dogs since one of them reminded me of our dearly departed blue tick coonhound and I had previously used some for a backing for a quilt made with Thimbleberries fabric. I still had enough left over and was planning on using it for the Hocus Quilt but when I saw the colors, I knew it would go better with the Thimbleberries fabric which is another good reason why the Twisted Trail Quilt needed to be made—the backing was cut and already sewn for a 78” long quilt and which is why this quilt couldn’t be any longer.

Machine quilting was a combination straight and wavey lines with a golden tan Star Machine Thread. Doesn’t the backing look wonderful with all of the Thimbleberries prints? This quilt will be going to the Grandparent House. It turns out that Grandpa’s recliner, the most popular chair in the living room and coveted by the darling granddaughter and the four-legged creatures is the only chair that does not have a quilt covering it; yes, I expect this quilt will be thrown on the floor by you know who.

Even though I said that my stash of traditional fabrics would be great for the Twisted Trail pattern, I’m now thinking it would work well with my stash of patriotic fabric, I’m already envisioning making one with a slightly different layout, and also seasonal/holiday fabrics. You can also make this quilt just using like all blues and lights, just designate which blues are to be used for which block type. Also, a suggestion, do not use the same fabric for both block types because as Quilt Karma layout would have it, the blocks with the same fabrics will be next to each other and you won’t notice it until after the quilt is finished. I do think some of my modern stash which I usually reserve for my Ernie Quilts might work as well. It’s really a great pattern to use up the stash and makes a very happy, scrapppy quilt.

I’m having a pretty productive January so far as this is my third Finally Finish for the month. Cold, snowy weather makes great sewing conditions. I would have a fourth finally finish, Petal Pop, my January quilt for the Country Threads Dirty Dozen UFO Challenge, but it’s only a flimsy right now. I had hoped to have quilted it by now but I ordered some white batting in which the first shipment was lost and the replacement won’t be here until the end of the month. Bummer, for a no pressure Challenge, I still hate missing a deadline.

Meanwhile, I started a new project—a new pattern (not an affiliate link) with mostly new fabrics. We’re experiencing some sub-zero temperatures for the next few days so I will be sewing me some fun. Good news, all the die-cutting and rotary cutting— I did not hurt my knee.

Linking up with: Kathleen McMusing Tips and Tutorial on the 22nd and My Quilt Infatuation/NTT

Skyfall

Since I wasn’t home on National Sew A Jelly Roll Day on September 18th, I still wanted to observe it and just finally finished my Skyfall Quilt this past weekend. Looking at this quit, you may think it’s an improv quilt made without a specific intention, but it’s not, it’s more improvise to me because it was made from fabric already set aside and a pattern which didn’t quite worked out as planned.

 

Involved in the making of Skyfall was a Jelly Roll of Janet Clare’s Aubade along with a charm pack and yardage of the same line paired  with HST blocks and yardage of her Nocturne fabric line which came out afterwards. Four years ago, I designed a pattern for Moda Bake Shop called Jelly Roll Charm Chase and always wanted to make another one with the Aubade Jelly Roll and Charm Pack but never did partly because I designed another pattern later called Staggered Strips and Squares which for me is an easier pattern to make. If you’ve made a Jelly Roll Race quilt, there comes a point in the pattern where you have to cut a panel consisting of 32 rows and maybe 120” wide in half vertically and I always have a problem cutting up two equally sized panels. There has been several times I had to even up the panels by at least six inches. I find it easier to sew the rows with strip sets already precut to size rather than cutting the rows to size later. Also with the Staggered Strips and Squares pattern, you can space the fabrics more evenly and avoid globs of the same fabric/color being the same spot which can happen with a Jelly Roll Race quilt. My original plan for the Skyfall quilt was to use the Staggered Strips and Squares pattern but  modified it so the strip sets were 8”(finished) instead of the usual 4” to go with the 8”(finished) HST blocks made several years ago and four-patches made from the Aubade charm pack. Also, the rows would be set vertically instead of horizontally.

After the strip sets were sewn, I knew it wouldn’t look right with them mixed together with the 8” blocks on the same row so I decided to make separate panels of  strip sets  and 8” blocks. Fortunately this change did not affect the the number of strip sets already cut. 

But “dabnabbit” as one says while in the act of improvising, the panels of 8” blocks sewn together were shorter than the strip set panels by 2.5” or 3.5” so extra strips needed to be added and weren’t too noticeable. Of course I didn’t find out the differences in size until I sewed the two panels together the first time because I assumed the block panels were going to be the correct length. I found out while working on Skyfall, that Aubade and Nocturne fabric lines was inspired by the music composed for either the evening or morning skies so I should have been able to hear maybe Claude Debussy “Clair de Lune” playing in my head. But no, instead I heard the sounds of pounding, sawing and jackhammering trying to improvise to get these panels to fit together along with some salty language. 

After much noisy improvising, the top was done and surprisingly while working on it, I did not have a final name for this quilt. When I was going to make a quilt with just HST, inspired by a quilt made by Crazy Mom, Amanda Nyberg, I was going to call it Nightfall. Since there were a lot of light fabrics mixed in with the blues, I wanted to name it reflecting both the night and morning skies and maybe a little disappointment with the way the quilt looked at first, so I jokingly considered calling it Nightmare or Downfall.

Happily while quilting it with a combination of straight and wavy lines, I came up with the name Skyfall which came with a song with the same name by Adele. And yes I was singing it and playing the song while machine quilting which went well and liking Skyfall even more partially due to this quilt finally getting a nice proper name. I used Aurifil #2610 Light Blue Gray for the top and #2605 Gray for the bottom.

Here’s a photo of the backing which is the Jungle Jive print from Blank Textile found in the backing vault.  I thought showing the backing would answer any questions as to why I used  a different color thread for the bottom. The binding is a very dark Navy print from Aubade which I almost wasn’t going to use because it was too dark but decided to use it to justify the dark prints in Skyfall. Plus I had ordered it from a shop in Alaska several years ago after much searching for it and didn’t want the trip to be for naught.

Skyfall measures 64”x80” which is a little too large for the Master Quilt Holder to hold up comfortably. We went to the park for a photo shoot and he was willing to stand up on a park or picnic bench in order for the quilt to hang right but the Wind was just too breezy. Maybe Mother Nature thought I should have named the quilt Windy since there is a song that goes with that name.

Well it turned out the best photo was taken after our park visit from our front porch off to the side where all of the blues showed up beautifully, especially the medium blues. The Wind did not follow us home which made me think of the adage “there’s no place like Home” and did confess to the Master Quilt Holder that we didn’t need to go the park after all. I don’t think he really care since there was no falling off the benches involved.

I had a pretty productive month in September; four Finally Finishes which two commitments were met, a DrEAMi and Skyfall which I’m calling a just because I could when you’re home for five days. Also, with these Finally Finishes meant writing four posts in one month which is something I have not done in awhile. When I started my Blog, I used to write weekly posts which have now evolved into monthly posts for the past two years. But surprise, surprise, I will be writing another Post for October 1st which is the Five Year Anniversary of my something rosemade Blog. I’m doing this mainly to have a record of this milestone and mostly will be just stats, so now I’m off to do some compiling.

P.S., On my last post, I mentioned that I’ve been on a fabric purchasing binge lately which I attributed it to observing my 25 Anniversary of being a Quilter and maybe instead of buying 25 yards of fabric I should instead buy 25 lbs. Well, I am just loving the comment made by Nancy’s husband who said I should purchase 25 bolts of fabric which immediately put him in contention for Best Quilt Husband Ever and had me thinking which bolts of fabrics I would buy. So, maybe a new laptop for my 5 Year Blog Anniversary would be a nice way gift since there’s only so much fabric one can buy, right?

Linking up with: My Quilt Infatuation/NTT Thursday 

The Ernie Express Quilt #2

It’s been almost four months since I posted the first Ernie Express Quilt at the end of April but it seems like it was just last month. I’ve been dropping my buzz phrase for this summer’s posts of “Freakishly Fast” or “Jiffy” and thats what August has been. There are several reasons why I wanted to finish EE#2 (Ernie Express #2); 1.) these fabrics sing Summer and it wouldn’t have the same impact if I were to post this in the Fall or early Winter), 2.) joining the Linky Party for Kathleen McMusings” Tips and Tutorials on the 22nd which my first tip for this post is to be careful what you post because it may taunt you in the future, and 3.) I’ll explain later in this post and is the best reason why EE#2 needed to be a Finally Finish.

In my Ernie Express (EE#1) post, I mentioned that I wasn’t loving this quilt at first which may have been due to using four different fabrics on one of the blocks. I also mentioned that if I were to make another one of these quilts, I would only use two fabrics for each block and I would use my collection of Allison Glass fabrics purchased this year. Also, I mentioned that if I did make another quilt, I would write instructions on how to make these blocks faster and easier than the way I made them for EE#1. In another post afterwards, I posted a set of the two blocks which were going to be used for the EE#2 quilt and I said I would do a “sort of tutorial” which is how Kathleen hooked me into joining her Linky Party this month. Tip #2-always use the word “instructions” and not “tutorial”—way less pressure. I apologize if my tutorial is not as detailed as other tutorials you may have seen and may seem short and quick like a member of a younger generation explaining to you on how to use a TV remote or showing you something on the computer.

Before I give you the instructions for Blocks A & B, the layout for EE#2 is different than EE#1 which I alternated Blocks A & B for each horizontal row. I did this because I didn’t like the look of the four patches or checkerboards in Block A running up and down the quilt which is the reason why I came up with Block B as an alternate block. Well, surprise, surprise, after seeing something similar on Pinterest, I decided I did like this look after all. However, I did alternate vertical rows of Blocks A & B as you can see above.

The decision to use the Allison Glass fabrics for EE#2 was perfect because I had just the right amount and variety for the blocks. I have a bundle of fat eights of 16 prints each of the wovens and cross stitch to make the sixteen Blocks A and twelve fat quarters of Sun Print 2021 to make the twelve Block B. Both of these blocks use only two different fabrics and contrast can be made either by color or the type of print, ie., geometric, floral, etc.

It is important to note these following points:

• After choosing your two fabrics for each block, decide and remember which fabrics are going to be your #1 and #2
• For Block A, Fabric #1 was a woven and #2 was a cross stitch print
• For Block B in which prints were used, Fabric #1 was the darker of the two prints
• Press all seams according to the direction of the arrows and be sure Fabric #1 in both blocks is always on the top, left corner. If the blocks are pressed correctly, all the seams will nestle, whether the blocks are arranged like EE#2 or like EE#1
• Instructions are for either fat quarters or fat eights with 21” of useable fabric (no selvedge)
• All seams are 1/4”
• I am not affiliated with any of the products mentioned or featured in this post
• These blocks really are fun to make

Block A (these directions make only one block)

From each fat eighth or fat quarter combination, cut:

• (1) 4.5” x wofe/fq strip
• (1) 2.5” x wofe/fq strip

Arrange and sew according to the above photo and press seams up or towards Fabric #1

After the strip set is sewn, cut (8) 2.5” segments and arrange them by flipping the even rows as shown in the photo above.

After all the segments have been sewn together, first two segments together, then four and then the final two segments, press all row seams going up. This block should measure 12.5” x 16.5”.

(If  you want to make two of the same blocks, then you will need a fat quarter and cut twice the number of strips)

Block B (This will make two blocks)

From each fat quarter (fat eighths are not enough) combination, cut:

• (1) 4.5” x wofq strip
• (4) 2.5” x wofq strips

Sew two strip sets as shown above and pressed according to the direction of the arrows. Cut  (8) 2.5” segments from each strip set.

Arrange segments as shown, to make two blocks and  remembering Fabric #1 on the left corner should be the first row.

After all the segments for each blocks are sewn together, like Block A, press all row seams down.

BTW, cutting the 2.5”segments using my Creative Grid Stripology XL ruler was very helpful especially placing arrows at the 2.5” marks. It helped making these blocks go/sew fast.

And this is where the instructions or sort-of tutorial ends because depending on the layout you want will reflect the number of Block A and Block B are needed. For EE#2, I made fifteen Block A and ten Block B to make a 60”x80” quilt which is a generous lap size quilt. For EE#1, with alternating blocks on each row, I made thirteen Block A and twelve Block B, also the same size as EE#2.

These blocks sew fast-Freakishly Fast. As mentioned before, the seams will nestle no matter which layout you chose, even if you just make Block A or B-just be sure to follow the pressing arrows. I started cutting and sewing the blocks on Friday evening, all twenty-five blocks were sewn on Saturday, quilted on Sunday and bound and finish this past Monday. When I first started sewing the blocks, I would cut and sew only one at a time and gradually as I got into a rhythm, I would make cut and sew three or four at a time.

Another Tip, it never hurts to make extra blocks. I made sixteen Block A and only needed fifteen and made twelve Block B and only needed ten. It turned out these blocks were going to be rejects because the yellow Block A looked faded compared to the other blocks and the two Block B also looked wrong with the other blocks. Plus, these two blocks were the only ones that I had problems with the seams matching which I think Quilt Karma was making sure they didn’t make it in EE#2 because they would have stuck out like a sore thumb. 

And here are some deets on the finishing of EE#2:

• I did not follow my tip of buying yardage for binding whenever precut bundles are purchased. I feel sort of bad or being unfaithful by using yardage of a multi-color Timeless Treasure print called Day Dreaming which had the same colors as the Alison Glass fabrics. I thought of ordering yardage of one of the Woven print but then again I needed this quilt to be finished now and not later.
• As a way of justifying the binding used, I did use another fabric line, Whistler Studio 108” backing print called Medallion for the back.
• I machine quilted straight horizontal and vertical lines with two different #50wt Aurifil threads; #2105 Light Yellow for the top which blended well with all of the different colors and glad I didn’t used the variegated which would have added more color which EE#2 didn’t need and a Dark Gray for the bottom which I also liked how it blended with the colorful backing.
• My quilting stitches looked more nice and even than usual and I attributed it to quilting slower and not as quick as when I piece. You may already know this but this is the first time I should have realized this.

My last tip for this post is after sewing the binding down the first time, I had a lot of threads to trim before finally sewing the binding down the second time. I used a Clover Clip to mark where I started the clean up because there have been times I may have gone around one and a half times doing this.

And now for the final and best reason as to why Ernie Express #2 needed to be a Finally Finish before leaving for our road trip at the end of the week. It’s because we’re going to be stopping by to see Ernie, the American Farm Tiger who resides at the house where Mary Etherington, Country Threads also happens to live for a quick visit. I wanted Ernie, the Quilt Muse for all of the Ernie Quilts made in his name to bless my EE#2 quilt. As long as I bring him treats, he will bless anything. I wanted to include a photo of him sitting on EE#2 in this post but since we’re traveling and sometimes the WiFi is iffy, I rather post now than later. I’ll be sure to post a photo on Instagram and maybe a sort of sneak peek of my secret sewing project which would look good hanging in Mary’s garden.

I think Ernie Express #2 is a fitting quilt to end the month of August. I apologize for some of the graphics/photos in this post, I’ve just become reacquainted with PicMonkey and it’s a little different using it on an IPad versus my Mac computer. And if you’re reading this post from Kathleen’s Linky Party, I hope my instructions/sort-of tutorial was understandable and enough tips were shared so you don’t think I’m being a party crasher.

Linking up with: Tips and Tutorials on the 22nd and My Quilt Infatuation/NTT

Jiffy July

I thought the end of my freakishly fast July would be these two quilts but decided that I could do one more Finally Finish with my Flour Garden Table Runner.

All three of these were 2020 Flimsies and also happen to be the last of the quilts in which the color Citronickle makes an appearance. I also decided to switch calling this month Jiffy instead of Freakishly Fast because I like the alliteration of Jiffy July. Here are some deets of each of these Finally Finishes:

Kiwi and Mango Tango (KMT) Slinky

If the prints in this quilt look a little familiar, it’s because I made this from the leftover strips and squares from the Kiwi and Mango Tango Bundle Buster quilt made in 2019. 

The Kiwi and Mango Tango Bundle Buster Quilt was given to the darling Granddaughter’s parents and I always wanted to make a quilt for myself from the scraps.

Usually, only squares are used in “Slinky” quilts but since I had some strips leftover, I didn’t want to cut them into squares which would result in some waste. Plus, some of these strips were my favorite prints of Pam Goecke Dinnorf’s Figment Fabrics. I think the Charcoal Aged Muslin setting strips by Marcus Brothers accents these fabrics nicely.

I machine quilted with a combination of straight and wavey lines in an Essential Thread in Charcoal Gray on the top with a variegated Gray thread in the bottom which I thought would go well with the fun backing fabric. The binding is the same Charcoal Gray fabric used in the top which makes it look like I faced the quilt. KMT Slinky measures 55” x 75”.

Ernie a Go Go (previously named Urban Ernie)

I thought the name Ernie a GoGo fit better with the colorful VeloCity fabric line by Jessica Hogarth, P&B Textile since the focal prints has a few things with wheels that say “Go”. 

I can’t remember the idea behind this quilt which the rail blocks of various widths were paired with plain patches of the focal print and black and white rails which sort of remind me of prison stripes and jokingly thought of renaming this quilt Ernie Goes to Prison. Additional fabrics used in this quilt were from Art Gallery and Cotton+Steel.

My favorite way to machine quilt the “Ernie” Quilts is to combine straight lines with wavey lines and I used Charcoal Gray Essential Thread. The backing is the splatter print which I purchased a bolt of just for backing the modern quilts and it complements this top well. For some reason, I did not set aside any fabric for binding and spent some time hunting the stash to find a print which went with the other other fabrics. I chose a Jackie Shapiro black and white stripe. This quilt measures 56”x72”.

After Ernie a GoGo was a Finally Finish, I thought a photograph with Banana the Bike would be fun so I asked the Master Quilt Holder to take it down from the rafter in the garage. 

I thought I would include a collage of the Master Quilt Holder who thought I should take Banana for a spin but I rather use her as a quilt prop for just the right quilt. Banana has been gathering dust hanging in the garage for the past several years as you can see from the dusty Swifter that’s stuck in the Master Quilt Holder’s back pocket and laying on top of the back seat; sort of looks like a bunny tail, doesn’t it?

Flour Garden Table Runner

If I haven’t already plan for this quilt to be a table runner, it would make a nice bench seat cover, wouldn’t it? I just love the happy color combination of teals, grays, navy and Citronickle.

I mentioned in a previous post that I seem to like collecting the fabrics received in the Fat Quarter Shop’s Sew Sampler box but here is a rare instance when I was perusing through an old quilt magazine and I was inspired to make a log cabin table runner with Linzee McCray’s Flour Garden Honey Bun Mini Roll. I added additional prints from other fabric lines for more variety.

Simple diagonal quilting with Aurifil #2920 thread on top and smoke gray on the bottom went easy-Thank you Hera Marker. Binding was, no surprise, the Citronickle Kimberly Kight print. This table runner measures 24”x48”.

Just two more days left for the month of Jiffy July and I think five Finally Finishes makes it a pretty productive month. I’m going to spend the last days starting on some secret sewing and I’m going to be slab happy. I’m looking forward to an Awesome August which may not involve a lot of quilting since we will be traveling and Hubby with his band, The Fossil Tonez have several gigs planned.

Linking up with: My Quilt Infatuation, NTT