Zingy Zinky is a Finally Finished

It’s a great way to start off a new month with a Finally Finish although I was hoping that my Zingy Zinky would have been finished yesterday for an end of the month finish but had a quilting snafu which I will mention later in this post.

Zingy Zinky was one of the flimsies finished last year and I wrote about it briefly in my Flimsy Frenzy February post which I had at that time named it Zingy Zebra. I decided to rename it Zingy Zinky since this is a version of the Slinky, Pinky and Blinky Bill Blankie quilts and I had to keep the “inky” as a reference to this series of quilts made up of rectangle strips and squares.

Like the previous quilts in the “inky” series, the strips and squares were cut 4-1/2” from mostly Art Gallery prints in shades of pinks, teals, golds/oranges, black&white and low volume prints.  There are almost forty different prints used in the squares. Instead of using one print for the setting strips, I alternated two prints, an Art Gallery multi-color stripe with a Cotton+Steel Netorious in black which is the reason why Zebra was in the original name for this quilt.

Zingy Zinky measures 56”x76”. The backing is an Alexander Henry print from 2011 which I bought last year from Hobby Lobby and been sitting in the backing vault to be paired with the right top— I think it’s perfect for Zingy Zinky, or should I say the ZZ Top. I used the black Netorious print for the binding.

As mentioned in the beginning of this post about my quilting mishap which I have now filed as “what not to do ever again for machine quilting” is never changed your presser foot setting in the middle of quilting unless you want big time puckering nor does 50 wt. Auril in black give quilting stitches enough definition—I should have used the 40 wt.  I had to rip out 15 rows of quilting just for the presser foot setting mishap and decided to keep using the black Aurifil thread because it would have involved ripping out another 25 rows.

You always have to include a photo of your quilt blowing in the wind.

One last photo before I end this post—Zingy Zinky hanging on the garage door since the Master Quilter was unavailable since he was busy planting his vegetable garden. I just love this pattern, it’s simple and a great way to use up scraps, charm packs or a favorite fabric collection.  I already have another one planned but will have to wait since I don’t want to start any new quilts until I finally finish a few more of the eleven flimsies left over from 2020. Plus, my quilt for the Follow Your Own Path QAL need to be ready for the June 15th Celebration of a Famous Canadian’s Birthday.  This month already seems to be going by fast.

Linking up with: My Quilt Infatuation, NTT and From Bolt to Beauty, Brag About Your Beauties

A Pair and a Spare of UFO Finishes for May

I surprised myself by finally finishing three UFO flimsies in the course of one week which included a three-day visit to the Grandparent House. I only planned on finishing just the one I committed for Country Threads’ Dirty Dozen UFO QAL which in turn prompted me to finally finishing the other two.

The first flimsie finally finished was my May Quilt which was my #8 for the Country Threads’ Dirty Dozen UFO Challenge. The flimsy was finished in 2013 and was made from fat quarters and yardage of Lori Holt’s Gracie Girl collection. Aren’t these prints fun?

This quilt measures 39” square.  I’ve become fond of quadrant quilting ever since I did this on my Frosty Flakes Quilt and glad I thought of this when I was ready to quilt Gracie Girl. The only marking I had to do was drawing a “X” with a Hera marker across the top and then quilting it. From there, I quilted 3/4” apart on each quadrant with a Silver Aurifil thread. The backing was a gray polka dot from the backing vault and thankfully the binding, a grey and white mini check used in the top was found in the binding drawer. 

The machine quilting made my Gracie Girl quilt somewhat stiff and would be perfect for a play mat or a wall hanging. A funny thought came across my mind as I was finishing this quilt which was several years ago when I finished a baby quilt for a QAL, I found out my niece was expecting a baby as well as her oldest daughter was graduating high school. I brought the QAL baby quilt to the daughter’s graduation party. Now her son is graduating from high school and the party is next week so I’ll be checking with her to see if I need to bring Gracie Girl to the party. I’m pretty sure I won’t have to, but it’s going to be fun just to ask her.

After the Gracie Quilt was finished before we left for the Grandparent House and upon my return I thought it would be nice to finally finish the Glamping Flimsie which was made the same time.  I thought the fabric was another Lori Holt collection but actually was designed by Mary Jane Butters for Moda and came  out the same time. I only had a charm pack of this collection and yardage of the teal and white check.  I added some white with teal/green pin dots to make this simple baby quilt of squares and rectangles or modified coin quilt which measures 39” x 42”.

The quilting was a combination of straight lines 3/4” apart on the sashing and wavey lines on the squares and rectangles and Essential white thread was used.  The pink patchwork print was found in the backing vault and really fits the “girliness” of this quilt. I almost couldn’t find the binding which I swore I put it in the binding drawer over seven years ago. After clearing out the drawer I found it stuck in the corner; proof that Hubby is right that it’s always going to be in the last place you look and I say I really need to reorganize the binding drawer. My plan for this quilt when the top was made to gift it to good Quilt Peep Mary who goes camping and was also celebrating the birth of her first grandchild/granddaughter. Now Mary has four granddaughters and I’m having second thoughts of keeping this for myself since I’ve been dreaming lately of Class B Campers. Do I need another quilt- No, but I always want another quilt. The Glamping Quilt is definitely one for traveling and I’m looking forward to taking it on vacation when we travel to Colorado in August. I’m pretty sure we won’t be traveling in a Class B camper.

When I was pulling out the Gracie Girl and Glamping flimsies, I came across the Fireburst Mystery Flimsie which was finished in 2018.  This was a mystery quilt hosted by Tish’s Adventures in Wonderland and I know that it remained a flimsie because I did not know how I wanted to quilt it. After Gracie Girl was quilted, I knew I could do quadrant quilting for the Fireburst quilt. I used the Silver Aurifil which blended really nice with all of the colors. This quilt measures 32” square and the plan is to either to give it to my son who lives next door to the Grandparent House and has purple living room walls or my new neighbor on the other side of the Grandparent House who loves purple. For now, I think I’m going to keep it awhile since I love how it turned out. Also, I have to make sure I link up to Tish’s UFO Busting post.

Here’s a photo of the pair and spare hanging on the garage door which is a nice substitute for a clothesline as long as you have strong magnets.

I should mention that before I started on the final two flimsies, I had to get caught up with the Follow Your Own Path QAL hosted by Sandra, mmmquilts by sewing the blocks together. It’s ready for quilting and I’m pretty sure it going to be straight horizontal line quilting but do I dare do quadrant quilting? Either way, this quilt will be done in time to celebrate a famous Canadian’s birthday on June 15th. I know it’s going to be a wall hanging either in Demando’s bedroom, although he doesn’t know it or in the soon-to-be basement studio at the Grandparents House which is another post for another day. I’m not entirely sold on the idea, something to do with the long meat hooks found hanging in the basement. Good Quilt Peep Mary thinks since the  house is almost a hundred years old that meat, etc. was hung there because it was cold down there. Confession: it’s been two years and I have not yet set foot in the basement, Hubby shows me photos.

Finally, I am enjoying sewing my Glitter blocks and sew far have ten blocks done. It’s a nice project to do when traveling to and from the Grandparent House but as I tell Hubby, it would be easier if I was sewing in a Class B Camper.

As I tell Hubby, I saved 100K with the purchase of this Everything Mary Large Lap Desk for $6 which makes sewing the EPPs much easier but not as nice as it would be in a Class B Camper. BTW, Demando the Paramedic/Firefighter saids that I should not be using this tray in the front seat in case of an accident so there will be no sewing when road conditions are iffy.

Thanks for reading this rather long post and we’ll be leaving the Grandparent House before the Memorial Day Weekend. I’m hoping to have one more Finally Finished before the rather lovely month of May is over.

Sew Safe!

Linking up with: My Quilt Infatuation and Tish’s Adventure in Wonderland

The Ernie Express Quilt, Etc.

It isn’t very often when after a quilt is a finally finished that the weather is co-operative for taking photos outside. This past Tuesday was one of these rare occasions with beautiful sunny skies, warm temperatures with a slight breeze and the landscaping around our house looking presentable thanks to the Master Quilt Holder which made taking photos such a pleasure for once. 

Last August, I purchased a fat quarter bundle of Jen Kingwell Grainline Wovens with the intention of making another Ernie Quilt (You can see the previous ones make here) with this and  my stash of Jen Kingwell fabric scraps. After my strips were cut, combinations decided and strip sets sewn, the project was put away and sort of forgotten until I happened to come across it this past March.  

As I was ready to start cutting the strip sets to sew the 4”x8” blocks, I happened to catch with the corner of my eyes, the 6” Checkerboard Express block which I designed for Moda’s 2017 Countdown to Christmas, (You can see the tutorial here), hanging on the board next to my sewing machine. I thought that I could spice up the Ernie Block if I changed the orientation of the block and make the blocks 12” x 16”.

I also had another idea of instead of using just two fabrics, I would use four fabrics just like the original block I submitted to Moda. I decided that this block would be my “A” Blocks which would be the checkerboard blocks in the center and the rail blocks on the outside. Since I didn’t want all of the blocks to be “A” which then all of the checkerboard segments of the blocks would be lined up and running up and down the quilt, so to offset this, I designed a “B” block with the checkerboards on the outside and the rail block in the center and only using two fabrics. Because of this newly inspired design, I had to add some Cotton+Steel and other bright prints so there was enough fabric and variety for more strip sets.

After the Flimsie was finished earlier this month, I have to admit I was disappointed with the way it turned out. I liked how the “B” blocks with using just two fabrics looked and wished the “A” blocks only had two fabrics also. It’s rather ironic that after the Checkerboard Express Block with the four fabrics was accepted by Moda, I switched to just using two fabrics to keep it simple and because I liked it better--wished I remembered this when I started making this quilt.

But I’m happy to say that once I quilted it with a combination of straight and wavy lines, I really love this quilt now.  The colors and fabrics are so happy. I used an Essential Thread in Charcoal Gray and the binding was a small white polka dot on black print. Also what is nice about the Ernie Express Quilt is that it’s a finally finished but I am feeling a little guilty that I have 12+ flimsies waiting to be quilted and this one jumped ahead of the queue. Maybe it’s because I just purchased yardage of the black and white splatter print last week and knew it would be a perfect backing for the Ernie Express Quilt.

Here are some close-up shots of some of the blocks so you can see the quilting and the happy fabrics.

Before I quilted the Ernie Express Quilt, I was planning on making another one with using just two fabrics for the Type A and B Blocks with my newly acquired stash of Alison Glass fabrics but now am having second thoughts. I’m thinking now of just making just the usual Ernie Quilt unless I see another pattern for these wonderful prints. But if I do make another Ernie Express Quilt, I will provide instructions on how to make it since I’ve come up with a different and maybe a faster way to make the blocks. If the strip sets for this quilt weren’t already cut and sewn, I would have made it this way.

I thought it would be interesting to show a photo of my first Ernie quilt made over four years ago with Jen Kingwell fabrics next to the Ernie Express Quilt, so named since it was inspired by the Checkerboard Express block.

Here’s a photo of the happy Master Quilt Holder who was glad these photos went without a hitch. This quilt measures 60” x 80” which was just the right size to hang it on the garage door with heavy duty magnetic clips which I learned about these from Shannon, The Fleming Nines, who learned about them from Myra, Busy Hand Quilts. Between hanging long quilts from the garage door or from the gutter outside the screen room, I don’t think a clothesline is needed which makes the Master Quilt Holder very happpy.

I had to include a photo of the Ernie Express Quilt with my metal goat Susannah as a shoutout to Mary Etherington, Country Threads, the designer and inspiration for the Ernie Quilts.

Just when I’m thinking that my stash of Jen Kingwell fabrics is dwindling, I’ve decided that I need a new challenge, which didn’t involve falling down and bumping my head and making me forget I have a “fear of Jen Kingwell patterns.” Maybe it’s because of inspiration from my down under quiltTormentor Sue, Patchwork and Play and her wonderful creations she’s been posting lately on her Instagram and Blog.  I have a new “forever” project with Jen Kingwell’s Glitter pattern which I’ve been procrastinating doing since finishing Smitten several years ago. The templates were purchased back then and I admit I was not looking forward to cutting the fabric until I saw that paper pieces were available.  I originally was going to use reproduction fabrics but decided that I needed more Jen Kingwell fabrics so I purchased a fat quarter bundle of WikiPops and a jelly roll of Fine and Sunny, my early Mother’s Day present. Cutting the fabric pieces will be easy with the templates and using 2-1/2” strips, which I am looking forward to cutting up my new stash. I think there might be leftovers and another Ernie quilt would need to be made which now seems to be a tradition.

My first four blocks for the Sandra, mmmquilts, Follow Your Own Path QAL, are sewn and I am happy to say these blocks were a snap to make which is no surprise. After participating in all five of Sandra’s QAL, her patterns are fun, sew easy and quite conducive to wanting to finish the quilts all at once.  I am quite surprised at myself for sewing on schedule and not being the usual “rebel”in her QAL. But I do have a new name for her; the great mmm-tivator. Funny I had visions of Darth Vader and hearing the Empire music as I was typing this.

Thanks to my Accuquilt Go Baby die cutter and Flying Geese die along with my Stripology Ruler and a brand new blade on my rotary cutter, the remaining patches are cut and I am ready to sew the rest of the blocks.  My quilt will be the throw size and my arrows will be going both left and right. But before that, the dreaded Tax Returns must be filed first.

If you have been reading other posts on Blogger, you will know that starting in July, Feedburner will no longer be sending posts through email but you could continue seeing posts through Bloglovin which is a problem for me since my posts are no longer being picked up by them. I’ve contacted them several times and have not yet received a response. For several years I’ve been avoiding link-ups since it seem to be atttracting “strange” activities on my blog but I guess I will start doing link-ups again. Hopefully I can resolve my Bloglovin issues before July.

Linking up with My Quilt Infatuation, Needle and Thread Thursday and From Bolt to Beauty, Brag About Your Beauties.

Slow Stitching, Scraps and Small Quilts

I had mentioned in my previous posts of being inspired by the many posts from other quilters who shared their Kawandi, Kantha,  Boro, Sashiko, etc. quilts and since then have learned of Chiku Chiku stitching. You can find wonderful examples of these techniques on Pinterest. All of this to me translates to big stitching which I’ve been happily doing for the past months in between visits to the Grandparent house and during downtime (watching TV) when I am home. I thought I would share the projects I have been working on or have completed.

Although I liked the techniques behind the Kawandi, Kantha and Sashiko patchwork quilts, I thought I would work on the patchwork blocks, which were scraps I hand sewn to batting squares while traveling to Yellowstone in September of 2017 which you can read about it in this Post.

My original plan for these blocks were to either make coasters or pincushions and since there were around nineteen squares sewn, I thought I didn’t have a need to make that many of them.

After I trimmed them, there were at least twelve of them which were 6” square and thought I could make two rectangular quilts or placemats.

Before the backing was added, I did big stitch hand quilting with #10 white crochet thread.  I got this idea from BanjoFlannel Method of Patchwork Sashiko.  The rows were spaced 1/2” apart and after I quilted four rows, I skipped a row. After I was done big stitching, I then added the backing and machine quilted the binding. You can see in the photo above, the 1” spacing between the four rows.

The reason for skipping a row was that once the backing was added, I then quilted this row, which there were three, and I consider them to be the “tacking” row” since their purpose to hold the backing. This is something I learned from making several quilts with the  Quilt As You Go method, and that is, since the top and batting are quilted together and once the backing is added you only need to quilt it at certain intervals to keep the layers together.  I liked how these turned out and after all of the big stitching I did I don’t want to use them for placemat since I can’t bear to see them getting stained.

I’m really liking the big stitch hand quilting and used it for this small wall hanging which had been a flimsie for over ten years.  I did do some machine quilting in the ditch before hand quilting the three layers.  I will say big stitch quilting is much easier when only the top and batting is involved. This small quilt is what call my Patchbox Quilts which I someday need to write a Post about my idea behind these small quilts.

It’s funny that I went into 2021 subconsciously wanting to start making small quilts which is what I’ve been doing when I’m at the Grandparent House which is much easier to make than a large quilt. The quilts on the bottom of each row are ones made from patchwork blocks with batting and ready for big stitching and the others are machine piece and waiting to be machine quilted with some big stitching accents

Here’s another one I’ve been working on where I machine pieced scraps onto a piece of batting and did various stitches with #8 Perle Cotton which I love.  I left some areas unquilted and once I add the backing, I’ll add the “tacking” stitches. What I like about these projects is that I have several of them going on at once and I can switch between them when I get tired of working on one of them.

I now have assembled a project box containing patchwork blocks, batting squares and scraps which is ready to take when traveling between the two homes. The tools and notions are kept in a separate pouch. This is really a nice, portable project and a great way to use up the scraps that just keep on multiplying.

And here’s another small quilt just finally finished which is my #2 of Country Threads Dirty Dozen UFO Challenge.  The top was finished in 2017, coincidentally the same time when the beforementioned Patchwork Blocks were first sewn.  This quilt measures 25” x 33” and is a combination of wool circles and squares made from Thimbleberries fabric.  This idea for this quilt was inspired by one I saw on Pinterest from orangesink blogspot and this is the second one I made based on this pattern.  When the Dirty Dozen UFO Challenge started last year in July, this is the one I really wanted to finish sooner than later since I  have a spot for it at the Grandparent House.

We’re leaving for the Grandparent House tomorrow for a four-day visit and upon my return, I’ll be setting aside my Slow Stitching projects for some serious sewing— Sandra of mmm quilts’ Follow Your Own Path QAL which according to me is the sixth QAL of hers which I have participated. More importantly, this is the fifth year I will be celebrating a Famous Canadian’s birthday and I’m thinking a special commemorative T-shirt needs to be designed. My fabrics have been chosen and surprisingly I have not yet started nor plan on doing any deviations.

Today would be a great day for stitching but sadly doing the Taxes are yelling at me.

Country Threads Dirty Dozen UFO Challenge—First Quarter Catch-up of Finally Finished

I’ve been keeping up with my participation in CountryThreads Dirty Dozen UFO Challenge with the exception of January in which I was a week late but otherwise February and March I was done before the end of the month. January’s UFO finish is one project from last year, blocks were made and the top needed to be assembled and quilted and February and March were UFOs, flimsies, from 2013, the year I retired. Here are the deets:

Modern Puzzle Pattern by Christa Watson 

I originally was planning on making Pat Sloan’s Stoplight pattern and had all of the 2.5” strips done but the squares still needed to be cut. I switched patterns when I saw Janine’s Quilts From the Little House Modern Puzzle Quilt which only uses strips and no squares.

Size: 54” x 72”, 8” blocks, fabrics used were mostly from Pat Sloan collections with some Bonnie and Camille and Crazy/Mom Good Neighbor fabrics.

Quilting was vertical wavey lines using variegated threads of primary colors.

The backing was pieced using leftover blocks, several decade old dark blue print with a Connecting Threads stripe print. It still wasn’t long enough so I had to several inches of a denim print leftover from the backing from the I Love London quilt. My yardage of Pat Sloan fabrics is dwindling and had to scrounge to find the red tone on tone print which there was enough for the binding.

Fig Tree Square

I retired in 2013 and one of my goals was to use some of the bundles purchased from the Fat Quarter Shop. I remember my subscription to the Moda Fabric of the Month Club which I received twelve fat quarters from different Moda designers. I designed this quilt top based on the fat quarters of the Butterscotch and Roses fabric line designed by Fig Tree; I used the floral fat quarters for the plain blocks in a controlled layout and the smaller prints for the rail blocks along with yardage of the rick rack and gingham from other Fig Tree fabric lines. Again the layout for the rail blocks was controlled.

This quilt measures approximately 52” square and quilted in diagonal wavey lines and straight grid lines using a Connecting Threads’ apricot/peach thread.

The backing was purchased online after the bundle was received and have been patiently waiting in the backing vault. And once again the gingham print which was used for some of the rail blocks was used for the binding which was safely tucked away in the binding drawer for almost eight years.

Dominique Square

This was another flimsie made in 2013 and I’m pretty sure if involved buying a Dominique Charm Pack along with yardage. This fabric line was designed by Sentimental Studios and has the most gorgeous Rose print. There aren’t too many Rose prints that I don’t like and justify buying rose prints because it has my name on it. I just love quilts mixed with pretty florals, toile, plaids, stripes and ticking. The pattern was again based on what I had and I’m pretty sure the plaids, stripes and ticking was from other Moda collections like Three Sisters.

This quilt measures 56” squares and was quilted with straight horizontal lines spaced 3/4” apart.  I’ve always admired this type of quilting done by Mary Etherington, Country Threads, and was determined to do this with the Dominique quilt  and resisted doing cross-hatching.  I love how modern quilting looks on traditional quilts.

A golden khaki tan thread from Star Machine Quilt Thread was used and blended nicely with all of the prints.

The tan backing was found in the backing vault and fortunately had enough even though it involved some piecing. The binding was the floral print used in the top and bottom borders and I was tempted to use the red ticking on the side borders but it’s the floral print which was saved in the binding drawer.

The next three UFOs remaining in the Challenge involves the last remaining square quilt top made in 2013 and used Lori Holt’s first fabric line. And of course, one of the other two was one I really was anxious to finally finish since I want to hang it up at the GP house. Joining this UFO Challenge was a great way for me to finally finish some very old projects and I’m looking forward to doing a recap post in July.

For someone who doesn’t like making square quilts, I made one as a bystander in the SAHRR (Stay at Home Round Robin) QAL since I liked the idea of making a quilt from an orphan block leftover in a Pat Sloan BOM and some Granny Blocks made last year with my Bee Sistas.  I didn’t do all of the rounds and wanted to keep it a small 40” square. The top is ready to be quilted and bound and had to scrounge once again for binding in my Pat Sloan stash.  

I’m trying to be good by not starting any new projects when I’m home which sometimes is only three to four days a week, and want to quilt some flimsies from last year but I keep finding wonderful fabrics and know the squirrels are calling. Plus, my left arm is pretty sore from receiving my second vaccination on Monday so not sure if I could handle doing machine quilting right now. I am working on projects involving small quilts and slow stitching when I’m at the GP House and I will share by the end of the month.

Hope all is well and if you’re experiencing snow still like we are, I am so looking forward to Spring.